Spirited, intelligent Elizabeth Bennet is alternately enchanted and affronted by Mr. Darcy. She is quick to suspend her usual, more rational judgment when it comes to him. She also is quick to believe the worst gossip about this haughty, opinionated man, who soon manages to alienate Elizabeth and her family. But is the condescending air that Mr. Darcy wars an indication of his real character? Or has Elizabeth's pride gotten in the way of her chance for true romance?
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About the Author
Although Jane Austen was only moderately successful in her lifetime, her six novels—including Pride and Prejudice and Emma—are true classics, beloved by millions through-out the world.
Date of Birth:December 16, 1775
Date of Death:July 18, 1817
Place of Birth:Village of Steventon in Hampshire, England
Place of Death:Winchester, Hampshire, England
Education:Taught at home by her father
Read an Excerpt
IT IS a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.
"My dear Mr. Bennet," said his lady to him one day, "have you heard that Netherfield Park is let at last?"
Mr. Bennet replied that he had not.
"But it is," returned she; "for Mrs. Long has just been here, and she told me all about it."
Mr. Bennet made no answer.
"Do not you want to know who has taken it?" cried his wife impatiently.
"You want to tell me, and I have no objection to hearing it."
This was invitation enough.
"Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it that he agreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week."
"What is his name?"
"Is he married or single?"
"Oh! single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!"
"How so? how can it affect them?"
"My dear Mr. Bennet," replied his wife, "how can you be so tiresome! You must know that I am thinking of his marrying one of them."
"Is that his design in settling here?"
"Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes."
"I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better, for as you are as handsome as any of them, Mr. Bingley might like you the best of the party."
"My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now. When a woman has five grown up daughters, she ought to give over thinking of her own beauty."
"In such cases, a woman has not often much beauty to think of."
"But, my dear, you must indeed go and see Mr. Bingley when he comes into the neighbourhood."
"It is more than I engage for, I assure you."
"But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for in general you know they visit no newcomers. Indeed you must go, for it will be impossible for us to visit him if you do not."
"You are over-scrupulous surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls; though I must throw in a good word for my little Lizzy."
"I desire you will do no such thing. Lizzy is not a bit better than the others; and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving her the preference."
"They have none of them much to recommend them," replied he; "they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters."
"Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion on my poor nerves. "
"You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least."
"Ah! you do not know what I suffer."
"But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood."
"It will be no use to us, if twenty such should come since you will not visit them."
"Depend upon it, my dear, that when there are twenty, I will visit them all."
Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three and twenty years had been insufficient to make his wife understand his character. Her mind was less difficult to develop. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented she fancied herself nervous. The business of her life was to get her daughters married; its solace was visiting and news.
Table of ContentsGeneral Editor's preface ix
Note on the text lxxix
Pride and Prejudice 1
Corrections and emendations to 1813 text 432
Phomas Egerton and the publication history 437
Legal and military background 441
Pemberley and its models 452
Note on the second and third editions of Pride and Prejudice 456
Explanatory notes 461
What People are Saying About This
"The wit of Jane Austen has for Parchner the perfection of her taste.
Reading Group Guide
It is now almost exactly two centuries since the first two of Jane Austen's six completed novels - Sense and Sensibility and Pride and Prejudice - were published, and for much of that time writers and critics have passionately disagreed about the true caliber of her work. Austen's books received a few respectful reviews and lively attention from the reading public during her lifetime, but it wasn't until nearly thirty years after her death that some critics began to recognize her enduring artistic accomplishment--and others to debate it.
In 1843, the historian Thomas Macaulay called Austen the writer to "have approached nearest to the manner of the great master" Shakespeare; Charlotte Brontë felt, on the contrary, that "the Passions are perfectly unknown to her.... Jane Austen was a complete and most sensible lady, but a very incomplete, and rather insensible (not senseless) woman." Anthony Trollope made up his mind as a young man that "Pride and Prejudice was the best novel in the language," while Mark Twain claimed to feel an "animal repugnance" for Austen's writing.
