Lord Jim (Barnes & Noble Classics Series)

Lord Jim (Barnes & Noble Classics Series)

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Lord Jim, by Joseph Conrad, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

With Lord Jim, first published in 1900, Joseph Conrad transformed a tale of seafaring adventure into a subtle study of the meaning of honor and courage, loyalty and betrayal. When Jim, an idealistic merchant seaman and ship’s officer, abandons the supposedly sinking Patna and its passengers, he dashes his youthful dreams of glory in a single stroke. Condemned in court for his impetuous act of cowardice, Jim relegates himself to a life roaming the Far East.

Unforgettably told by Marlow, who also narrates Conrad’s Heart of Darkness, the story of Lord Jim plumbs the mysteries of a man renounced by society but driven by a desire for redemption.

A. Michael Matin is a professor in the English Department of Warren Wilson College in Asheville, North Carolina. He has published articles on various twentieth-century British and postcolonial writers, and has written the introduction and notes for the Barnes & Noble Classics edition of Heart of Darkness and Selected Short Fiction by Joseph Conrad.

Product Details

ISBN-13: 9781593081454
Publisher: Barnes & Noble
Publication date: 06/01/2008
Series: Barnes & Noble Classics Series
Edition description: New Edition
Pages: 400
Sales rank: 48,184
Product dimensions: 5.10(w) x 7.90(h) x 1.20(d)

About the Author

Joseph Conrad (1857-1924) grew up amid political unrest in Russian-occupied Poland. After twenty years at sea with the French and British merchant navies, he settled in England in 1894. Over the next three decades he revolutionized the English novel with books such as Typhoon, Nostromo, The Secret Agent, and especially Heart of Darkness, his best-known and most influential work.

Date of Birth:

December 3, 1857

Date of Death:

August 3, 1924

Place of Birth:

Berdiczew, Podolia, Russia

Place of Death:

Bishopsbourne, Kent, England


Tutored in Switzerland. Self-taught in classical literature. Attended maritime school in Marseilles, France

Read an Excerpt

From A. Michael Matin’s Introduction to Lord Jim

Explaining why he routinely drew on historical events as germinal sources for his fiction, Conrad wrote in a preface to a reissue of his first short story collection, Tales of Unrest, that “[t]he sustained invention of a really telling lie demands a talent which I do not possess” (The Works of Joseph Conrad: Tales of Unrest, p. ix). Many of the plot elements of Lord Jim, accordingly, have their origins in facts. For the first half of the novel, the most significant of the several historical sources Conrad drew on was the voyage of a ship called the Jeddah, which, in August 1880, with more than nine hundred Muslim pilgrims en route from Singapore to Jeddah (the port city west of Mecca on the Red Sea), was abandoned by its white officers, who mistakenly believed it to be sinking. The protagonist of Conrad’s novel is the first mate of such a ship who, while dreaming of glory and triumph, ironically achieves only infamy and ruin. He is an English clergyman’s son named Jim who, having become enamored of adventure literature during childhood, pursues a career in the British merchant marine. At the age of twenty-three, he takes a position on a ship called the Patna, whose voyage largely parallels that of the historical Jeddah. One night, when Jim is indulging in fantasies of his own heroism, the vessel strikes an object in the water and appears to be on the verge of foundering. The officers, including Jim (who believes there is no time to save the passengers), escape in a lifeboat and then, assuming the ship to have sunk, report this as fact when they are rescued. Upon arriving on shore, however, they learn that it has remained afloat, and they are subsequently disgraced and expelled from the service.

Although Conrad based many of the circumstances of his tale on the scandalous Jeddah episode, which was widely reported in such newspapers as the London Times and even taken up by the British Parliament, he also made some substantial changes. For example, whereas the Jeddah was, at eight years old, relatively new and in good condition, Conrad’s Patna is “as old as the hills” and “eaten up with rust,” so Jim’s assumption that it is about to sink appears reasonable. And whereas Jim is induced by the other officers to abandon ship, his historical counterpart, Augustine Podmore Williams (who, like Jim, was an English parson’s son), was determined by a court of inquiry to have been largely responsible for the desertion. Although the captain was deemed to have “shown a painful want of nerve” for having “allowed his feelings to master the sense of duty it is the pride of every British seamaster to vaunt,” it was concluded that “but for Mr Williams’s officious behaviour and unseamanlike conduct, the master would . . . have probably done his duty by remaining on the ship” (Report of the Court of Inquiry; reprinted in Sherry, Conrad’s Eastern World, pp. 299–309). Further, unlike Jim, Williams was merely censured rather than prohibited from again being employed as an officer. In fact, he went on to serve two years later as first mate of a ship called the Vidar, on which Conrad himself subsequently served as first mate. It is possible, therefore, that Conrad’s sources about the Jeddah fiasco included more than public reports.

