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For Nick James, the pleasures and virtues of this film are mixed and complex. Its precise compositions and minimalist style are entangled with a particular kind of extravagant bombast. The complexities add to the interest of this ambitious film.
About the Author
Nick James has written for The Guardian, The Observer and The London Review of Books and was for a time TV Editor at London's City Limits magazine. He has edited Sight and Sound since 1997