Afterworlds (French Edition)

Afterworlds (French Edition)

by Scott Westerfeld

NOOK BookFrench-language Edition (eBook - French-language Edition)


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Évènement : après le succès de Uglies et Midnighters, le nouveau roman de Scott Westerfeld !
L'une l'écrit, l'autre le lit : de la réalité ou de la fiction, laquelle influence l'autre ?
Darcy Parel, 18 ans, a mis l'université et le reste de sa vie entre parenthèses pour signer un contrat avec un agent littéraire new-yorkais et publier son premier roman, Afterworlds. À son arrivée à New-York, sans appartement ni amis, elle tombe sur d'autres jeunes auteurs, comme elle, qui la prennent sous leur aile...

Un chapitre sur deux, Darcy écrit son roman. Un thriller mettant en scène Lizzie, une ado qui, échappant à une attaque terroriste de justesse, sombre dans l'Afterworlds, un lieu entre la vie et la mort...

Product Details

ISBN-13: 9782823819854
Publisher: Univers Poche
Publication date: 03/05/2015
Sold by: EDITIS - EBKS
Format: NOOK Book
Pages: 473
File size: 2 MB
Age Range: 14 - 17 Years

About the Author

Scott Westerfeld est né au Texas en 1963. Compositeur de musique électronique pour la scène, concepteur multimédia et critique littéraire, il vit entre New York et Sydney avec sa femme, l'écrivain Justine Larbalestier. Il est l'auteur de romans de SF pour adultes, et de romans pour les jeunes adultes.

Read an Excerpt


  • THE MOST IMPORTANT EMAIL THAT Darcy Patel ever wrote was three paragraphs long.

    The first was about Darcy herself. It skipped the trifling details, her dyed blue-black hair and the slim gold ring in her left nostril, and began instead with a grim secret that her parents had never told her. When Darcy’s mother was eleven years old, her best friend was murdered by a stranger. This discovery, chanced upon during an idle web search, both shocked Darcy and made certain things about her mother clearer. It also inspired her to write.

    The second paragraph of the email was about the novel Darcy had just finished. She didn’t mention, of course, that all sixty thousand words of Afterworlds had been written in thirty days. The Underbridge Literary Agency hardly needed to know that. Instead, this paragraph described a terrorist attack, a girl who wills herself to die, and the bewitching boy she meets in the afterworld. It promised skulking ghosts and the traumas that haunt families, and little sisters who are more clever than they appear. Using the present tense and short sentences, Darcy set the scene, thumbnailed the characters and their motivations, and teased the conclusion. This was the best of the three paragraphs, she was later told.

    The third paragraph was pure flattery, because Darcy wanted very much for the Underbridge Literary Agency to say yes to her. She praised the breadth of their vision and paid tribute to their clients’ genius, even while daring to compare herself to those illustrious names. She explained how her novel was different from the other paranormals of the last few years (none of which had a smoldering Vedic psychopomp as its love interest).

    This email was not a perfect query letter. But it did its job. Seventeen days after pressing Send, Darcy was signed to Underbridge, a flourishing and respected literary agency, and not long after that she had a two-book deal for an astonishing amount of money.

    Only a handful of challenges remained—high school graduation, a perilous decision, and parental approval—before Darcy Patel would be packing her bags for New York City.

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