13: Thirteen Stories That Capture the Agony and Ecstasy of Being Thirteen

13: Thirteen Stories That Capture the Agony and Ecstasy of Being Thirteen

by James Howe (Editor)


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"If thirteen is supposed to be an unlucky number...you would think a civilized society could come up with a way for us to skip it."

— from "What's the Worst That Could Happen?" by Bruce Coville

No one will want to skip any of the twelve short stories and one poem that make up this collection by some of the most celebrated contemporary writers of teen fiction. The big bar mitzvah that goes suddenly, wildly, hilariously out of control. A first kiss — and a realization about one's sexual orientation. A crush on a girl that ends up putting the boy who likes her in the hospital. A pair of sneakers a kid has to have. By turns funny and sad, wrenching and poignant, the moments large and small described in these stories capture perfectly the agony and ecstasy of being thirteen.

Product Details

ISBN-13: 9781416926849
Publisher: Atheneum Books for Young Readers
Publication date: 09/26/2006
Pages: 288
Sales rank: 212,921
Product dimensions: 5.00(w) x 7.00(h) x 0.80(d)
Age Range: 12 - 17 Years

About the Author

James Howe is the author of more than ninety books for young readers. Bunnicula, coauthored by his late wife Deborah and published in 1979, is considered a modern classic of children’s literature. The author has written six highly popular sequels, along with the spinoff series Tales from the House of Bunnicula and Bunnicula and Friends. Among his other books are picture books such as Horace and Morris but Mostly Dolores and beginning reader series that include the Pinky and Rex and Houndsley and Catina books. He has also written for older readers. The Misfits, published in 2001, inspired the antibullying initiative No Name-Calling Week, as well as three sequels, Totally Joe, Addie on the Inside, and Also Known as Elvis. A common theme in James Howe’s books from preschool through teens is the acceptance of difference and being true to oneself. Visit him online at JamesHowe.com.

Read an Excerpt

From: What's the Worst

That Could Happen?

Bruce Coville

If thirteen is supposed to be an unlucky number, what does it mean that we are forced to go through an entire year with that as our age? I mean, you would think a civilized society could just come up with a way for us to skip it.

Of course, good luck and I have rarely shared the same park bench. Sometimes I think Murphy's Law — you know, "If something can go wrong, it will" — was invented just for me. I suppose the fact that my name is Murphy Murphy might have something to do with that feeling.

Yeah, you read it right: Murphy Murphy. It's like a family curse. The last name I got from my father, of course. The first name came down from my mother's side, where it is a tradition for the firstborn son. You would think my mother might have considered that before she married Dad, but love makes fools of us all, I guess. Anyway, the fact that I got stuck with the same name coming and going, so to speak, shows that my parents are either spineless (my theory) or have no common sense (my sister's theory).

I would like to note that no one has ever apologized to me for this name. "I think it's lovely," says my mother — which, when you consider it, would seem to support my sister's theory. Anyway, you can see that right from the beginning of my life, if something could go wrong, it did.

Okay, I suppose it could have been worse. I could have been born dead or with two heads or something. On the other hand, as I lie here in my hospital bed trying to work out exactly how I got here, there are times when I wonder if being born dead might not have been the best thing.

To begin with, I want to say here and now that Mikey Farnsworth should take at least part of the blame for this situation. This, by the way, is true for many of the bad things that have happened in my life, from the paste-eating incident in first grade through the bogus fire-drill situation last year, right up to yesterday afternoon, which was sort of the Olympics of Bad Luck as far as I'm concerned. What's amazing is that somehow Mikey ends up coming out of these things looking perfectly fine. He is, as my grandfather likes to say, the kind of a guy who can fall in a manure pile and come out smelling like a rose.

The one I am not going to blame is Tiffany Grimsley, though if I hadn't had this stupid crush on her, it never would have happened.

Okay, I want to stop and talk about this whole thing of having a crush. Let me say right up front that it is very confusing and not something I am used to. When it started, I was totally baffled. I mean, I don't even like girls, and all of a sudden I keep thinking about one of them? Give me a break!

In case it hasn't happened to you yet, let me warn you. Based on personal experience, I can say that while there are many bad things about having a crush, just about the worst of them is the stupid things you will do because of it.

Okay, let's back up here.

I probably wouldn't even have known I had a crush to begin with if Mikey hadn't informed me of this fact. "Man, you've got it bad for Tiffany," he says one day when we are poking around in the swamp behind his house.

