Crossing Stones

Crossing Stones

by Helen Frost

Hardcover(First Edition)

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Overview

Maybe you won't rock a cradle, Muriel.

Some women seem to prefer to rock the boat.

Eighteen-year-old Muriel Jorgensen lives on one side of Crabapple Creek. Her family's closest friends, the Normans, live on the other. For as long as Muriel can remember, the families' lives have been intertwined, connected by the crossing stones that span the water. But now that Frank Norman—who Muriel is just beginning to think might be more than a friend—has enlisted to fight in World War I and her brother, Ollie, has lied about his age to join him, the future is uncertain. As Muriel tends to things at home with the help of Frank's sister, Emma, she becomes more and more fascinated by the women's suffrage movement, but she is surrounded by people who advise her to keep her opinions to herself. How can she find a way to care for those she loves while still remaining true to who she is?

Written in beautifully structured verse, Crossing Stones captures nine months in the lives of two resilient families struggling to stay together and cross carefully, stone by stone, into a changing world.

Product Details

ISBN-13: 9780374316532
Publisher: Farrar, Straus and Giroux
Publication date: 09/29/2009
Series: Frances Foster Books
Edition description: First Edition
Pages: 192
Sales rank: 402,630
Product dimensions: 6.70(w) x 9.40(h) x 0.80(d)
Lexile: 820L (what's this?)
Age Range: 12 - 17 Years

About the Author

Helen Frost is the author of several books for young people, including Hidden, Diamond Willow, The Braid, and Keesha's House, selected an Honor Book for the Michael L. Printz Award. Helen Frost was born in Brookings, South Dakota, the fifth of ten children. She recalls the summer her family moved from South Dakota to Oregon, traveling in a big trailer and camping in places like the Badlands and Yellowstone. Her father told the family stories before they went to sleep, and Helen would dream about their travels, her family, and their old house. "That's how I became a writer," she says. "I didn't know it at the time, but all those things were accumulating somewhere inside me."

As a child, she loved to travel, think, swim, sing, learn, canoe, write, argue, sew, play the piano, play softball, play with dolls, daydream, read, go fishing, and climb trees. Now, when she sits down to write, her own experiences become the details of her stories. Helen has lived in South Dakota, Oregon, Massachusetts, New York, Vermont, Scotland, Colorado, Alaska, California, and Indiana. She currently lives in Fort Wayne, Indiana, with her family.

Read an Excerpt

Crossing Stones


By Helen Frost

Farrar, Straus and Giroux

Copyright © 2009 Helen Frost
All rights reserved.
ISBN: 978-1-4668-9635-2



CHAPTER 1

My Mind Meanders Like the Creek

April 1917


    My Crooked Mind
    Muriel

    You'd better straighten out your mind, Young Lady.

      That's what the teacher, Mr. Sander, tells me. As if I could
        stretch the corners of my thoughts like you'd pull
          a rumpled quilt across a bed in an attempt to make
            it look like no one slept there, no one ever
          woke up screaming from a nightmare, or lay there
        sweating till their fever broke, everybody
      scared they'd die — but then they didn't, they got up
    and made the bed. My mind sets off at a gallop
      down that twisty road, flashes by "Young Lady,"
        hears the accusation in it — as if it's
          a crime just being young, and "lady"
            is what anyone can see I'll never be
          no matter how I try, and it's obvious
        that I'm not trying. It's history class, which,
      as far as I can tell, they might as well call
    war class, all those battlefields, and Generals,
      and Secretaries, capitalized like that —
        not secretaries like Aunt Vera, who
          works for the city of Chicago, and travels
            on her own with money she has saved
          even after she has purchased both the hat
        with three red feathers and the one of deep blue
      wool that's lined with silk. No, the Secretaries
    whose names we have to memorize for Monday's test
      are important people: Secretary of the Treasury,
        Secretary of the Interior — in other words,
          men. Which is my mistake, to point that out.
            Why is it, Mr. Sander, that in real life
          secretaries are always women, but here
        in school, all the ones we learn about are men?

