Man Walks into a Room

Man Walks into a Room

by Nicole Krauss

Paperback(First Anchor Books Edition)

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A luminous and unforgettable first novel by an astonishing new voice in fiction, hailed by Esquire magazine as “one of America’s best young writers.”

Samson Greene, a young and popular professor at Columbia, is found wandering in the Nevada desert. When his wife, Anna, comes to bring him home, she finds a man who remembers nothing, not even his own name. The removal of a small brain tumor saves his life, but his memories beyond the age of twelve are permanently lost.

Here is the story of a keenly intelligent, sensitive man returned to a life in which everything is strange and new. An emigrant from his own life, set free from all that once defined him, Samson Greene believes he has nothing left to lose. So, when a charismatic scientist asks him to participate in a bold experiment, he agrees. Launched into a turbulent journey that takes him to the furthest extremes of solitude and intimacy, what he gains is nothing short of the revelation of what it means to be human.

Product Details

ISBN-13: 9780385721912
Publisher: Knopf Doubleday Publishing Group
Publication date: 11/11/2003
Edition description: First Anchor Books Edition
Pages: 248
Sales rank: 653,728
Product dimensions: 5.20(w) x 8.00(h) x 0.53(d)

About the Author

Nicole Krauss was born in New York in 1974 and lives in Brooklyn. She has published in Esquire, The Paris Review, and Best American Short Stories. Called "one of the most impressive debuts of 2002" by Esquire, Man Walks Into a Room was a finalist for the Los Angeles Times Book Award.

Read an Excerpt


May 2000

WHEN THEY FOUND him he was halfway down the only stretch of asphalt that cuts through Mercury Valley. The two police officers saw him up the road, ragged as a crow. He looked at them blankly when they pulled up next to him, neither surprised nor grateful. They asked him questions that seemed to confuse him, and his gaze slipped past them to scout the desert. He didn't struggle when they frisked him. They opened his wallet and counted out twenty-three dollars and change. They read his name and address aloud to him but his expression registered nothing. The man before them in a filthy suit bore almost no resemblance to the bright, focused face on the New York State license; sun had darkened his features and dust had worn itself into the creases of his skin so that it was impossible to believe he was only thirty-six. They assumed he'd stolen the wallet, and though it was clear he was dehydrated and confused they locked his wrists together as they led him into the car. He sat rigidly in the backseat, at a forward tilt with his eyes fixed on the road. They called him Samson not because they believed it was really his name but because they could think of nothing else to call him.

While they treated him in the emergency room in Las Vegas for whatever he was suffering, one of the police officers put in a call for a search on Samson Greene, d.o.b. 1/29/64. When it was discovered that Samson Greene had been missing for eight days, last seen walking out of the gates of Columbia University and down Broadway into the clear afternoon, things began to get interesting. Someone in the Twenty-fourth Precinct in Manhattan was able to connect the police officer to the social services agency where Samson's wife worked, and after speaking to three people he was finally put through to her. Hello? she said quietly into the phone, already informed of who was on the other end. Is he alive?

There was a short, confused discussion: what did he mean, they weren't sure if it was him, didn't his license say Samson Greene?, to which the police officer didn't want to reply, Lady, Samson Greene could be lying in a ditch somewhere outside Vegas having taken a knife to the chest from the man who's now a card-carrying member of the West Side Racquet Club, the Faculty of English at Columbia University, the Museum of Modern Art. Are there any distinguishing marks? the police officer asked. Yes, she said, a scar down the back of his left arm. She paused, as if Samson were lying in front of her and she was inspecting his body. And a birthmark above his shoulder blade. The police officer said he would call her back as soon as he knew anything, giving her the number of the pay phone out of courtesy. She insisted on waiting on the line, so he left the receiver hanging off the hook while he went to check whether it was in fact her husband on the gurney. A nurse passing by picked it up and said, Hello? Hello? When there was no answer, she hung up. A minute later the phone rang but no one was around so it just rang and rang in urgent bursts, each ring separated by a brief, desperate silence.

Later they were able to reconstruct most of his journey from the receipts for bus tickets in his pockets, from the few accounts of witnesses who recalled having seen him—a waitress, the manager of a motel in Dayton, Ohio—confirmed by the ghostly flicker of his image caught by the wandering eye of security cameras. When they eventually played these tapes back to Samson he smiled and shook his head because he could not remember where he'd been or why he'd gone there. In a way that she couldn't explain, alone in her own sadness, those images made Anna Greene want her husband terribly, as she hadn't since they began to share a bed, a car, a dog, a bathroom. In one of them, the only one in which you could see Samson's face clearly, he was standing at the checkout desk in a Budget motel outside Nashville. He was holding open his wallet and his face was tilted upward, his expression as peaceful and absorbed as a child's.