"What are you talking about?" I ask. At the same time, my cheeks begin to burn as if they are on fire. Startled, I lift my foot to tie my shoe, which is a trick I learned in an exercise magazine and that has become sort of a habit. At the moment, it is mostly an excuse to look down.

What the heck is going on here? I think.

Mikey laughs. "Look at you blush, Murphy! There's no point in trying to hide it. I watched you drooling over her in social studies class today. And you've only mentioned her, like, sixteen times since we got home this afternoon."

"Well, sure, but that's because she's a friend," I say, desperately trying to avoid the horrible truth. "We've known each other since kindergarten, for Pete's sake."

Mikey laughs again, and I can tell I'm not fooling him. "What am I going to do?" I groan.

He shrugs. "Either you suffer in silence, or you tell her you like her."

Is he nuts? If you tell a girl you like her, it puts you totally out in the open. I mean, you've got no place to hide. And there are really only two possible responses you're going to get from her: (a) She likes you, too, which the more you think about it, the more unlikely it seems; or (b) anything else, which is, like, totally, utterly humiliating. I'm sure girls have problems of their own. But I don't think they have any idea of the sheer terror a guy has to go through before any boy-girl stuff can get started.

I sure hope this gets easier with time, because I personally really don't understand how the human race has managed to survive this long, given how horrifying it is to think about telling a girl you like her.

Despite Mikey's accusation, I do not think I have actually drooled over Tiffany during social studies class. But it is hard not to think about her then, because she sits right in front of me. It's the last class of the day, and the October sunlight comes in slantwise and catches in her golden hair in a way that makes it hard to breathe.

It does not help that eighth-grade social studies is taught by Herman Fessenden, who you will probably see on the front of the National Enquirer someday as a mass murderer for boring twenty-six kids to death in a single afternoon. It hasn't happened yet, but I'm sure it's just a matter of time.

I spend the entire weekend thinking about what Mikey has said, and I come up with a bold plan, which is to pass Tiffany a note asking if she wants to grab a slice of pizza at Angelo's after school. I am just getting up my nerve to do it — there are only five minutes of class left — when Mr. F. says, "So, what do you think the queen should have done then, Murphy?"

How am I supposed to know? But I blush and don't hand the note to Tiffany after all, which wouldn't have been so bad, except that Butch Coulter saw I had it and grabs it on the way out of class, and I have to give him the rest of my week's lunch money to get it back.

Tuesday I try a new tactic. There's a little store on the way to school where you can pick up candy and gum and stuff, and I get some on the way to school and then kind of poke Tiff in the back during social studies class, which is about the only time I see her, to ask if she wants a piece of gum. Only before she can answer, Mr. Fessenden comes up from behind and snatches the whole pack out of my hand. So that was that.

Then, on Wednesday, it's as if the gods are smiling on me, which is not something I am used to. Tiffany grabs my arm on the way out of social studies and says, "Can I talk to you for a second, Murphy?"

"Sure," I say. This is not very eloquent, but it is better than the first thought that crosses my mind, which is, "Anytime, anywhere, any moment of the day." It is also better than, "Your words would be like nectar flowing into the hungry mouths of my ears," which was a line I had come up with for a poem I was writing about her.

She actually looks a little shy, though what this goddess-on-earth has to be shy about is more than I can imagine.

She hands me a folded-over set of papers, and my heart skips a beat. Can this be a love letter? If so, it's a really long one.

"I wrote this skit for drama club, and I thought maybe you would do it with me next Friday. I think you'd be just right for the part."

My heart starts pounding. While it seems unlikely that the part is that of a barbarian warrior prince, just doing it means I will have an excuse to spend time with Tiffany. I mean, we'll have to rehearse and...well, the imagination staggers.

"Yes!" I say, ignoring the facts that (a) I have not yet read the script and (b) I have paralyzing stage fright.

She gives me one of those sunrise smiles of hers, grabs my arm and gives it a squeeze, and says, "Thanks. This is going to be fun." Then she's gone, leaving me with a memory of her fingers on my arm and a wish that I had started pumping iron when I was in first grade, so my biceps would have been ready for this moment.

Mikey moves in a second later. "Whoa," he says, nudging me with his elbow. "Progress! What did she say?"

"She wants me to do a skit with her."

He shakes his head. "Too bad. I thought maybe you had a chance. How'd she take it when you told her no?"

I look at him in surprise. "I didn't. I said I would do it."

