×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
0075678164729

13.99
In Stock
Overview
The Oregon husband and wife duo of Nu Shooz made a quick impact on the pop and R&B/dance scene in the late '80s with their debut release on Atlantic. It had a coy charm, fueled by the successful singles "I Can't Wait" and "Point Of No Return." Valerie Day's voice had a bubbly innocence and was mixed in such a way that it sounded almost ethereal. Their synthesized backbeats had a certain freshness, and the production and arrangements were the right mix of light and steady.
Product Details
Release Date: | 10/25/1990 |
---|---|
Label: | Atlantic |
UPC: | 0075678164729 |
catalogNumber: | 81647 |
Rank: | 8608 |
Tracks
Album Credits
Performance Credits
Nu Shooz Primary ArtistSteve Reid Keyboards
Jeff Lorber Keyboards
Valerie Day Percussion,Vocals,Background Vocals
Danny Schauffler Saxophone
John Smith Guitar,Keyboards
Nate Phillips Bass
Lewis Livermore Trumpet
Marty Higgins Drums
Technical Credits
Jeff Lorber rhythm arrangementTchad Blake Engineer
Fritz Richmond Engineer
John Smith Producer
Bobby Warner Engineer
Mike Moore Engineer
Ellen Fitton Engineer
Rick Waritz Producer
Bob Defrin Art Direction
Stephen Shelton Engineer
Javier Romero Illustrations
Jim Rodgers Engineer
Rick Watitz Producer
Customer Reviews
Related Searches
Explore More Items
All-4-One scored the biggest single of 1994 with I Swear, a sweetly syrupy adult contemporary ...
All-4-One scored the biggest single of 1994 with I Swear, a sweetly syrupy adult contemporary
soul number. While they had a massive hit, they weren't able to carve out an identity with their debut album apart from I Swear, as ...
Ranging from the country-blues stylings of Blind Willie McTell to modern-day pyrotechnics by Stevie Ray ...
Ranging from the country-blues stylings of Blind Willie McTell to modern-day pyrotechnics by Stevie Ray
Vaughan, this edition of the Atlantic Blues series spotlights some of the fine blues pickers to grace many a 20th century stage and stereo. These ...
On its surface, Batman Forever is the traditional studio-assembled soundtrack, bringing together heavy hitters (U2, ...
On its surface, Batman Forever is the traditional studio-assembled soundtrack, bringing together heavy hitters (U2,
the Offspring, Brandy, Method Man) with cult favorites (PJ Harvey, Massive Attack, Nick Cave) that have little connection. However, the record turns the formula on ...
This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by ...
This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by
Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian ...
With Chic, Nile Rodgers and the late Bernard Edwards took the audacious energy of late ...
With Chic, Nile Rodgers and the late Bernard Edwards took the audacious energy of late
'70s soul and gave it a champagne edge, bringing to it a sense of elegance and smooth sophistication. Chic's sound was built around Rodgers's scratchy ...
The For Colored Girls soundtrack is the musical companion to the Tyler Perry film that ...
The For Colored Girls soundtrack is the musical companion to the Tyler Perry film that
has been adapted from Ntozake Shange's 1975 Obie & Tony Award-winning play, For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf. The ...
The Canadian duo Kon Kan (musician Barry Harris and vocalist Kevin Wynne) scored an out-of-nowhere ...
The Canadian duo Kon Kan (musician Barry Harris and vocalist Kevin Wynne) scored an out-of-nowhere
smash in 1989 with the quirky single I Beg Your Pardon. Incorporating a repetitive drum beat, a catchy keyboard line, Wynne's droll vocal delivery (somewhat ...
On Mr. Music Head, guitar virtuoso Adrian Belew serves up a pure pop-sounding album, and ...
On Mr. Music Head, guitar virtuoso Adrian Belew serves up a pure pop-sounding album, and
does a satisfying job to boot. He puts his guitar to good use, at times sounding experimental, but only doing so to add color to ...