Cinematic Women, From Objecthood to Heroism: Essays on Female Gender Representation on Western Screens and in TV productions

Cinematic Women, From Objecthood to Heroism: Essays on Female Gender Representation on Western Screens and in TV productions

by Lisa V. Mazey (Editor)

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Overview

Women have fulfilled film roles that exhibit their historically subservient or sexualised positions in society, among others. Over the decades, the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the change in societal norms and what is now acknowledged as more likely and more mainstream.

The evolution of society’s views of women can be mapped through these roles; from 1950’s America where women were depicted as the counterpart to male characters and their masculinity either as a threat or support to the patriarchal norms; to more recent times, where these norms have been questioned, challenged, deconstructed and reconstructed to include women in a more equitable balance. The fight for equal access, equal pay and equal standing still exists in all walks of life and different cultures requiring continued scrutiny of the norms that made that fight necessary.

The essays offer a unique vantage of the changing culture and conversations that allowed, encouraged, and praised an evolution of women’s roles. They strive to represent the issues faced by women, from the early heyday of Hollywood through to films as recent as 2007; examining depictions of the masculine gaze, mental and physical oppression, the mother figure, as well as how these roles may develop in the future.

The book contains valuable material for film students at an undergraduate or post-graduate level, as well as scholars from a range of disciplines including cultural studies, media studies, film studies and women’s and gender studies.

Product Details

ISBN-13: 9781648890345
Publisher: Vernon Art and Science
Publication date: 05/05/2020
Series: Series in Cinema and Culture
Pages: 162
Product dimensions: 6.00(w) x 9.00(h) x 0.35(d)

About the Author

Lisa V. Mazey is a PhD candidate at Indiana University of Pennsylvania, studying English Literature and Criticism and is serving as Temporary Faculty in the English Department. She has been a public-school teacher for 14 years, teaching English and working as a Reading Specialist. Her wider interests include Historical Fiction, films and gardening. She lives in Indiana, PA, with her husband and children.

Table of Contents

Introduction

Claire Menard, PhD, Cornell University

Anne-Caroline Sieffert, PhD, Alfred University



Part I. Effects and Consequences of the Male Gaze – an Old Way of Seeing

Chapter 1 The Danger of Obsession: Questions of Power and Freedom in Alfred Hitchcock’s Vertigo

Lisa V. Mazey

Indiana University of Pennsylvania

Chapter 2 Multiple Gaze and Transnational Assemblage in Chanwook Park’s The Handmaiden

Yeojin Kim

Binghamton University



Part II. Stirring Female Roles – a Current Way of Seeing

Chapter 3 Debra Granik’s Resilient Tomboys

Mary Jane Androne

Albright College

Chapter 4 Belief in Our World: Feminine Transcendence in Contemporary Post-secular Cinema

Forrest Johnson

York University



Part III. Imagined and Future Females – a Possible Way to See

Chapter 5 She’s the Captain and the Caretaker: Imperial Domesticity and Salvation Narratives in Star Trek: Voyager

E. Leigh McKagen

Virginia Polytechnic Institute and State University

Chapter 6 Brains, Brawn, and Beguilement: Major Female Characters on FOX’s Sleepy Hollow

Karen J. Tuthill-Jones

Connecticut Technical High School System

Chapter 7 Drone Warfare and Female Warrior: Good Kill (2015) and Eye in the Sky (2016)

Hyunyoung Moon

William and Mary

Chapter 8 “What a Lovely Day!”: Using Mad Max: Fury Road to Explore Female Representation in Post-Apocalyptic Pop Culture

Evangeline Kroon

York University

Index

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