As with the novel’s first half, the events of its second half—the exiled Jim’s glorious although ultimately tragic career in the Malay village of Patusan—are drawn from a variety of historical sources. During his years as a seaman, Conrad traveled to the Malay Archipelago a number of times, and before writing Lord Jim he had set much of his fiction there, including his first two novels, Almayer’s Folly and An Outcast of the Islands, as well as the short stories “Karain” and “The Lagoon.” Yet he also made clear that much of his information about that part of the world was not based on firsthand experience. As he wrote in 1898, responding to a published criticism of his fiction as unauthoritative on Malay customs, “I never did set up as an authority on Malaysia”; his sources, he maintained, consisted primarily of “dull, wise books” (Collected Letters, vol. 2, p. 130). Indeed, upon analyzing Conrad’s source materials, one discovers the literal accuracy of Jim’s pronouncement that the residents of Patusan “are like people in a book.” The most notable of such books was the English naturalist Alfred Russel Wallace’s The Malay Archipelago (1869), which was one of Conrad’s favorite works. Further, in depicting Jim’s transformed character in this new setting, Conrad departs from his original primary source, Augustine Podmore Williams, and turns to two other Britons, both of whom were adventurers in the Malay Archipelago who bore the name James: James Lingard, nephew of the renowned explorer and trader William Lingard (the model for Tom Lingard in the so-called Malay trilogy of Almayer’s Folly, An Outcast of the Islands, and The Rescue); and James Brooke, who in 1841 became rajah of Sarawak, on the island of Borneo, under circumstances evoked in those of Jim’s accession to power in Patusan. Regardless of how diligently we conduct detective work on the novel’s antecedents, however, we ought to bear in mind Conrad’s admonition, in a 1917 letter to an admirer who was an enthusiastic hunter of historical backgrounds for his texts, that “I am a writer of fiction; and it is not what actually happened, but the manner of presenting it that settles the literary and even the moral value of my work” (Collected Letters, vol. 6, p. 100).

