by Maren MorrisMaren Morris


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Maren Morris didn't precisely arrive out of nowhere when she delivered her major-label debut in the summer of 2016 -- she racked up three independent records between 2005 and 2011, the first arriving when she was 15 years old -- but Hero certainly felt unexpected and fresh upon its release. Much of this inventiveness reflects Morris' cross-cultural sensibility, cultivated from equal exposure to classic country, modern pop, and hip-hop, an aesthetic that places Hero at the crossroads of a couple of strands of modern country. At her core, Morris is a singer/songwriter in the vein of Brandy Clark, Miranda Lambert, and Kacey Musgraves -- writers with a keen eye for telling domestic details, composing songs that draw upon tradition but address the present -- but the production she developed with Busbee draws sharply from the lithe R&B influences pioneered by Sam Hunt and the colorful crossover pop of Little Big Town. With its stuttering reggae-inflected electronic rhythms, "Rich" recalls "Painkiller" but it's not a re-creation: Morris twists the rhymes, riding the beat while undercutting her boasts with sly wit. Attitude is a big thing with her. She's funny, profane, and passionate, qualities that serve her well on the album's bolder, brighter numbers, songs where she bends and clips her words in a fashion that owes some debt to hip-hop. On the slower numbers, she flips this skill, easing into the sultry, soulful simmer of "I Wish I Was" or the hushed "I Could Use a Love Song" with an elegant grace. One of the pleasures of Hero is how Morris skillfully slides between styles, blurring distinctions between genre and eras. Much of the album takes its cue from its breakthrough single, "My Church," a piece of secular gospel praising the power of the radio: she draws her strength from the power of pop culture. Maybe that's why she can so easily glide between old-school soul, glistening pop, trash talk, and contemporary R&B on Hero, letting each provide an essential element on an album that feels thoroughly modern and thoroughly country. By drawing upon so many cross-currents, Hero belongs to the digital era but it's the songs -- smart, sharp, and hooky -- that make this a great modern pop album, regardless of genre.

Product Details

Release Date: 06/03/2016
Label: Sony
UPC: 0888751688520
catalogNumber: 516885
Rank: 5994

Album Credits

Performance Credits

Maren Morris   Primary Artist,Background Vocals
Eric Darken   Percussion
Natalie Hemby   Background Vocals
Dave Thompson   Background Vocals
Fred Eltringham   Percussion,Drums
Derek Wells   Acoustic Guitar,Mandolin,Electric Guitar
Mike Busbee   Synthesizer,Acoustic Guitar,Bass,Percussion,Piano,Electric Guitar,Keyboards,Hammond Organ,Wurlitzer,Hammond B3
Laura Veltz   Background Vocals
Ian Fitchuk   Piano,Hammond Organ,Hammond B3
Regina McCrary   Choir, Chorus
Aaron Sterling   Percussion,Drums
Mark Trussell   Electric Guitar
Deborah McCrary   Choir, Chorus
Busbee   Synthesizer,Acoustic Guitar,Bass,Percussion,Piano,Electric Guitar,Keyboards,Hammond Organ,Wurlitzer,Hammond B3
Brad Hill   Background Vocals,Noise
Rich Brinsfield   Bass
John Osborne   Electric Guitar,Choir, Chorus
Ryan Hurd   Background Vocals
Alfreda McCrary   Choir, Chorus
Hayley McLean   Electric Guitar
Allen McCrary   Choir, Chorus
Beverly McCrary   Choir, Chorus

Technical Credits

Eric Darken   Engineer
Jeff Balding   Engineer
Barry Dean   Composer
Natalie Hemby   Composer
Derek Wells   Engineer
Shane McAnally   Composer
Mike Busbee   Composer,Programming,Producer,Engineer
Laura Veltz   Composer
Maren Morris   Composer,Producer,Liner Notes
Aaron Sterling   Engineer
Dave Clauss   Engineer
Luke Laird   Composer
Matt Dragstrem   Composer
Jimmy Robbins   Composer
Busbee   Composer,Programming,Producer,Engineer
Brad Hill   Programming,Producer,Engineer
Jesse Jo Dillon   Composer
Mason Levy   Programming
Ryan Hurd   Composer
Brett Tyler   Composer

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