×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
0711583807640
$14.73
$15.99
Save 8%
Current price is $14.73, Original price is $15.99. You Save 8%.
View All Available Formats & Editions

CD
Members save with free shipping everyday!
See details
See details
14.73
In Stock
Overview
Under the banner of Montero, Australian musician and visual artist Ben Montero creates an eccentric amalgam of laid-back psychedelia, lush synth pop, and vintage soft rock, presented with both a wry smile and some genuine warmth. A smattering of independent singles preceded his 2013 full-length debut, The Loving Gaze, as did his involvement in a host of jangly lo-fi acts like Treetops, Holiday Maker, and later, Early Woman. While his fondness for collaborations remains an element of Montero, this project is ultimately a declaration of self, offered here on his sophomore release, Performer, with a fully realized visual aesthetic to accompany his vibrant pop wanderings. In the years between his two LPs, Montero became more widely recognized as a cartoonist and designer, and the wild Technicolor illustrations adorning Performer's cover mirror the heady music contained within. Recorded at Mark Ronson's Tileyard Studios in London, there is somewhat of a big pop element to the album's production, with fellow Aussie Jay Watson (Tame Impala, Pond) and in-house engineer Riccardo Damien on board to help stack the many layers of synths, guitars, and vocals. Acting as both introduction and overture, "Montero Airlines" sets the tone and establishes what seems to be Montero's predominant mode of borderline whimsical midtempo rock balladry in the vein of masters like the Beatles, Harry Nilsson, and Electric Light Orchestra. Only a handful of tracks diverge from this stylistic construction (the thudding dark synth pop of "Quantify" and the sprightly '70s pop of "Destiny"), but to his credit, he's got it down pat and delivers some real gems in the Lennon-esque "Caught Up in My Own World" and the excellent "Running Race," which sports a winsome melody worthy of an early Bee Gees single. The mighty "Vibrations" captures the thick ELO filter and is another solid song to boot. There are some missteps like the clunky and far too long "Tokin' the Night Away," but overall, Performer is quite a lot of fun and an aural delight for aficionados of classic '60s and '70s pop with an experimental indie twist.
Product Details
Release Date: | 02/09/2018 |
---|---|
Label: | Chapter Music |
UPC: | 0711583807640 |
catalogNumber: | 80764 |
Rank: | 155330 |
Tracks
Album Credits
Performance Credits
Montero Primary ArtistRiccardo Damian Synthesizer,Slide Guitar
Jason Montero fender rhodes
Emily McGregor Violin
Technical Credits
Ben Montero Producer,Artwork,InstrumentationMontero Composer
Jay Watson Producer,Instrumentation
Riccardo Damian Programming,Producer,Engineer
Customer Reviews
Related Searches
Explore More Items
As handsome as this package is -- or in the case of the super limited ...
As handsome as this package is -- or in the case of the super limited
edition, housed in a working guitar amp, as ridiculous -- Backtracks is essentially just a clearinghouse for AC/DC rarities, rounding up all the released tracks ...
Australia's Dirty Three have covered a lot of ground over their ten-year career, and always
as a trio: violinist Warren Ellis (also a prominent member of Nick Cave's Bad Seeds), guitarist Mick Turner, and drummer Jim White (the latter two ...
With Cultivations, Au.Ra's Tim Jenkins and Tom Crandles make another big departure: Just as Jane's ...
With Cultivations, Au.Ra's Tim Jenkins and Tom Crandles make another big departure: Just as Jane's
Lament found them leaving behind the straightforward indie rock of their previous bands, the duo's second album ventures into even more evocative terrain. Where Jane's ...
Shapeshifting from the spectral indie folk of her eponymous 2014 outing, mercurial Australian singer/songwriter Laura
Jean repaints her world in the pastel hues of vibrant, introspective synth pop on Devotion, her fifth album overall. She's certainly not the only act ...
The dreamy, wide-screen '90s revivalism of Jagwar Ma's first album Howlin' gained the Australian duo ...
The dreamy, wide-screen '90s revivalism of Jagwar Ma's first album Howlin' gained the Australian duo
a devoted fan base that bridged generations. People who lived through the baggy, dancefloor-friendly psych pop era of the actual '90s found much to love ...
The mercurial Aussie rockers open their seventh studio long player with a thick blast of ...
The mercurial Aussie rockers open their seventh studio long player with a thick blast of
heavily treated guitar terror that suggests Muse by way of King Crimson, setting the stage for what is their weirdest and most visceral outing to ...
The Stevens don't change their sound much on Good, their second album. The Melbourne quartet
still come off like a holy blend of Guided by Voices melodic invention, Pavement slack, and Flying Nun scrap and that's fine. Their first album, ...
With a regular American deal in place for the first time ever, thanks to 4AD's ...
With a regular American deal in place for the first time ever, thanks to 4AD's
linkup with the WEA conglomerate, Dead Can Dance made a splash on commercial alternative radio with The Ubiquitous Mr. Lovegrove, the first single from Into ...