While Anna was looking down from the plane on the rucked mass of Nevada cut by a glinting vein leading to Vegas, the neurologist, a Dr. Tanner, was studying a CT scan of Samson's brain. By the time Anna arrived at the hospital, disheveled, wheeling behind her a small suitcase none of whose contents she could remember packing, Samson had been diagnosed with a tumor that, all those months lost in work or sleep, had been applying its arbitrary, pernicious pressure on his brain. The heat during the drive from the airport had been, even in May, almost unbearable. Now Anna was shivering in the air-conditioned hospital, her damp shirt clinging to her back. She couldn't understand, nor was anyone yet able to explain to her, how Samson had gotten to where they'd found him, some nowhere in Nevada. It was with great difficulty that she registered the words of Dr. Tanner, who was sitting across from her now. It's about the size of a cherry, pressing on the temporal lobe of his brain, most likely a juvenile pilocytic astrocytoma. And in her own mind—clear, unthreatened by disease—Anna imagined the shiny dark red of a cherry nestled into the gray matter of the brain. Once, five or six years ago, they had pulled off the road in Connecticut to follow a painted sign that said Cherry Picking. They'd driven back through the early summer evening with two baskets and stained fingers, the windows open to let in the smell of cut grass. As she listened to Dr. Tanner's voice and his patient, kind pauses, Anna sensed he was a happy man, one who would drive home in his soundproof car listening to classical FM, to his wife with her bright and easy laugh—a man who did not wake each day to the misery he'd left slumped in the chair the night before. She felt envious of him, envious of the nurses passing in the hall who were happy enough to dress themselves this morning in starched uniforms, envious of the orderlies and the janitor pushing his gray mop along the linoleum floor.

Dr. Tanner continued: After the surgery we'll perform a biopsy and hope it's benign, he said, a word, Anna thought, that seemed unkind as all euphemisms are, and as Samson had once pointed out to her. Dr. Tanner turned the CT scan around and slid it across the desk to her, leaning forward in his chair to trace the atlas of Samson's brain with the cap of his pen. It came to rest on a yellow island in a continent of blue. He seems, for the moment, to be operating on a kind of autopilot, an awareness educated enough to get him across the country alone. Whether or not some or all of his memory functions have been destroyed permanently, or whether the surgery will itself incur such damage, is impossible to predict. Anna looked out the window to the hospital's landscape kept evergreen by the steady dose of water meted out by sprinklers. She was thirty-one years old. She had been with Samson for almost ten years. She thought of the time he'd had a toothache so severe he cried, and also, inexplicably, of the time he'd sent her flowers for her birthday but on the wrong day. She turned back to Dr. Tanner and studied his face. If you remove it and it's benign, she finally said, is there a chance he'll be all right?, though by all right what she meant was the same. I don't think you understand, Dr. Tanner said, his voice filled with the compassion that is sometimes confused with pity. Chances are his memory will be obliterated. He paused, a deep, medical pause, his fingers resting lightly on Samson's brain. He probably won't remember who you are.

WHAT HE REMEMBERED about opening his eyes was the clock on the wall above the door that read 3:30. He must have drifted in and out of consciousness for a while longer, because when he woke again the clock was gone and he was in another room with a window, the curtains pulled back to let in the sun. Later he tried to remember exactly what he felt and thought in those first hours, but unlike the sharp clarity of what followed, he could only recall the vague wake of the anesthesia. He wanted to remember those first pure moments without reference, when something had been removed from his brain and what filled its place, like air rushing into a vacuum, was emptiness. Though there was nothing else to call it, it wasn't quite forgetfulness. He tried to explain this to Anna once enough time had passed that he learned, again, what forgetting was; it wasn't like the amputation of an arm where the mind still feels an itch in phantom fingers. It was a complete eradication, the removal of both memory and its echo, and it was this that Anna couldn't understand, this lack of regret. But how can one regret what, to the mind, has never existed? Even loss is an inaccurate description, for what loss is without the awareness of losing?

