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About the Author
Sarah Orne Jewett (1849-1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine.
Frederick Wegener is an associate professor of English at California State University at Long Beach and the editor of Edith Wharton: The Uncollected Critical Writings.
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The Last Mile
It had been one of the warm and almost sultry days which sometimes come in November; a maligned month, which is really an epitome of the other eleven, or a sort of index to the whole year's changes of storm and sunshine. The afternoon was like spring, the air was soft and damp, and the buds of the willows had been beguiled into swelling a little, so that there was a bloom over them, and the grass looked as if it had been growing green of late instead of fading steadily. It seemed like a reprieve from the doom of winter, or from even November itself.
The dense and early darkness which usually follows such unseasonable mildness had already begun to cut short the pleasures of this springlike day, when a young woman, who carried a child in her arms, turned from a main road of Oldfields into a foot-path which led southward across the fields and pastures. She seemed sure of her way, and kept the path without difficulty, though a stranger might easily have lost it here and there, where it led among the patches of sweet-fern or bayberry bushes, or through shadowy tracts of small white-pines. She stopped sometimes to rest, and walked more and more wearily, with increasing effort; but she kept on her way desperately, as if it would not do to arrive much later at the place which she was seeking. The child seemed to be asleep; it looked too heavy for so slight a woman to carry.
The path led after a while to a more open country, there was a low hill to be climbed, and at its top the slender figure stopped and seemed to be panting for breath. A follower might have noticed that it bent its head over the child's for a moment as it stood, dark against the darkening sky. There had formerly been a defense against the Indians on this hill, which in the daytime commanded a fine view of the surrounding country, and the low earthworks or foundations of the garrison were still plainly to be seen. The woman seated herself on the sunken wall in spite of the dampness and increasing chill, still holding the child, and rocking to and fro like one in despair. The child waked and began to whine and cry a little in that strange, lonely place, and after a few minutes, perhaps to quiet it, they went on their way. Near the foot of the hill was a brook, swollen by the autumn rains; it made a loud noise in the quiet pastures, as if it were crying out against a wrong or some sad memory. The woman went toward it at first, following a slight ridge which was all that remained of a covered path which had led down from the garrison to the spring below at the brookside. If she had meant to quench her thirst here, she changed her mind, and suddenly turned to the right, following the brook a short distance, and then going straight toward the river itself and the high uplands, which by daylight were smooth pastures with here and there a tangled apple-tree or the grassy cellar of a long vanished farm-house.
It was night now; it was too late in the year for the chirp of any insects; the moving air, which could hardly be called wind, swept over in slow waves, and a few dry leaves rustled on an old hawthorn tree which grew beside the hollow where a house had been, and a low sound came from the river. The whole country side seemed asleep in the darkness, but the lonely woman felt no lack of companionship; it was well suited to her own mood that the world slept and said nothing to her,—it seemed as if she were the only creature alive.
A little this side of the river shore there was an old burial place, a primitive spot enough, where the graves were only marked by rough stones, and the short, sheep-cropped grass was spread over departed generations of the farmers and their wives and children. By day it was in sight of the pine woods and the moving water, and nothing hid it from the great sky overhead, but now it was like a prison walled about by the barriers of night. However eagerly the woman had hurried to this place, and with what purpose she may have sought the river bank, when she recognized her surroundings she stopped for a moment, swaying and irresolute. "No, no!" sighed the child plaintively, and she shuddered, and started forward; then, as her feet stumbled among the graves, she turned and fled. It no longer seemed solitary, but as if a legion of ghosts which had been wandering under cover of the dark had discovered this intruder, and were chasing her and flocking around her and oppressing her from every side. And as she caught sight of a light in a far-away farmhouse window, a light which had been shining after her all the way down to the river, she tried to hurry toward it. The unnatural strength of terror urged her on; she retraced her steps like some pursued animal; she remembered, one after another, the fearful stories she had known of that ancient neighborhood; the child cried, but she could not answer it. She fell again and again, and at last all her strength seemed to fail her, her feet refused to carry her farther and she crept painfully, a few yards at a time, slowly along the ground. The fear of her superhuman enemies had forsaken her, and her only desire was to reach the light that shone from the looming shadow of the house.
