Orientalism in French Classical Drama

Orientalism in French Classical Drama

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Michèle Longino examines the ways in which Mediterranean exoticism alters the themes in French classical drama through the exploration of such plays by Corneille, Molière and Racine as Le Cid, Médée, and Le bourgeois gentilhomme among others. She considers the role that the staging of the near Orient played in influencing French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, Longino depicts these dramatizations in the context of French-Ottoman relations at the time of their production.

Product Details

ISBN-13: 9780521025171
Publisher: Cambridge University Press
Publication date: 03/31/2006
Series: Cambridge Studies in French Series , #69
Edition description: First Edition
Pages: 292
Product dimensions: 5.98(w) x 8.98(h) x 0.67(d)

About the Author

Michèle Longino is Associate Professor of French Studies in the Department of Romance Studies at Duke University. She is the author of Performing Motherhood: The Sévigné Correspondence (1991).

Table of Contents

Acknowledgments; Introduction; Orientation; 1. Médée and the traveler-savant; 2. Staging politics: Le Cid; 3. Acculturating the audience: Le Bourgeois gentilhomme; 4. Orienting the world: organizing competition and gendering geography in Tite et Bérénice and Bérénice; 5. The staging of France: Bajazet, Mithridate, communication and the detour; Conclusion; Notes; Bibliography; Index.

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