      It's a perfectly reasonable question, but everybody
    turns to stare, first at me, then at the teacher's blaze of anger:
      Miss Jorgensen, are you being smart with me? How
        do you answer a question like that? No, I'm
          not, or Yes, I am — either way just gets you
            in the same place, only deeper. I try for
          middle ground. Maybe I am, I say, maybe
        I'm not — trying to decide what it might mean
      to be smart like Aunt Vera and express my own opinions,
    compared to what it means when Mr. Sander says it.
      I keep on thinking back and forth along
        those crooked lines while he is giving me a
          talking-to I barely hear until he gets to that
            last line — I'd better straighten out my
          mind? No thank you, Mister Sir Secretary
        Reverend General Your Honor, I think
      but do not say. I like the way my mind meanders
    like the creek that flows into the northern tip
      of Reuben Lake, out the southwest side
        into the Little Betsy River, and on and on
          from there to who knows where, until
          eventually it joins the wild sea.


    Our Lives and Our Fortunes
    Muriel

    We've all heard what is coming: we know
      the president will take us right into the middle
        of this war they're fighting overseas, yet I can't help
          hoping against hope that someone, somehow
            might find a way to keep us out of it.
          Our neighbors, Emma Norman and her parents,
        step carefully across Crabapple Creek on their way
      to our house to listen to the president address the nation.
    Mr. Norman brings his usual peppermints for Grace,
      and she, as always, passes them around until there's only one
        left in the bag, then gives the bag to Mrs. Norman —
          Take this home, she says, and save it
            for when Frank comes back.
She's done that
          at least once a week for the past six months,
        since Frank left for basic training. I have no idea
      if Mrs. Norman actually saves them, but the thought is so
    big-hearted for a seven-year-old child, maybe Frank
      can taste some kind of sweetness; even all those
        miles away in Kansas, he must know that here
          in Michigan we're missing him. And never more so
            than this evening, as we gather close around
          the radio and hear the president proclaim: The world
        must be made safe for democracy ... To such a task
      we can dedicate our lives and our fortunes,
    everything that we are and everything
      that we have.
He needs an army of 500,000 men;
        he invokes the principle of universal liability
          to service.
Ollie stands up, puffs out his chest,
            and glances across the room at Emma.
          Tell me, Mr. President, is my brother
        "everything that we are" or is he "everything
      that we have"? I only know I'm grateful
    he is just sixteen, not old enough
      to offer up his everything into your hands.


Apple Trees
Emma

I remember last September, before
Frank left for basic training, he and Ollie
waiting in the apple trees — Ollie on their side
of the creek, and Frank on ours — watching for Muriel
and me to cross Crabapple Creek. Halfway across, where
an eddy spins between two stones, I looked up just in time
to see Ollie throw an apple down at me. I caught it, threw it
back, and to everyone's immense surprise, I somehow hit
Ollie in the arm, which made him lose his balance. I'm
still not sure how he got from tree to water, but there
he was in the creek, spluttering his staunch denial:
I didn't fall, I jumped! Sitting on his backside,
laughing. Tonight I'm remembering that jolly
scene. Muriel, Ollie, Frank, me — us four.


Should We?
Ollie

Sit down and play a tune, Pa suggests.
Should we? In wartime, is it right for us to
make music? Almost half the senior boys, like
Frank and his friends last year, are planning to enlist.
I'd go with them if I could — heck, I'd join up tomorrow
if I thought they'd accept a sixteen-year-old. Could I gain
enough weight, go down to the recruiting office, and try to
bluff my way in by claiming to be eighteen? I bet I'd get a
different reaction from Pa than Ma. Ma would take it in
stride, or try to act like she did. Pa would be furious:
(Blankety-blank) President Wilson thinks he can just
take away our sons to use for his cannon fodder!

Would he actually try to stop me, though?
It's likely — so I wouldn't tell him.


    Moral Compass
    Muriel

    Have you raised this girl with no moral compass?
      Mr. Sander questions my parents, then turns
        to me: If you continue to question our president
          and the decisions he has made, other students
            may wonder if their classmates are risking
          their lives for nothing. You should be ashamed.

        Mama does hang her head in shame, but I don't, so
      Mr. Sander pushes on: If we can't stand together
    as a free country, what are our boys fighting for?
At that,
      Papa looks straight into Mr. Sander's eyes. He doesn't say
        what he sees (the eyes of a coward?), because Papa is kind,
          thoughtful about others' feelings. I know my daughter
            is opinionated,
he says, but there is no law
          against that.
(So far, he mutters under his breath.)
        Muriel has every right to speak her mind.
      Mr. Sander withers under Papa's steady gaze, and we
    go home. Papa drives the horses gently; we ride in silence
      for a mile or so, and then he says, You're graduating soon;
        don't worry too much about what Mr. Sander thinks —
          but there are others like him in this world.
            Be a little careful of such people, Muriel.