At last she was close to it; at last she gave one great sigh, and the child fell from her grasp; at last she clutched the edge of the worn doorstep with both hands, and lay still.
Table of Contents
A Country DoctorIntroduction
Suggestions for Further Reading
A Note on the Text and Acknowledgments
I. The Last Mile
II. The Farm-House Kitchen
III. At Jake and Martin's
IV. Life and Death
V. A Sunday Visit
VI. In Summer Weather
VII. For the Years to Come
VIII. A Great Change
IX. At Dr. Leslie's
X. Across the Street
XI. New Outlooks
XII. Against the Wind
XIII. A Straight Course
XIV. Miss Prince of Dunport
XV. Hostess and Guest
XVI. A June Sunday
XVII. By the River
XVIII. A Serious Tea-Drinking
XIX. Friend and Lover
XX. Ashore and Afloat
XXI. At Home Again
Appendix: "Theodore Herman Jewett, M.D., of South Berwick"
Most Helpful Customer Reviews
Not as good as the Pointed Firs, but still very readable.
Nan Price was orphaned in infancy, then raised by her grandmother, until her upbringing is finished by Dr. John Leslie. A case can certainly be made that the eponymous doctor is our Dr. Leslie, rather than the heroine. But I won't make that case now.Definitely a product of its time, "A Country Doctor" recounts the massive 19th Century roadblocks standing the the way of a young woman ambitious to be a doctor, and how she overcomes them. Jewett unfolds her story with abstract expositions that deal with specific emotional and interpersonal interactions. It reminds me (on one level) of Henry James, except that Ms. Jewett's way is plainer and clearer, and just as deep. The author portray's Nan's choice as a test of not only perserverance, but also of conscience, in a way that simply would not apply today. That is one of the reasons, obviously, to read this book.The other reasons are that the author's descriptions are full, her characters are deep and well-shaded, and she delivers a life-affirming outcome. I don't know that I would necessarily term this book a classic, but it's certainly worth your while, not only for the historic interest, but also the simple appreciation we take in a well-told, satisfying story.
Through the dialogue and incidental plot progression, even through the characterization of major and minor characters, it is easy to see Jewett's great influence on the Canadian writer Lucy Maud Montgomery. As we read the opening chapters of Anne of Green Gables, we see so much of Jewett's small northern world coming through in the guise of Prince Edward Island. Dr. Leslie's maid (interestingly enough named Marilla) is concerned one day over the doctor driving in to town, although the "leisurely way" has "assured her of safety." We see this charmingly busy-body attitude with Montgomery's Rachel Lynde. When shy, taciturn Matthew Cuthbert is all dressed up, driving his buggy, Mrs. Rachel Lynde will not have a moment's peace until she has wrung the truth from her neighbor, the good man's sister, Marilla Cuthbert. "Oh, my afternoon is spoiled!" she exclaims.Through both Dr. Leslie and Marilla Cuthbert we eventually see the hopes and dreams they harbor for Nan and Anne, respectively. These are cherished aspirations which go far beyond their tiny societies. Both Jewett and Montgomery were keenly aware of the roads they were paving for future female writers and thinkers. Both authors loved their heroines and sent them out in to the world to succeed. Marilla had no qualms about Anne studying to be a teacher, for "it is an uncertain world." She was of the opinion that a girl should be able to earn a living. Dr. Leslie, likewise stated, "It's a cold, cold world....only one thing will help [Nan] through safely, and that is her usefulness. She shall never be either a thief or a beggar of the world's favor if I can have my wish."Praise are due both to Jewett and Montgomery. Neither heroine has weakened and paled with time. Neither writer has become less significant to women's studies.