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Hollywood's New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush
232Overview
He demonstrates how left-wing messages smuggled their way into 1980s movies, found a fuller voice in independent American cinema during the 1990s and flirted with mainstream popularity at the start of the new millennium. Bringing the story up to and through the 2004 Presidential election, he reveals how important Hollywood figures have become key members of a vigorous left - wing opposition to George W. Bush's Presidency.
Product Details
ISBN-13: | 9781845111038 |
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Publisher: | Bloomsbury Academic |
Publication date: | 11/25/2005 |
Series: | Cinema and Society |
Pages: | 232 |
Product dimensions: | 5.58(w) x 8.50(h) x 0.65(d) |
About the Author
Table of Contents
Introduction
• Part One: The Inheritance
• The creation of modern Hollywood
• The movement last time
• 'Greed is good'
• The liberal Hollywood response to Reagan
• War - studio spectacle and directorial detractors
• Challenge of the creative community
• Part Two: The Crisis
• The context for Clinton
• Clinton, heroism and the liberal Hollywood tradition
• Globalisation and the alternative media expose of Clinton
• The president's Hollywood friends
• Progressive Hollywood responds - an anti-corporate thread
• Steven Soderbergh and the brief independent boom
• Race and the independent movie
• Money can't buy you Bill
• Crisis of the progressive agenda
• Old heroes - Warren Beatty
• New heroes - re-inventing the liberal tradition
• The new liberal aesthetic - the individual in society
• Part Three: The Next Generation
• 'Ooooo! We hate Bush and we hate Bush…'
• The new movement - Seattle and Cradle Will Rock
• Globalisation and George Bush Jnr
• Local and global
• Anti-capitalism in the mainstream
• Progressive ideology and activism in Hollywood
• The anti-capitalist aesthetic and its ambiguous brother
• Copying the independent gun movie
• Trans-national Hollywood business
• Michael Moore's radical documentary phenomenon
• War, resistance and unity
• Individualist film and the collective spirit
• Hey! Arnie, the election
• Index