          "A little careful" — maybe — but then Mama adds,
        You may need to learn to bite your tongue.
      Is that what women — "ladies" — are supposed to do?
    Bite off little pieces of ourselves,
      our very thoughts? Chew on them
        until they don't seem so worthwhile —
          and then what? Swallow them? Or spit them out
            and crush them underfoot, until we can
          be absolutely sure no one will know
        they ever crossed our minds!

CHAPTER 2

Fragrance of Lilacs, Sweet Scent of Skunk

May 1917


Deep Quiet
Emma

Such good solid stuff
Ollie is made of — these words
declaring war are playing on his mind.
When anything "must be made safe," Frank
and Ollie always volunteer. Now, with Frank's life
on the line, Ollie tries to help my family. Our fence has
been broken for a month; no doubt he started fixing it today
because it keeps his hands occupied as he tries to find a way
to think about what this war will mean, for all of us. He's as
quiet as the fence itself: measure the wire, open the knife,
cut the wire, close the knife, quick twist, hard yank —
yes, the fence will hold. Above us, the kind
of sky that greets a thousand bluebirds.
So sweet a day. So tough.


    Socks
    Muriel

    Thirty-seven years ago in Denmark,
      two sisters married two brothers.
It's
        like an anthem, the way Papa tells it: To
          this day, your Danish relatives would claim you
            if you walked into the old family home.

          But when Mama tells the story, she's seeing
        Ollie with the Normans' daughter, Emma —
      and me with Emma's older brother, Frank,
    pairing us up like she rolls up pairs of socks,
      that little sigh of satisfaction when they come out even —
        or "close enough," if there's one black sock,
          one navy blue, left over at the end.
            Emma is my closest friend; Frank and Ollie
          are like brothers. Mrs. Norman comes here
        with her sewing almost every afternoon,
      or Mother goes to their house — they seem to think
    they know us better than we know ourselves.
      But I don't see myself going down the road they
        see me on, leading to a clean white farmhouse
          not too far from here, me out in the yard, my
            apron pockets full of corn I'm scattering
          for biddy hens. I love Emma like a sister, and
        I'm as scared as anyone that Frank will be
      sent overseas to fight this war — I'm delighted
    that he's coming home on leave next week —
      but slow down, Mother: I have no
        intention of becoming the Mrs. Norman of your
          imaginary future. Who I am remains to be seen —
            and I alone intend to be the one to see it.


Lightning
Ollie

Gray sky, all-day rain,
thunder coming closer. Lightning
struck the barn in just this kind of storm
last summer. It took us the entire fall and winter
to rebuild the part of the hayloft that burned in the fire
that night. Our work is sound — Pa and I work well together,
though I wonder: Will he do as well without me? Ollie, let me
show you something!
Grace runs up. I've told her we can use the
scrap wood for a playhouse; now she's found a place to build it.
You said you would, Ollie. Come on — look! If I work hard and
fast I might get it done in my spare time. (Maybe, with
luck, I'll build up my muscle and look older.) I sort the
lumber. I might not finish it before ... I start to
say. Before what, Ollie? I don't answer.


    Ten Days Home
    Muriel

    Frank has finished his training; now
      he has ten days of home leave. Then —
        nobody can say for sure, but it looks like
          he'll be shipped overseas. We meet him
            at the station — I'm the first to see him (I can't
          help noticing how his shoulders fill his uniform),
        but I stand back when three girls surround him
      as he jumps from the train, swinging his duffel bag
    across his back. He scans the crowd — his eyes light on us
      (on me?) as Grace sees him and runs to hug him.
        He lifts her in the air and swings her high (she
          almost kicks Edith Morgan in the jaw),
            and Frank is ours for these few days.
          We all gather at the Normans' house for dinner —
        Mrs. Norman slices a clove-studded ham; Emma's baked
      a batch of "Grandma Jean's Best Dinner Rolls";
    Mama and I made a four-layer devil's food cake;
      and after Frank has eaten three large pieces, he plays
        a few tunes on his banjo, Papa plays his fiddle,
          and we sing until long after dark. Mama
            lets Grace stay up an hour past her bedtime —
          Frank shows her how to pluck a few notes
        of "It's a Long Way to Tipperary,"
      and teaches her six verses, nodding to her
    when he sings "to the sweetest girl I know."
      Grace smiles up at him — she may just be
        the sweetest girl any of us will ever know.
          I breathe in this all-together of our life —
            how can there be war in a world where
          Ollie's baritone and Emma's alto
        harmonize so perfectly?