Mikey looks even more surprised. "Murphy, you can't go on stage with her. You can't even move when you get on stage. Don't you remember what happened in fifth grade?"

As if I could forget. Not only was it one of the three most humiliating moments of my life, but according to my little brother, it has become legendary at Westcott Elementary. Here's the short version: Mrs. Carmichael had cast me as George Washington in our class play, and I was, I want to tell you, pretty good during rehearsals. But when they opened the curtain and I saw the audience...well, let's just say that when my mother saw the look on my face, she actually let out a scream. She told me later she thought I was having a heart attack. As for me, my mouth went drier than day-old toast, some mysterious object wedged itself in my throat, and the only reason I didn't bolt from the stage was that I couldn't move my arms or legs. Heck, I couldn't even move my fingers.

I couldn't even squeak!

Finally, they had to cancel the performance. Even after the curtains were closed, it took two teachers and a janitor to carry me back to the classroom.

"This time will be different," I say.

Mikey snorts.

I know he is right. "Oh, man, what am I gonna do?" I wail.

"Come on, let's look at the script. Maybe all you have to do is sit there and she'll do all the acting."

No such luck. The script, which is called "Debbie and the Doofus," is very funny.

It also calls for me to say a lot of lines.

It also calls for me to act like a complete dork.

Immediately, I begin to wonder why Tiffany thinks I would be just right for this role.

"Maybe she imagines you're a brilliant actor," says Mikey.

He is trying to be helpful, but to tell the truth, I am not sure which idea is worse: that Tiffany thinks I am a dork or that she thinks I am a brilliant actor.

"What am I gonna do?" I wail again.

"Maybe your parents will move before next week," says Mikey, shaking his head. "Otherwise, you're a dead man walking."

I ask, but my parents are not planning on moving.

I study the script as if it is the final exam for life, which as far as I am concerned, it is. After two days I know not only my lines, but all of Tiffany's lines, too, as well as the lines for Laurel Gibbon, who is going to be playing the waitress at the little restaurant where we go for our bad date.

My new theory is that I will enjoy rehearsals, and the excuse they give me to be with Tiffany, and then pray for a meteor to strike me before the day of the performance.

The first half of the theory actually seems to work. We have two rehearsals — one at school and one in Tiffany's rec room. At the first one she is very impressed by the fact that I know my lines already. "This is great, Murphy!" she says, which makes me feel as if I have won the lottery.

At the second rehearsal I actually make Laurel, who is perhaps the most solemn girl in the school, laugh. This is an amazing sound to me, and I find that I really enjoy it. Like Tiffany, Laurel has been in our class since kindergarten. Only I never noticed her much because, well, no one ever notices Laurel much, on account of she basically doesn't talk. I wondered at first why Tiffany had cast her, but it turns out they are in the same church group and have been good friends for a long time.

Sometimes I think the girls in our class have a whole secret life that I don't know about.

Time becomes very weird. Sometimes it seems as if the hours are rushing by in a blur, the moment of performance hurtling toward me. Other times the clock seems to poke along like a sloth with chronic fatigue syndrome. Social studies class consists of almost nothing but staring at the sunshine in Tiffany's hair and flubbing the occasional question that Mr. Fessenden lobs at me. Some days I think he asks me questions out of pure meanness. Other days he leaves me alone, and I almost get the impression he feels sorry for me.

Mikey and I talk about the situation every night. "No meteor yet," he'll say, shaking his head.

"What am I gonna do?" I reply, repeating the question that haunts my days. I can't possibly tell Tiffany I can't do this.

"Maybe you could be sick that day?" says Mikey.

I shake my head. "If I let her down, I will hate myself forever."

Mikey rolls his eyes. "Maybe you should run away from home," he suggests, not very helpfully.

Finally, we do come up with a plan, which is that Mikey will stay in the wings to prompt me in case the entire script falls out of my head. I don't know if this will really do much good, since if I freeze with terror, mere prompting will not be of any use. On the other hand, knowing Mikey will be there calms me down a little. It's like having a life jacket.

Ha! Little do I know what kind of life jacket he will turn out to be.

To my dismay, I have not been able to parlay my time working on the skit with Tiffany into anything bigger. This is partly because she is the busiest person in the eighth grade, with more clubs and committees and activities than any normal person could ever be involved with. It is also because I am stupid about this kind of thing and don't have the slightest clue how to do it. So I treasure my memory of the two rehearsals and, more than anything else, the sound of her laughing at some of what I have done.