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Lord Jim 4 out of 5 based on 0 ratings. 40 reviews.
Guest More than 1 year ago
When I read Lord Jim for the first time as a teenager I found it boring. Many years later I now find it an amazing book. Conrad himself spent sixteen years at sea in the late 1800s, so this book is to some degree autobiographical. The version of this book that I have even quotes Conrad: 'Every novel contains an element of autobiography.' In this book, the protagonist, Jim, travels to a remote region of the world, far from Victorian England. In this sense, the plot is similar to that in one of Conrad's other famous works, Heart of Darkness. Other than that book, I'm not familiar with Conrad's other works, nor am I an expert in Victorian literature, so I can't place this in its proper historical context. However, it seems like an amazingly well written story in and of itself.
Guest More than 1 year ago
In HEART OF DARKNESS, one of three Conradian works featuring the narrator Marlowe, the main character is Kurtz, a European completely corrupted by imperialism. In LORD JIM, Marlowe tells of his friend Jim, another European who seeks the jungle. Jim does everything he can to help the tribesmen he encounters. Although LORD JIM is an anti-imperialist book, it is a warning from a civilized author to a civilized readership to expect to be demoralized in any encounter with primitive peoples. Kurtz is a bad man and Jim is a good man, but the two have much in common. Marlowe (Conrad's mouthpiece) pities them both.
Guest More than 1 year ago
Lord Jim is an adventure story, but it also involves the psychological side. There were several chapters that I had to reread several times to get a true grasp of the story that was being told. And that's alright. Jim is a young man who pictures himself as one who is destined to be a hero and a great adventurer. Unfortunately reality does not match his vision and Jim must deal with his own act of cowardice. Wherever Jim goes and as much as he tries to hide form his past, he soon learns it catches up with him and since he does not know that if he can be forgiven he runs further and further. His lack of knowing that he can have redemptions leads to a very sad ending. While this is not as easy reading as most adventures, and at times made me want to pull my hair out, I still recommend it.
Anonymous More than 1 year ago
Who here is Z at green.
TheAmpersand on LibraryThing More than 1 year ago
Reading Joseph Conrad sometimes feels downright intimidating. Every one of his stentences is so erudite, so perfectly formed, and so detailed that it's hard to even imagine how he -- or anyone else -- might improve on it. Conrad just might be the platonic ideal of an English-language prose stylist, and he's so good that he can be scary. At the same time, I'm glad that there are plenty of authors who don't write like him. His stuff can be dense and slow; I suspect that some authors could reel off three novels and two short stories in the space it takes Conrad to get things exactly right in one. "Lord Jim," then, is vintage Conrad. It's dense and weighty and immaculately written -- each one of its chapters seems so perfectly self-contained might as well be a short story in itself. It covers much of the same ground, in a sort of roundabout way, that he would revisit in his more widely read "Heart of Darkness." At the center is Jim himself, a curiously hollow character whose likable exterior conceals an eerie emptiness and makes him particularly unsuited for life in the East. It's often been said that it's this concern with interiority that marks Conrad as a modernist writer, and I'd agree. In a sense, though, the novel's most original and intriguing modernist figure is Stien, an organized, perceptive mentor to the book's narrator who, in my eyes, bears a striking resemblence to Sigmund Freud. This is all the more astonishing when one considers that "Lord Jim" was written at about the time that "The Interpretation of Dreams" was published. "Lord Jim" has many of the pleasures that you find in other Conrad novels -- the author's familiarity with the exclusive fraternity of experienced seamen makes one the reader feel part of a privileged circle, and there are some lovely period details for readers who find the age of sail, or the age of empires, romantic and exciting."Lord Jim," like many of Conrad's books, is told through a complex and effective narrative frame and it's an undeniable pleasure to spend some time with Marlowe, his favorite narrator, who is at once one of the most charming and the most throughtful men who ever sailed the fictional seas. There are, I admit, some equally familiar Conrad problems in "Lord Jim," too. Women and non-Europeans are portrayed mostly passive or pitiful and, as sordid as Jim's tale is, I'm not sure that the project of empire as a whole is really ever put up for debate. Still, it'd be difficult to argue that "Lord Jim" isn't a prose masterpiece and a good -- perhaps even great -- novel. It is recommended to patient readers in search of a book that is both challening and curiously engrossing.
pickwick817 on LibraryThing More than 1 year ago
In a similar way to "Nostromo" which I recently read, I struggled through the first half of the book. Things seemed to move very slowly as Conrad introduced his characters. Several chapters would pass in one conversation, and I would stop reading for a day or two, then pick it up again and assume one character was a part of the conversation, only to find out at the end of the chapter that it was another character. A little frustrating, but worth it because I really enjoyed the last half of the book, (again like Nostromo). What I like most about this book is the depth to which Conrad thinks through each characters personality and individual motivation in the plot. Its really a lesson in human pschychology, and group dynamics.
Niecierpek on LibraryThing More than 1 year ago
A retro read. It was one of the most thought provoking and influential books of my youth. On human nature, nature of honour, romantic dreams, and how we don¿t know what fabric we are made of until we are tried. Still very good, even though some episodes could have been shorter.
carterchristian1 on LibraryThing More than 1 year ago
If you love a sea story you can't resist this. Has it all, handsome white,young sailor, British empire, starcrossed lovers, swashbuckling, wonderful descriptions. Loved it, old as the tale is.
Anonymous More than 1 year ago
My I join this RP?
Anonymous More than 1 year ago
A silvery-grey wolf paces the scent markers curiously.
Anonymous More than 1 year ago
The tall male walked in, cold gaze sweeping around.
ben_a on LibraryThing More than 1 year ago
I have been slowly re-reading this book through the month of November. Lord Jim has always been a touchstone novel for me. The first time I read it, I was chilled right through. This seemed to me the way my life was likely to go wrong: indulging my imagination with haze of possible heroism while funking, decisively, the one time I was truly tested. Coming back, years later, none of that power is lost. And I am more conscious of jsut how impossibly fine a writer Conrad is. I suspect one reason it has been slow going for me is that I have in my professional life become adept at the semi-skim mode of reading. Fast, quick, and 95%. You can't read Conrad that way. 12.03.06, and follwing. Recommended more than almsot anything.
Anonymous More than 1 year ago
Name: Amethyst <br> Description: pale purple, huge, ancient, purple eyes <p> Likes: eating rocks, swimming, watching people <br> Personality: generous, selfless, unflirty, strong <p> Rider-crush: pony-shrug
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GConradDietz More than 1 year ago
In my opinion the story became bogged done with too much psychological analysing of the characters to keep my interest.
Anonymous More than 1 year ago