About the Author
Table of ContentsPrefacePart I: Critical Contexts
1. Introduction: Religion and the Discourse of Modernism
2. H. R. Rookmaaker, Modern Art and the Death of a CulturePart II: Geographies, Histories and Encounters
3. France, Britain and the Sacramental Image
4. Germany, Holland and Northern Romantic Theology
5. Russian Icons, Dada Liturgies and Rumors of Nihilism
6. North America and the Expressive Image
7. North America in the Age of Mass-Media
Afterword: So What? by Daniel A. Siedell
What People are Saying About This
"As insightful as Hans Rookmaaker's provocative book Modern Art and the Death of a Culture (1970) was in tracing with broad strokes his concern with the cultural demise of Christian values in the post-Enlightenment West, Anderson and Dyrness make probing and illuminating use of the forty-five years of subsequent research to show that the sacred and secular have been far more complexly interwoven than Rookmaaker recognized. The authors, using the same end date, open up a broad spectrum of well-researched and illuminating contextual material that serves as a needed corrective to Rookmaaker's generalized schema and models a multidisciplinary, art-historical and theological approach that is deliberately generous, open and sympathetic rather than confrontational."
"The book impressively demonstrates the potential for theology to occupy itself with the movements of modern art."
"Despite his often biting criticism and emphatic rejections of modern art, those who read Hans Rookmaaker closely know that the care and attentiveness he displayed in engaging the art of his day intimated a valuation far beyond mere condemnation. The same spirit of eager and attentive hospitality can be seen in this rejoinder by Bill Dyrness and Jon Anderson. With the studied investment in their diverse subjects and the poignant reflections emerging throughout, they have demonstrated that both Rookmaaker's vocation and burden are live categories for our time. More than a response to the original, Modern Art and the Life of a Culture is an invaluable companion to Rookmaaker and essential reading for any serious Christian encounter with modern art."
"This is a book we have needed for a long time. The standard story of modern art, told by religious and non-religious people alike, is that it is the art of secularism and pervaded by nihilism. That was the story told by Hans Rookmaaker more than forty years ago in the book that became enormously influential among evangelicals, Modern Art and the Death of a Culture. Anderson and Dyrness tell a very different story. They show that modern art has been pervaded by religious concerns and theological issues. What they have dug up is truly amazing; the book is an eye-opener. They frame their story as a response to Rookmaaker. But the story they tell and the interpretations they offer are for everyone. Only those who refuse to read can ever again think of modern art in the old way."