Despite my prayers, Friday arrives. I don't suppose I really expected God to cancel it, though I would have been deeply appreciative if he had. I go through the day in a state of cold terror. The drama club meeting is after school. Members of the club have invited their friends, their families, and some teachers to come see the skits. There are going to be four skits in all. Tiffany, Laurel, and I are scheduled to go last, which gives me more time to sweat and worry.

Mikey is backstage with us, but Tiffany does not know why. I tell her he came because he is my pal. Getting him aside, I check to make sure he has the script.

At 2:45, Mrs. Whitcomb, the drama club coach, comes back to wish us luck. She makes a little speech, which she ends with, "Okay, kids — break a leg!"

This, of course, is how people wish each other luck in the theater. According to my mother, the idea is that you're not going to get your wish anyway, so you wish for the thing you don't want and you may get the thing you do want instead.

I suddenly wonder if this is what I have been doing wrong all my life.

On the other hand, Tiffany is standing next to me, so that is one wish that is continuing to come true.

"Are you excited?" she asks.

"You have no idea," I answer, with complete honesty.

Laurel, who is standing on the other side of me, whispers, "I'm scared."

"Don't worry, you'll be fine," I reply.

Copyright © 2003 by Bruce Coville

Table of Contents



James Howe

What's the Worst That Could Happen?

Bruce Coville

Kate the Great

Meg Cabot

If You Kiss a Boy

Alex Sanchez

Thirteen and a Half

Rachel Vail

Jeremy Goldblatt Is So Not Moses

James Howe

Black Holes and Basketball Sneakers

Lori Aurelia Williams

Picky Eater

Stephen Roos

Such Foolishness

Maureen Ryan Griffin

Noodle Soup for Nincompoops

Ellen Wittlinger

Squid Girl

Todd Strasser

Angel & Aly

Ron Koertge

Nobody Stole Jason Grayson

Carolyn Mackler

Tina the Teen Fairy

Ann M. Martin and Laura Godwin

Reading Group Guide

About the Book

“ . . . Hilarious and poignant . . . An upbeat and reassuring novel that encourages preteens and teens to celebrate their individuality.” —Publishers Weekly


« “Howe tells the truth about the pain and anger caused by jeers and name-calling in a fast, funny, tender story that will touch readers.” —Booklist, starred review

Bobby, Skeezie, Addie, and Joe are “the misfits.” Bobby is fat. Skeezie dresses like it’s 1957. Addie is tall, brainy, and outspoken. And Joe is gay. They’re used to being called names, but they know they’re better than the names they’re called.

Besides, they’ve always had each other when times got tough. And surviving seventh grade looks like it’s not going to be easy. Starting with Addie’s refusal to say the Pledge of Allegiance and her insistence on creating a new political party to run for student council, the Gang of Five, as the four friends call themselves, is in for the year of their lives. It’s a year in which they learn about politics and popularity, love and loss, and what it means to be a misfit. After years of insults, the Gang of Five is determined to stop name-calling at their school. Finally, they are going to stand up and be seen—not as the one-word jokes their classmates have tried to reduce them to, but as the full, complicated human beings they are just beginning to discover they truly are.

Discussion Topics

• Why do you think the author chose the character of Bobby Goodspeed to tell the story of The Misfits? Could you see another character narrating the novel instead? How would the novel be different with another narrator? How is Bobby wise beyond his years?

• The Misfits is a uniquely written novel. Part of the story is written in prose and part of it is in a play format. Do you like this style of writing? Did it help you to learn more about the characters as you were reading?

• Celebrating one’s individuality is a strong theme throughout The Misfits. Which characters “celebrate their individuality” more than others?

• We don’t learn that Bobby’s mother has died until halfway through the novel. Does learning this important fact about Bobby’s life enable us to understand him better? Why do you think the author chose to withhold this information about Bobby until halfway through the story?

• Other characters in The Misfits have also endured a loss. These losses have shaped their personalities and have affected each of them differently. Discuss how this is so. Is there a “right” way to deal with loss?

• How do you feel about the character of Addie? Do you find her frustrating, or refreshingly honest? Would you be friends with Addie if you had the opportunity? Can you sympathize with Ms. Wyman regarding her feelings toward Addie? Do you think that Ms. Wyman was once a little like Addie when she was younger? And how is Addie ultimately like Ms. Wyman?

