The Importance of Being Earnest and Four Other Plays (Barnes & Noble Classics Series)

The Importance of Being Earnest and Four Other Plays (Barnes & Noble Classics Series)


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The Importance of Being Earnest and Four Other Plays, by Oscar Wilde, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
  •     New introductions commissioned from today's top writers and scholars
  •     Biographies of the authors
  •     Chronologies of contemporary historical, biographical, and cultural events
  •     Footnotes and endnotes
  •     Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  •     Comments by other famous authors
  •     Study questions to challenge the reader's viewpoints and expectations
  •     Bibliographies for further reading
  •     Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

Oscar Wilde’s legendary wit dazzles in The Importance of Being Earnest, one of the greatest and most popular works of drama to emerge from Victorian England. A light-hearted satire of the absurdity of all forms and conventions, this comic masterpiece features an unforgettable cast of characters who, as critic Max Beerbohm observed, “speak a kind of beautiful nonsense—the language of high comedy, twisted into fantasy.”

This collection also includes Oscar Wilde’s most famous comedies, Lady Windermere’s Fan, A Woman of No Importance, and An Ideal Husband, as well as his poetic tragedy Salomé—all written between 1891 and 1895, Wilde’s most creative period. George Bernard Shaw said of Oscar Wilde that he is “our most thorough playwright. He plays with everything: with wit, with philosophy, with drama, with actors and audience, with the whole theater.”

Product Details

ISBN-13: 9781593080594
Publisher: Barnes & Noble
Publication date: 12/01/2003
Series: Barnes & Noble Classics Series
Pages: 416
Sales rank: 14,160
Product dimensions: 5.30(w) x 7.98(h) x 1.08(d)

About the Author

The ever-quotable Oscar Wilde (1854-1900) was an Irish playwright, novelist, essayist, and poet who delighted Victorian England with his legendary wit. He found critical and popular success with his scintillating plays, chiefly The Importance of Being Earnest, while his only novel, The Picture of Dorian Gray, scandalized readers. Imprisoned for two years for homosexual behavior, Wilde moved to France after his release, where he died destitute.

Date of Birth:

October 16, 1854

Date of Death:

November 30, 1900

Place of Birth:

Dublin, Ireland

Place of Death:

Paris, France


The Royal School in Enniskillen, Dublin, 1864; Trinity College, Dublin, 1871; Magdalen College, Oxford, England, 1874

Read an Excerpt

From Kenneth Krauss's Introduction to The Importance of Being Earnest and Four Other Plays

On a very immediate level, Earnest explores the nature of the connection between a symbol and what it represents. Both Gwendolen and Cecily assert that they cannot marry men whose names are not Ernest. Their superficiality, however, may obscure the wordplay inherent in the name itself: The word "earnest" and the name "Ernest" sound exactly alike. Is it men who have not been arbitrarily assigned the name "Ernest" by their parents whom the girls reject, or is it perhaps men who are not in "earnest"? In the play itself, it would appear both girls are looking for Ernest, and yet what the name has come to represent for them is the honest and open—that is, the "earnest"—acknowledgment that their suitors are just what they say they are: attractive, stylish, and wicked men of the world.

Missing is the outcast female from the earlier dramas: In Earnest none of the female characters, neither Gwendolen nor Cecily, nor Lady Bracknell, and certainly not Miss Prism, have gone far beyond the boundaries that Victorian society had set up for ladies and young women. Curiously, however, their well-bred innocence includes an awareness of that underworld into which fallen women fall. Cecily's diary, written to describe her imaginary courtship with the nonexistent but immoral Ernest, suggests an attraction to what her elders characterize as sinful. Miss Prism fears lascivious content in Cecily's economics text.

Still, if their lack of worldly experience appears slight, the women in Earnest have mastered the art of surfaces. Gwendolen's passion for Jack is based largely, perhaps completely, on his assumed name (and so, as we later learn, is Cecily's attraction to Algernon). Lady Bracknell, who may be regarded as a more terrifying version of the Duchess of Berwick or Lady Caroline Pontefract, becomes the epitome of upper-class snobbism: Her commands and judgments are based purely on how she anticipates she (or those around her) will be perceived by others. Her egocentricity is so enormous that her presence in a room makes young lovers quake. And yet her amazing and hilarious contradictions suggest there is little beyond the formidable facade. Lady Bracknell is merely a collection of other people's social prejudices.

