×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
0767004580425
$15.69
$15.99
Save 2%
Current price is $15.69, Original price is $15.99. You Save 2%.

CD
Members save with free shipping everyday!
See details
See details
15.69
In Stock
Overview
Barrel wasn't quite Michaels in his most minimalist two-man band format. Drummer Frosty was still the prime accompanist, and Michaels played most of the other instruments, but Drake Levin did help out on guitar. The strengths of the album are the strengths of most of Michaels's early-1970s material: rich funk-rock-gospel vocals and keyboards. The weaknesses are also common to much of Michaels's albums from the period: a lack of truly outstanding songs and a reliance upon slow to mid-tempo bluesy songs that sound too much alike. Some moderate circa-1970 counterculture sentiments surfaced in songs like "What Now America," but the undoubted highlight was his rousing cover of Moby Grape's "Murder in My Heart (For the Judge)."
Product Details
Release Date: | 02/26/2016 |
---|---|
Label: | Manifesto Records |
UPC: | 0767004580425 |
catalogNumber: | 45804 |
Rank: | 24022 |
Tracks
Album Credits
Performance Credits
Lee Michaels Primary ArtistDrake Levin Guitar
Technical Credits
Larry Marks ProducerChuck Beeson Artwork
Tom Wilkes Art Direction,Inside Photo
Jim McCrary Cover Photo,Back Cover Photo,Inside Photo
Dan Perloff Re-Release Producer
Customer Reviews
Related Searches
Explore More Items
Lee Michaels, a veteran of the Los Angeles and San Francisco bar-band scene in the ...
Lee Michaels, a veteran of the Los Angeles and San Francisco bar-band scene in the
mid-'60s, struck out on his own in 1967 after fronting bands with such illustrious alumni as Joel Scott Hill, Bob Mosley, and John Barbata. Michaels' ...
Following the success of his third album, Lee Michaels continued the path of a solo
artist -- solo meaning that most of the sounds on the record were primarily recorded by Lee alone. Organ (Hammond and pipe), piano, harpsichord, and ...
First time around, Lee DeWyze sounded like a fusion of Jack Johnson, Jason Mraz, and
John Mayer -- a commercial enough mix that nevertheless failed to spark much interest, even though the singer/songwriter had just won the ninth season of ...
One of the masterpieces of the period, Lee Michaels was essentially recorded live in the ...
One of the masterpieces of the period, Lee Michaels was essentially recorded live in the
studio by only Michaels (organ/bass pedals) and Frosty on drums. It's a fabulous performance and one of the finest R&Bock sets of the period. The ...
Recorded in concert accompanied by drummer Keith Knudsen, Lee Michaels goes through mostly extended versions
of various songs from five of his first six albums, interspersed with numbers unique to his concerts, such as My Lady. Oddly enough, Michaels doesn't ...
Released in September 2016 and focusing on hits from the spring and summer of that ...
Released in September 2016 and focusing on hits from the spring and summer of that
year, the 59th entry in the Now That's What I Call Music! U.S. series kicks off with Justin Timberlake's spring number one Can't Stop the ...
Lee DeWyze switches up his game on Paranoia, his fourth album since winning American Idol
in 2010. Prior to Paranoia, DeWyze was mining a sensitive acoustic folk vein, and while he's still writing introspective tunes along those lines, the production ...
After a somewhat uneven debut album, Lee Michaels found his footing on this record. Michaels,
a keen student of R&B as well as classical music, was obviously able to wrangle a bit more artistic control at A&M, and it shows. ...