• Bobby, Skeezie, Addie, and Joe rebel against name-calling and base the platform for their new political party on banishing name-calling. However, they are guilty of calling people names themselves. Cite examples throughout the book where they fall into this trap. Do you think they realize that they are name-callers? Is name-calling a natural part of who we are or is it learned? Can name-calling ever be a positive thing?

• Examine and discuss the following pairings: Bobby and Mr. Kellerman, Addie and Ms. Wyman, Joe and Colin. How does each relationship demonstrate how people who seem outwardly very different can actually be very much alike?

• The role of family is significant in the development of each character in The Misfits. Talk about each character’s connection with his or her family. How do the families help to define each character?

• Bobby is surprised to discover that Pam was not popular when she was his age. How is this eye-opening and ultimately inspiring for Bobby? Do you think that Ms. Wyman, Mr. Kellerman and Bobby’s dad were “popular” when they were in seventh grade, or do you think they were more like the Gang of Five?

• Bobby tells his friends that his dad says, “It’s better to just get along [and] not make waves . . . [B]ringing attention can be a dangerous thing.” Why do you think he said this to Bobby?

• Mr. Kellerman makes the comment that “we’re all so ready to believe the worst about ourselves . . . we just accept them without even thinking about what they mean or even if they’re true.” Do you agree or disagree with him?

• Although the No-Name Party ultimately loses the student council election, Bobby puts the loss into perspective by saying “sometimes it is about winning something much bigger.” How does the No-Name Party “win” anyway? Can you think of other examples where something has been lost, but something much bigger has been won?

• The ending of The Misfits gives a glimpse into the Gang of Five’s future. What surprised you about the ending of the story? Can you try to predict how your circle of friends at school will end up one day? • After finishing the story, do you think Addie, Bobby, Skeezie, and Joe are really misfits?

• Does The Misfits present a realistic portrayal of life in middle school or junior high? Why or why not?

• After reading the book, do you wish that any of the characters were your friends? Who and why?

• Do you think it’s possible for two boys or two girls to go out together in your school? Why or why not?

• What do you think of the expression, “That’s so gay,” or “He/she is so gay”? Does being gay or not affect your opinion?

• Is your school and/or your community a safe place to be a “misfit”?

• What is the difference between seeing someone as “different” from you and “less than” you?

• Do you think it’s possible for a mixed-race couple to date in your school? Why or why not?

• Why does Addie refuse to say the Pledge of Allegiance? What do you think of her position? Do you agree or disagree with the position of the principal, Mr. Kiley?

• Of all the characters in the book, who do you think shows the most courage and why?

• Do you think the resolution of the story is realistic or a fairy-tale ending? Is it better for fiction to reflect the way things are or point the way to how things could be?

• Is it possible for unpopular kids to be friends with—or go out with —popular kids? If not, what gets in the way of making this possible?

• Addie, Joe, Bobby, and Skeezie are strong characters. What are their strengths and how do these strengths help them?

• Addie makes assumptions about DuShawn. What are they and what does she learn that’s different from what she thought? Discuss other assumptions the characters make and what they’re based on. What assumptions do you make about groups or types of people?

• Discuss the character of Kelsey. What is it that makes someone “painfully” shy?

Activities and Research

• Research the history of name-calling. Did you know that in the past, people were jailed or even killed for calling people names? Research historical situations where this was an outcome of name-calling. Can name-calling still carry significant consequences in today’s world? When has name-calling been used to oppress people?

• Cite situations today where name-calling is used to ruin a person’s reputation. Provide current examples involving celebrities, members of the media, politicians, or local figures by reading the newspaper or scanning the Internet for several days or a week.

• Find out more about the different political parties that exist in the United States, other than the Republican and Democratic parties. Why and when were these political parties launched, and what do they stand for? What party would you join?

• If you had the opportunity to create a new political party for a school election, what would your platform be? How would you promote the party? Design several potential election posters with different logos and share them with your classmates.

• Talk with your parents, grandparents, a teacher, or an older sibling about their experiences in middle school or junior high. Do they reveal anything surprising? Did you have any preconceived notions about that time in their lives, only to find out that they were actually very different?

• Research the history of the Pledge of Allegiance and the controversies that have arisen over its use in schools and students’ refusal to participate in its recital.

• Research the experiences of gay students in the past and the present. An excellent resource is www.GLSEN.org, the website of GLSEN (the Gay, Lesbian, and Straight Education Network).

• Write about your own experiences of being a misfit, or what you imagine it is like for others who don’t fit into the mainstream in your school.

This reading group guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.

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