British Invasion: The Crosscurrents of Musical Influence

British Invasion: The Crosscurrents of Musical Influence

by Simon Philo


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Before The Beatles landed on American shores in February 1964 only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for sixty percent of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman’s Hermits, the Dave Clark Five, the Animals, the Kinks, the Hollies, the Yardbirds and the Who placed more than one hundred and thirty songs on the American Top Forty.

In The British Invasion: The Crosscurrents of Musical Influence, Simon Philo illustrates how this remarkable event in cultural history disrupted and even reversed pop culture’s flow of influence, goods, and ideas—orchestrating a dramatic turn-around in the commercial fortunes of British pop in North America that turned the 1960s into “The Sixties.” Focusing on key works and performers, The British Invasion tracks the journey of this musical phenomenon from peripheral irrelevance through exotic novelty into the heart of mainstream rock. Throughout, Philo explores how and why British music from the period came to achieve such unprecedented heights of commercial, artistic, and cultural dominance.

The British Invasion: The Crosscurrents of Musical Influence will appeal to fans, students and scholars of popular music history—indeed anyone interested in understanding the fascinating relationship between popular music and culture.

Product Details

ISBN-13: 9780810895041
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 12/29/2017
Series: Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture Series
Pages: 204
Product dimensions: 6.00(w) x 8.90(h) x 0.20(d)

About the Author

Simon Philo is Head of American Studies at the University of Derby. He has written numerous articles and chapters on transatlantic popular culture.

Table of Contents

Series Editor’s Foreword
Introduction: “Atlantic Crossing”
Chapter 1: “Shakin’ All Over” : 1956-1963
Chapter 2: “We’re Out!”: 1964
Chapter 3: “Like a Rolling Stone”: 1965
Chapter 4: “A Splendid Time is Guaranteed for All”: 1966-1967
Chapter 5: “It’s All Too Much”: 1968-1969
Conclusion: “Double Fantasy,” Post-1970
For Further Reading
For Further Listening
About the Author

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