Paul Cézanne (1839–1906) may be best known for his landscapes, but he also painted some 160 portraits throughout his exceptional career. This major work establishes portraiture as an essential practice for Cézanne, from his earliest self-portraits in the 1860s; to his famous depictions of figures including his wife Hortense Fiquet, the writer Emile Zola, and the art dealer Ambroise Vollard; and concluding with a poignant series of portraits of his gardener Vallier, made shortly before Cézanne’s death.
Featured essays by leading experts explore the special pictorial and thematic characteristics of Cézanne’s portraits. The authors address the artist’s creation of complementary pairs and multiple versions of the same subject, as well as the role of self-portraiture for Cézanne. They investigate the chronological evolution of his portrait work, with an examination of the changes that occurred within his artistic style and method, and in his understanding of resemblance and identity. They also consider the extent to which particular sitters influenced the characteristics and development of Cézanne’s practice.
Beautifully illustrated with works of art drawn from public and private collections around the world, Cézanne Portraits presents an astonishingly broad range of images that reveal the most personal and human qualities of this remarkable artist.
Published in association with the National Portrait Gallery, London
|Publisher:||Princeton University Press|
|Product dimensions:||9.70(w) x 11.90(h) x 1.00(d)|
About the Author
Table of Contents
Directors’ Foreword 6
Introduction: The Reading of the Model 11
1 Defiant Beginnings, 1862–72 44
2 Impressionism and After, 1872–85 80
3 Comparative Portraiture, 1885–90 108
4 The Working Class and the Art World, 1890–1900 146
5 Last Years, 1900–6 186
Dramatis Personae 221
Jayne s. Warman
Select Bibliography 246
List of Lenders 248
List of Works 249
What People are Saying About This
"The first book to take on Cézanne's portraits as a whole, this very impressive and important volume will be of interest to specialists and nonspecialists alike. It is superbly written and makes a significant contribution to Cézanne scholarship."Matthew Simms, author of Cézanne's Watercolors