    Why Not?
    Muriel

    Frank's home leave threatens to eclipse
      my graduation, until he asks if I'm going
        to my graduation dance with anyone —
          Well, no — and, if I'd like him to take me.
            I'm so surprised, I almost ask the question
          that pops into my mind: Was this your mother's
        idea, Frank, or yours?
I stop myself because
      he stutters as he asks me — M-M-Muriel,
    shifting from one foot to the other — Frank
      who is always so confident and full of fun.
        I can't help smiling as I answer: Yes, I'd like that.
          He stops stuttering, grins, and says, Our mothers
            will be happy.
Exactly what I'm thinking.
          A little too happy for my taste, I say.
        Frank shrugs. Who says we have to tell them?
      We agree — we don't! As I'm sewing my dress
    (blue satin that swirls around me when I walk), I refer to it
      as my graduation dress. And when Mama asks me
        if I'm going to the dance, I simply say, as she
          so often does, We'll see, when the time comes.


(Continues...)

Excerpted from Crossing Stones by Helen Frost. Copyright © 2009 Helen Frost. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Title Page,
Copyright Notice,
Dedication,
My Mind Meanders Like the Creek / April 1917,
Fragrance of Lilacs, Sweet Scent of Skunk / May 1917,
Circles for the Crossing Stones / June 1917,
Conversation Through a Thick Curtain / July 1917,
Like a Rain-Soaked Wool Jacket / August 1917,
A Few Eggs, Five Peaches, All the Peas / September 1917,
White Shirt Crumpled in the Mud / October 1917,
A Sharp Yes-and-No Shoots Through Me / November 1917,
Bluebird Stitched in Such Detail / December 1917,
I Step onto the Train / January 1918,
Epilogue,
Notes on the Form,
Acknowledgments,
Also by Helen Frost,
About the Author,
Copyright,

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Crossing Stones 4.5 out of 5 based on 0 ratings. 4 reviews.
lilibrarian on LibraryThing More than 1 year ago
Two very close families each have a son who enlists and is sent overseas to fight, and a daughter who remains home. The two girls are close friends, as are the boys. Separation and war changes everything.
kevinyezbick on LibraryThing More than 1 year ago
Set in Michigan at the onset of World War I, Crossing Stones is penned in verse - sonnets actually, in the shapes of the rocks and rolling river that separate two neighboring families. It combined two styles - historical fiction and verse fiction - that I normally don't care for - into an entertaining and informative look at the challenges of the time. The young men being led off to fight for their freedoms in war, the suffragists fighting for their freedoms at home, and the country fighting off the flu.
mjspear on LibraryThing More than 1 year ago
Atmospheric portrayal of life during World War I. Through parallel stories of two friends and neighboring families, Frost touches upon the trench warfare experience, suffragettes' battles, post-war life on the home front, first love, and more. Beautifully written and crafted (alternate verses symbolize a river and the stones in the river bed) it captures the mood of the times well. Nonetheless, this reader wished for more action and narrative thrust. Crossing Stones would be great supplemental reading for a WWI class and with some book talking a valuable find for the sensitive reader.
socraticparenting More than 1 year ago
Helen Frost’s Crossing Stones presents the paradox of a nation fighting for democracy abroad while denying the vote for half its own citizenry during World War I. Eighteen-year-old Muriel and her brother Ollie Jorgensen live just across the creek from their closest friends, Frank and Emma Norman. The story takes place over nine months, during which Frank and Ollie enlist and fight oversees, and Muriel travels to Washington D.C. to help her suffragist aunt return to her home in Chicago after having been imprisoned for demonstrating outside the White House. The characters each make their own way through the suffering of war, the deadly flu epidemic and the belief that it was unwomanly and unpatriotic to support the Nineteenth Amendment to our Constitution. Muriel’s courage shines through in asking tough questions, finding her own answers, refusing to accept the unacceptable, and following her heart. The novel culminates with the hope of rebirth for the survivors, their families and the nation. Frost does with language what Michelangelo did with marble. She recognizes the true story and strips away all unnecessary words to sculpt a poetic novel of epic proportion in three voices. Emma and Ollie speak in “cupped-hand sonnets” with a subtle rhyming form that both connects them and resonates with the reader. Muriel’s voice is free verse, flowing down the pages, making its way through the stone-shaped sonnets. The symbols and imagery bring an emotional depth to this unforgettably moving piece of historical fiction. Laurie A. Gray Reprinted from the Christian Library Journal (Vol. XIII, No. 4/5, October December 2009); used with permission.