Weeks later, on the plane back to New York, Samson sat next to Anna, his head shaved and bandaged over the incision, the large envelope with his CT scans resting on his knees. He had lost twenty pounds, and the clothes he was wearing—the only things Anna could find in the cheap stores near the hospital—were unfashionable and didn't fit properly. Out of the corner of his eye Samson saw that Anna was staring at him, but he was afraid if he spoke to her she might cry. He trusted her because she cared for him and there was no one else. When the plane began its descent into La Guardia, she covered his hand with her own, and as they touched down he looked at her hand, trying to make something of it. During the taxi ride through Queens, Samson pressed his forehead against the window and read the illuminated signs along the highway. When they crossed the Triboro Bridge and Manhattan rose against the night sky, Anna asked, "Do you remember?"

"From the movies," he said, and leaned forward to see.

The benign astrocytoma they removed from his brain had been preserved on slides, and stored in the hospital's pathology lab. The biopsy suggested that it had been slowly growing for months, maybe years, without effect. It was what they called a silent tumor, without the manifestation of symptoms that might have alerted anyone to its presence. Before the moment Samson had put down a book in his office at the university and closed his memory with it, there might have been small falters, moments when his memory lapsed into blackness before returning seconds later. But if these had happened there was no way of knowing now. All the while, the tumor had been forming itself in his mind like a nightmarish pearl. That late May afternoon, school just let out, the shouts of students floating in through the open windows, it had finally gained enough mass that its gradual exertion of pressure became too much. Between two words in a book Samson's memory had vanished. Everything, save for his childhood, which days later in a hospital in Nevada he woke up remembering.

At first he couldn't even remember his own name. Still, there were things, like the taste of orange juice, that were familiar to him. He knew that the woman who stood by his bed in the red shirt was pretty, though he couldn't think of plainer faces against which hers stood out. These early signs were promising, and as the doctors tested him it became clear that not only had he retained a sort of intrinsic memory of the world but, more remarkably, he was able to lay down new memories. He could remember everything that had happened after the operation. The doctors seemed puzzled by this, and during teaching rounds they paused for a long time in Samson's room. They continued to inject him with glucose, but as the days passed it was clear his memory loss wasn't an effect of the edema. His particular scenario—retrograde amnesia causing the loss of all specific memories prior to surgery, while the capacity to remember still functioned—was highly unusual. And while Samson seemed to have forgotten his entire autobiography, he nevertheless knew that the flowers on the night table were called amaryllis and that the woman who stood by his bed, Anna, had brought them for him. And it was in opening his eyes to those obscure white blooms a week after his operation that something like a fragment from a dream dislodged itself and floated up to the surface of his mind.

It was the vivid color of the memory that startled him, a luminous blue. It was all around him, warm and smooth, and moving through it toward the glow of light he could hear muted sounds that seemed to come from a great, impassable distance. There was a felicity despite the slow pressure on his lungs that finally pushed him upward. He remembered that when his head broke through the surface of the water he'd been surprised by the chill of the air and the world that stood in perfect, microscopic clarity: the blades of grass, the night sky, the dripping faces of two boys illuminated by the pool lights. "Forty-three seconds!" one shouted, looking at his watch, then barreled down the diving board, leaped into the air, and clutched his knees, dropping into the water with a lucid splash.

In the days following his operation, memories from his childhood continued to appear in his mind with unnerving precision. It was as if the apertures of his eyes, confused by the outside world, had been directed inward and begun to cast, like a camera obscura, perfect images on the whitewashed walls of his mind. The hairline cracks of a sugar bowl on the kitchen table. The sun falling through the leaves casting shadows on his fingers. His mother's eyelashes. Anna had been overjoyed, squeezing his hand each time he described to her what he could remember. That's what she was at first, this woman who sat day in and day out by his bed, whose thin wrists he could encircle with two fingers: an audience for his memories. And although it alarmed him that she knew, like an informed agent, many of the years and places of those memories, he continued to narrate them to her because he sensed that she could help him. Again and again he described his mother to her, in the hope that Anna might find her and bring her to him. When he asked why his mother wouldn't come, she covered her mouth and looked away.

