×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
0602567478973
$15.27
$16.99
Save 10%
Current price is $15.27, Original price is $16.99. You Save 10%.

CD
Members save with free shipping everyday!
See details
See details
15.27
In Stock
Overview
Pianist Kenny Barron celebrates his 75th birthday with his Blue Note debut, 2018's sophisticated quintet album, Concentric Circles. An 11-time Grammy-nominated artist, Barron is a journeyman performer with over five decades of highly regarded work under his belt, including stints with titans like Dizzy Gillespie, James Moody, Stan Getz, and many others. He brings all of that experience to bear here with a largely original set of swinging, harmonically nuanced compositions. Backing him are his longtime bandmates bassist Kiyoshi Kitagawa and drummer Johnathan Blake, along with added quintet members trumpeter Mike Rodriguez and saxophonist Dayna Stephens. In a sense, Concentric Circles is a continuation of Barron's recent trio albums 2015's Interplay and 2016's Book of Intuition, both of which showcased his lithe improvisational skills, and deft sense of group interplay. Here, he expands that approach, offering up richly arranged melodies and songs that touch upon forward-thinking post-bop ("Concentric Circles"), atmospheric modality ("A Short Journey"), and buoyant Latin rhythms ("Baile"). Having already grabbed attention on albums with artists like Miguel Zenón, Bebo Valdés, and Charlie Haden, trumpeter Rodriguez remains a quietly ascending star-in-the-making here, blessed with a warm, puckered tone and knack for engaging, architectural lines. His bluesy solo on the hard-boppish "Blue Waters," and his tender flügelhorn turn on Caetono Veloso's ballad "Aquele Frevo Axe" are supremely engaging. Similarly, Stephens continues to prove he's one of the most inventive and accomplished players of his generation, offering up spiraling, vocal-like improvisations throughout. Together, they spar on "Baile" and take divergent, yet complementary paths on the roiling, funky "L's Bop." While Barron has never sounded anything short of virtuosic, his skills have only deepened over the years. He commands the album, framing his musicians with richly textured chord voicings one minute, and launching into evocative improvisational asides the next. What's particularly refreshing is how immediate and of-the-moment the album feels. Concentric Circles is the sound of a jazz master continuing to push forward, buoyed by his bandmates and the lessons of the past.
Product Details
Release Date: | 05/04/2018 |
---|---|
Label: | Blue Note Records |
UPC: | 0602567478973 |
catalogNumber: | 002832502 |
Rank: | 163613 |
Tracks
Album Credits
Performance Credits
Kenny Barron Quintet Primary ArtistKenny Barron Piano,Group Member
Kiyoshi Kitagawa Bass,Group Member
Johnathan Blake Drums,Group Member
Dayna Stephens Saxophone,Group Member
Mike Rodriguez Trumpet,Flugelhorn,Group Member
Technical Credits
Caetano Veloso ComposerLenny White Composer
Kenny Barron Composer,Producer
Joe Marciano Engineer
Thelonious Monk Composer
Karen Kennedy Producer
Cesar Medes Composer
Customer Reviews
Related Searches
Explore More Items
Afrodeezia is bassist Marcus Miller's debut for Blue Note Records. Produced by the artist, the ...
Afrodeezia is bassist Marcus Miller's debut for Blue Note Records. Produced by the artist, the
11-track set features his core band -- saxophonist Alex Han, trumpeter Lee Hogans, pianist Brett Williams, guitarist Adam Agati, and drummer Louis Cato -- with ...
Blue Breakbeats is an essential collection of six of the funkiest breakbeat heavy songs in ...
Blue Breakbeats is an essential collection of six of the funkiest breakbeat heavy songs in
Grant Green's deep Blue Note catalog. Prolifically sampled by beat thirsty hip-hop producers and stylistically influential in separating Green from Wes Montgomery's ever-looming shadow, these ...
Brian Blade Fellowship is an impressive debut as a leader for Brian Blade, one of ...
Brian Blade Fellowship is an impressive debut as a leader for Brian Blade, one of
the best young jazz drummers of the '90s. Producer Daniel Lanois doesn't follow jazz conventions, letting Blade run wild and blend genres, as on Folklore, ...
With the extraordinary Complete Communion of 1965, trumpeter Don Cherry came into his own as ...
With the extraordinary Complete Communion of 1965, trumpeter Don Cherry came into his own as
a major free-jazz figure. Stepping away from Ornette Coleman’s band, Cherry surrounded himself with a brilliant team of interactive players, including bassist Henry Grimes, tenor ...
Karl Denson wants you to dance to his music. That's why the former Greyboy Allstars ...
Karl Denson wants you to dance to his music. That's why the former Greyboy Allstars
frontman named his first solo album Dance Lesson #2. The disc is a collection of funky, soul-driven tracks highlighted by Denson's fiery extended saxophone solos. ...
This live set (recorded at the Village Gate) finds pianist/composer Horace Silver and his most ...
This live set (recorded at the Village Gate) finds pianist/composer Horace Silver and his most
acclaimed quintet (the one with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor and drummer Roy Brooks) stretching out on four selections, including ...
This is a typically excellent recording from the husband-wife team of tenor saxophonist Stanley Turrentine
and organist Shirley Scott. With assistance from guitarist Kenny Burrell, bassist Bob Cranshaw, and drummer Otis Finch, Turrentine (who always had the skill of playing ...
Pianist Kenny Werner's Lawn Chair Society is a cerebral mix of acoustic jazz, electronic elements ...
Pianist Kenny Werner's Lawn Chair Society is a cerebral mix of acoustic jazz, electronic elements
and generally expansive improvisation that comes and goes in terrifically unexpected directions. Inspired by a varied mix of artists from Radiohead to In a Silent ...