Thanks to minor hits in the early '70s, such as "The Revolution Will Not Be Televised," "The Bottle," and "Home Is Where the Hatred Is," Gil Scott-Heron achieved notoriety as a groundbreaking social critic, poet, and musician. On 1975's FROM SOUTH AFRICA TO SOUTH CAROLINA, Scott-Heron collaborated with musical director Brian Johnston to embolden the many contrasting elements of his Afrocentric, post-R&B palette. Though highly recommended for powerful cuts critiquing nuclear buildup and South African apartheid that sound as fresh today as they did 24 years ago, the album also contains music as powerful as his politics (check the elegant "A Toast to the People" and the lustrous "A Lovely Day"). This TVT reissue is also noteworthy for live bonus tracks recorded later in Scott-Heron's career, including takes on "Johannesburg, South Carolina" and "Save the Children," and a version of "Let Me See Your I.D." that features
Miles Davis and
Grandmaster Melle Mel.