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Man Walks into a Room 3.5 out of 5 based on 0 ratings. 27 reviews.
cameling on LibraryThing More than 1 year ago
What if a brain tumor causes you to lose all memories of your life after the age of 12? That's what happened to Samson Greene. One day he's an English professor at Columbia University and the next, he's found wandering in the Nevada desert, with no memory of his name, what he's doing in the desert, that he's married, who his friends are, and that his mother's dead.After the tumor has been removed, Samson has to deal with living in a house he doesn't remember, a wife he doesn't recognize and a life he doesn't want. But he adjusts, makes a new friend in an ex-student and a doctor, and finds he is actually comfortable with the lapse in his memory. He feels no need to try and get those memories back. He decides to participate in a cutting edge research conducted by a neurological scientist out in Nevada, and at the center, he meets Donald, an elderly eccentric, with whom he builds a bond. But his complacency takes him into unchartered waters at the research facility and he is finally jolted into taking steps to get some control over his life back again.
alana_leigh on LibraryThing More than 1 year ago
While Man Walks Into a Room was Nicole Krauss's debut novel, I was first brought to experience her genius in The History of Love. Her first work feels like less of a novel and more like a lengthy short story -- though, to its credit, it certainly doesn't feel any longer than a short story. Instead, it's more of a lingering discussion on an idea that begs to be explored. As a result, it feels hard to summarize the plot in a tantalizing way beyond the initial scenario, as a large part of the novel is really a reaction to just that.Samson Greene is found wandering the desert outside of Las Vegas eight days after going missing in Manhattan. Almost immediately, he undergoes surgery to remove a newly discovered brain tumor and when he wakes up, he has no memory of his life after the age of twelve. No memory of his loving wife, his career as an English professor at Columbia University, his friends, his dog, his mother's death... nothing. Remarkably, he appears able to make new memories and is still an intelligent and functioning adult, but the slate appears to have been wiped clean of over twenty years of experiences. Without any connection to this life, he doesn't particularly feel a desperate need for these memories to return so much as he just wants everyone to stop looking at him with expectation. This is an unusual response to memory loss and is incredibly painful for Anna, his wife, who just wants her husband back, intact, with memories of their ten years spent together. As he adjusts to this new world (though thankfully we are spared the movie "Big" ideas and he seems to have the mentality of an adult if not the personal memories), he struggles to establish a relationship with Anna and find some purpose to his own self. Unsurprisingly, things do not go well. Samson retreats further into himself as he realizes he cannot really make Anna happy, developing a strange friendship with a former student and relying on the companionship of his dog, Frank, who does not expect Samson to remember their time together. This is all moving along when Krauss throws in a bit of a twist: a neuro-scientist offers Samson the opportunity to take part in a hushed-up memory experiment and Samson quickly signs up. The experiment does not claim that it could return his memories, for those are lost for good, but instead the experiment is attempting something much more revolutionary and potentially much more traumatizing. Of course, if one picks up the novel and reads the very first few pages, one might wonder how the depiction of a young soldier witnessing an atomic bomb testing plays into the rest of the story. It is this memory that will hit Samson with all its atomic force, finally breaking him open to understand everything that has befallen him. It takes the story a while to get there, but impact is astounding.As I mentioned, this novel is not one that should be read for plotlines; it's the exploration of a "what if...?" idea. From the beginning, you should be pretty aware that everything cannot end well. It might end not terribly, but that's about all you can hope for after a tragedy that takes someone from those he loves without actually killing him. Indeed, as characters wonder in the story, would Samson's death have been preferable to wiping his memories but leaving him standing? For a large part, I enjoyed the awkward and painful examination of what to do with this man who has been cut from the ties of his life, yes remains floating around. It's believable and heartbreaking, which is a hard emotion to muster when it comes towards the beginning of a novel and you have not really had time to get to know your characters. Your sympathy focuses mainly on Anna, the "widow" who is told to act against her hopes, to smother her desire that the Samson she knows will return to love her, and to simply help him adjust to his new life as a helpmate rather than a loving wife. Even though Samson is the one to experience the memory loss,
ibkennedy on LibraryThing More than 1 year ago
What a wonderful book....
cestovatela on LibraryThing More than 1 year ago
Man Walks into a Room begins with an intriguing premise -- a successful, married university professor loses his memory to a brain tumor. Unable to remember anything after the age of 12, Samson Greene struggles to connect with his wife Anna and find a place in the world. Unfortunately, the book just never quite comes together.
SqueakyChu on LibraryThing More than 1 year ago
