One Day at a Time [Bonus Tracks]

One Day at a Time [Bonus Tracks]

by Joan BaezJoan Baez


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One of the oft-overlooked aspects of Joan Baez's career in the '60s is that after the first four albums, she never did the same thing twice; what's more, with the possible exception of the Baptism album, she succeeded at least 90 percent of the time in practically everything new that she tried during that decade. One Day at a Time is much closer to 100 percent on target, and was also startlingly new and daring at the time. Today it seems like no big deal, but in 1970 very few singers coming out of the folk scene as Baez did were reaching out to Willie Nelson ("One Day at a Time") and even the Rolling Stones ("No Expectations") for repertory, much less putting them on the same album with music by old leftist composers like Earl Robinson ("Joe Hill"), and then interspersing those songs with traditional country numbers. Even better, she was also writing her own songs, one of which, "Sweet Sir Galahad," ranks among the best songs that she ever recorded (no small compliment considering that the latter list includes much of the Bob Dylan catalog, among other heavyweight compositional competition). She was in the middle of her country phase, mostly working with the best players in Nashville (who are a pleasure to hear as well), but One Day at a Time has a freer, looser feel than David's Album or Blessed Are..., both of which came out of the same orbit. Her version of "Long Black Veil" could've passed muster at The Grand Ol' Opry, and she could've cut these sessions with Dolly Parton, June Carter Cash, or any other female country singer of the era and not been out of place. The sheer, understated power of her voice on Delaney & Bonnie's "Ghetto" and on "Carry It On" is also something to behold, and makes one wonder what kind of a gospel singer Baez might have made in another reality. Yet she could also loosen up enough to do a pure piece of sentimental traditional country music like "Take Me Back to the Sweet Sunny South" and make it work, too. And amid those multi-tiered, widely spaced superlatives, One Day at a Time also had (and still has) an additional facet that should make it essential listening on another level, to yet another audience -- it's an excellent companion to and extension of Baez's appearance on the Woodstock album, as three of the cuts here feature her working with Jeffrey Shurtleff, who was her accompanist at the festival as well. [The 2005 Vanguard reissue adds two bonus tracks, "Sing Me Back Home" and "Mama Tried," and much improved sound quality.]

Product Details

Release Date: 10/31/2005
Label: Vanguard Imports
UPC: 0029667016629
catalogNumber: 6701662
Rank: 37328

Album Credits

Performance Credits

Joan Baez   Primary Artist
Jerry Reed   Guitar,Rhythm Guitar
Buddy Spicher   Fiddle,Viola
Pete Drake   Guitar,Steel Guitar
Grady Martin   Dobro,Guitar,Electric Guitar,Sitar
Harold Bradley   Guitar,Bass Guitar
Kenny Buttrey   Drums
Tommy Jackson   Fiddle
Norbert Putnam   Electric Bass
Hargus "Pig" Robbins   Piano
Jerry Shook   Rhythm Guitar
Pete Wade   Rhythm Guitar
Hal Rugg   Dobro,Steel Guitar
Junior Huskey   Bass Guitar,String Bass
Richard Festinger   Electric Guitar

Technical Credits

Merle Haggard   Composer
Willie Nelson   Composer
Steve Young   Composer
Joan Baez   Arranger,Composer,Adaptation
Mick Jagger   Composer
Rick James   Composer
Earl Robinson   Composer
Jerry Bradley   Engineer
Maynard Solomon   Producer
Keith Richards   Composer
Marijohn Wilkin   Composer
Captain Jeff Zaraya   Engineer
Mark Spector   Reissue Producer
Arthur Levy   Liner Notes
Norman Moore   Art Direction
Danny Dill   Composer
Georgette Cartwright   Creative Services Coordinator
Gil Turner   Composer
Traditional   Composer
Philippe Halsman   Cover Photo
Alfred Hayes   Composer

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