John McLeod engages freshly with the work of both well-known and emergent writers, including Sam Selvon, Doris Lessing, V. S. Naipaul, Salman Rushdie, Hanif Kureishi, Colin MacInnes, Bernardine Evaristo, Linton Kwesi Johnson and Fred D'Aguiar. In reading a select body of writing in its social contexts and exploring contrasting attitudes to London's diasporic transformation, he traces an exciting history of resistance to the prejudice and racism that have at least in part characterised the postcolonial city. Rewritings of London, he argues, bear witness to the determination, imagination and creativity of the city's migrants and their descendants.
This is a superb study of the ways in which 'imperial centre' might be rewritten as postcolonial metropolis. It represents essential reading for those interested in British or postcolonial literature, or in theorisations of the city and metropolitan culture.
|Publisher:||Taylor & Francis|
|Product dimensions:||5.50(w) x 8.50(h) x 0.47(d)|
About the Author
John McLeod is a lecturer in English at the University of Leeds. He has written on postcolonial literature for a variety of publications, including Wasafiri, Interventions and Journal of Commonwealth Literature and is the author of Beginning Postcolonialism (2000).
Table of Contents
Acknowledgements Introduction: Locating Postcolonial London 1. Making a Song and Dance Sam Selvon and Colin MacInnes 2. London, England 3. Living Room 4. Babylon's Burning 5. Millennial Currents 'No Fenky-Fenky Road' Bibliography