I must have missed something in this book. There was a quote from Entertainment Weekly at the very top of the cover of my book that said ¿casually dazzling¿thoroughly riveting.¿ Was I even reading the same book? Frankly, I found my book boring and wished it would all end sooner rather than later. I kept hoping for a resolution or some action to make my reading more worthwhile.The story is of Samson, a young man who had a brain tumor removed. The surgery resulted in memory loss of things that occurred to him after the age of twelve years. When Samson recovered from the surgery, his wife took him home. Unfortunately, it was a home that he no longer knew and a wife with whom he was no longer the least bit familiar. He needed to make a decision whether to stay or whether to leave and, if he left, to where should he turn.I didn¿t find much of interest in his experiences nor in the people he met in his travels. I did, however, like his great-uncle Max, but I was not treated to his company very long. Oddly enough there were a few quirks about this book that I did like, but not enough for me to give this novel a recommendation. I thought it interesting that the main character was Jewish even though that had nothing to do with the story. In addition, the author¿s writing style is easy to read. I only wish that her story would have been more fun to read.
mjanetten on LibraryThing More than 1 year ago
The History of Love by this author, Nicole Krauss, is one of my favorite books. Man Walks Into a Room was her first book. I didn't expect to like it as much as the History of Love, and I didn't, but it was good. Her way of writing makes it hard to stop reading, she has a way of saying things that make you stop and think. I defanitley turned back to read paragraphs and phrases in this book as I did in the other, though not as often. I would recommend this book if for no other reason than just to experience the story itself. I don't want to give anything away, I think its one of those that if you dont know what it is it makes it even better, but the story is original and intriguing.
mountabbey on LibraryThing More than 1 year ago
Any book that makes you think about life and the people you share it with is worth reading. It drug me back into my childhood memories, it made me think ahead to when I was in my own Fairview Homes, it made me reflect on the memories I do share with people around me and the powerful memories I hold for myself, it made me think of my grandfather that saw a test blast himself, it made me want to take action against my loneliness, it made me want to talk to strangers on the bus. And along the way, I enjoyed Nicole Krauss' imagery and poetry.
flydodofly on LibraryThing More than 1 year ago
it did not work for me, i am afraid, but krauss' language is interesting as she lures you into turning those pages to read about things lost or never found, about whether and how they matter: "Give yourself time. It's a tragic thing to lose someone, whatever the circumstances. But it's amazing how resilient people are. Sure, it's hard to believe now, but one day you'll both wake up and realize it's all right. You'll open your eyes, and maybe the light will strike you in a certain way, and you'll sit up and think to yourself, okay."
judithann on LibraryThing More than 1 year ago
Not sure about this book. The idea of someone losing his memory was interesting, but I did not like the way it was elaborated on in the story. The book was much more boring than I expected. The best bit was the end, where the main character meets his old greatuncle, who is the only person left who knew him when young. It turns out that the greatuncle does not remember him! He also only remembers things form early on in his life, not unlike the main character. So there was a nice parallel there.
petterw on LibraryThing More than 1 year ago
I wish Nicole Krauss had written this book AFTER History of Love. A more mature author would have fulfilled the potential of this story and removed the sci-fi element that is reducing the believability of story and characters. It is nevertheless a readable book; Krauss is one of the more exciting young writers from the U.S., and it is well-crafted with some memorable scenes and quotes.
SimoneA on LibraryThing More than 1 year ago
I can't say I love Man Walks Into a Room as much as The History of Love. The idea of the book is great, but I couldn't relate to the main character. Also, the second part of the book feels very fantasy-ish, which I didn't expect at all. I hope that Nicole Krauss's books will keep getting better, then she will rise on my favorites list!
jennyo on LibraryThing More than 1 year ago
I didn't love this book as much as I did The History of Love, but I did really, really like it. I found Krauss's thoughts about memory fascinating. And Samson Greene's story was compelling enough that I had a hard time putting the book down.
Thorne2112 More than 1 year ago
A story about a man who doesn't know what he was but isn't necessarily determined to find out what he could be. A meditative contemporary novel.
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Beachcomber More than 1 year ago
I will have to read this book again in order to fully grasp what characters have gained. It is a book that is better read in a few sittings. I stretched it out too long. Especially enjoyed the minds of the old gentlemen.
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Anonymous More than 1 year ago
The History of Love is one of my all time favorite books and so I was very excited to read this one. The story is interesting but I really had to force myself to finish it. At times I found it dense and not very engaging but it also had it's moments. Overall, I think Nicole Krauss is a beautiful writer and her words have a lot of truth and weight to them. In this particular novel, some of those words might be hard to get through, but in the end I am glad to have read it.
Anonymous More than 1 year ago
Guest More than 1 year ago
I read this book because I absolutely fell in love with Krauss' History of Love. This one fell short of my expectations. It wasn't horrible, but I was itching for it to be over...
Guest More than 1 year ago
This book held my interest from start to finish. The first third is the strength of this work, the second third slows down a bit, and in the home stretch, it appears that the author may have run out of steam. Nonetheless, its approach is interesting and thought provoking, and it is worth reading.