The men in Earnest have devised tactics to protect themselves from the Lady Bracknells of the world. Masquerading as someone else, they manage to enter the demimonde of ill repute (or at least of pleasure). They manage to invent excuses (say, an uncontrollable brother or an invalid friend) that allow them to exit propriety and enter the gray area between good and bad, where they may enjoy themselves. The fopperies of Darlington and Illingworth, along with their mutual fascination with evil, are present in both Ernests. Yet Jack and Algernon are positive examples of young men-about-town who look upon upright Victorian morality with justified cynicism; like Goring, both seem capable of becoming husbands who, if not ideal, have been made better by their encounters in the shadier world.

If the complicated yet improbable plot appears to carry minimal meaning, spectators must look elsewhere for substance. That little if anything seems to go deeper than the surface is in itself significant. In Earnest people act as if they have no concern with what lies beyond the way things look to others. The ironies that give the play much of its humor, then, resonate with the notion that these characters are inhabitants of a universe in which bizarre contradictions make perfect sense. Their obsession with how things appear, and their need to disguise their real and private lives, have shaped them.

Here as in all else, the comedy assists the audience in gliding through the more searing social commentary. In the end, however, as the plot resolves through the revelation of Jack's true identity and Algernon's, the happy ending appears as unbelievable as the rest of the play: Is Gwendolen going to marry her first cousin? Will Cecily really settle for a man not named Ernest? Perhaps Wilde is implying here that none of the elements of the previous conflict mattered anyway, and that all has been, is, and will be nonsense. Or perhaps Wilde is asking us to accept that the action adds up to a comedic plot—or not even a comedic plot but a parody of a comedic plot. The play itself, then, may seem an accurate picture not of what life is really like but of what life is supposed to be like—and of how very silly that is. If what happens on the stage is supposed to mirror what happens in the world, the image thrown back by Earnest is distorted. Nevertheless, in an environment where appearances are everything, Wilde uses the stage to reflect just how ridiculous this preoccupation with externals is.

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The Importance of Being Earnest and Four Other Plays (Barnes & Noble Classics Series) 4.7 out of 5 based on 0 ratings. 45 reviews.
Guest More than 1 year ago
Recently many of the plays by Oscar Wilde have enjoyed a move to the silver screen. And done so with great praise. 'Importance of Being Earnest' is no different. While I love the move, especially Judy Dench, READING Oscar Wilde is what I like best. It's like a cool drink on a hot summer day, so poetic and fresh is his voice, his style. And even by today's standards he's funny. I enjoy his work on two levels: First, thinking about what it must have been like for those in the early part of the last century to watch these great plays, and second, seeing how they still hold up after all these years. 'Earnest' is filled with puns, plays on words, and a mind-bending plot. It's farce, fact, fiction, and fun. I highly recommend all Wilde's works, along with a book I recently picked up on Barnes and Noble titled 'katzenjammer' by J.T. McCrae which was also funny and well-written. Also, while still good, try Wilde's 'Picture of Dorian Gray' for another enjoyable read.
rampaginglibrarian on LibraryThing More than 1 year ago
This is a wonderful collection of plays that displays the marvelous wit of Oscar Wilde~if you've never been exposed you are truly missing out.
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Like this one, so witty and crazy!
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Bookworm95AO More than 1 year ago
Oscar Wilde is one of my favorite authors! I just love how he introduces and supports two totally different points of views on life with every subject the characters talk about! Like The Picture of Dorian Gray, every page is quotable!!! However, I think that adding Salome to the end of the book was a bit anticlimactic. It took away from the general grandeur of the book. I just didn't like the play. But overall, great book to get.
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This is a great edition. The plays in this collection are very entertaining. The Importance of Being Earnest and Lady Windermere's Fan are my favorites in this book. The print is easy to read and the value is exceptional. I have read it so many times already, and I look forward to reading it again...and again.
Anonymous More than 1 year ago
i havent read this yet, however, i have seen the movie version with collin firth, rupert everett, reese witherspoon, etc., and it inspired me to read it!! the characters are so funny, its just perfection acted, if you dont have a chance to see it as a play, watch the movie! worth every penny.