Austen herself would probably not have disagreed with many of her detractors' objections. She acknowledged that her themes and concerns were limited; she described them as "human nature in the midland counties." "Three or four families in a country village is the very thing to work on," she wrote in a letter to her niece; and in another, now famous letter to her brother Edward, she described her art as "the little bit (two inches wide) of ivory on which I work with so fine a brush, as to produce little effect, after much labour."
It is true that great historical events and political concerns appear only obliquely, if at all, in the background of Austen's stories; that she deals with the spiritual condition of the human soul only insofar as it manifests itself in her characters' manners and taste in spouses; that the intellectual issues of her day appear in her novels primarily as a vehicle for revealing character and spoofing fashion. Even Austen's great early champion, the critic G. H. Lewes, had to admit the truth of Charlotte Brontë's objection that Austen's style lacked poetry, and that her "exquisite" work would appeal only to readers who didn't require "strong lights and shadows." But in spite of these limitations, the particular genius and lasting appeal of Austen's writing has only become clearer and more certain as the decades pass and literary fashions come and go.
What is Austen's particular genius? And what might account for the renaissance of popular interest in her work today--one reflected in the recently acclaimed television and feature film productions of Sense and Sensibility (with an Oscar-winning screenplay by Emma Thompson), Pride and Prejudice (an A&E miniseries), the art house hit Persuasion, and the upcoming release of Emma, as well as the Emma-inspired Clueless, now atop video rental charts?
"Of all great writers," Virginia Woolf said, "she is the most difficult to catch in the act of greatness." But perhaps Austen herself gave us a clue to the standards for greatness she set herself, and a way to judge her achievement, when in Northanger Abbey she has a character say: "'Oh! it is only a novel!' or, in short, only some work in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusion of wit and humour are to be conveyed to the world in the best chosen language."
Austen's delightful wit is certainly one of the great pleasures of her work. As to "the best chosen language," while her writing conveys none of the lyricism of the Romantics (like Brontë) who would succeed her, it is full of intelligence and precisely crafted to convey its often subtle meaning. But Austen's strongest suit is her thorough knowledge and happy delineation of human nature. We can still, despite the vast differences between her society and our own, recognize ourselves in the ways her characters think and behave. We all know people as cleverly manipulative and outwardly affectionate as Lucy Steele or Miss Bingley; as self-involved as Fanny Dashwood or Lady Catherine de Bourgh; and as charming but as lacking in scruples as John Willoughby or Colonel Wickham. We are in turns impulsive and hyper-responsible like Marianne and Elinor Dashwood; conceal ourselves with arrogance like Mr. Darcy; assume we understand more than we do like Elizabeth Bennet; and revel in gossip, like Mrs. Jennings. And while the great events and philosophical movements of history play themselves out around us, it is our own nature and actions, and the nature and actions of the people around us, that most influence our lives.
In her own day, Austen's work signified a break with the Gothic and sentimental novels that had long been fashionable, in which heroines were always virtuous, romance was always sentimentalized, and unlikely but convenient coincidences and acts of God always occurred to bring about the dramatic climax. Instead Austen represented the ordinary world of men and women as it--sometimes mundanely--was, a place where love and romance were constrained by economics and human imperfection; where women had distinct and often sparkling personalities; where characters were never simply good or evil but more complicated amalgams, reflecting both their own moral nature and the virtues and failings of the families and society that shaped them.
In these ways, Austen seems very much in tune with today's sensibilities. We love her strong, unpretentious heroines ("Pictures of perfection as you know make me sick & wicked," Austen said of them), who think for themselves and say what they mean when appropriate and don't take themselves too seriously. They are not, in today's parlance, victims. We are as interested as ever in Austen's favorite subjects of love and marriage, while also identifying with her steadfast refusal to romanticize romance; with her acknowledgment that money, class, and what other people think matter in the real world; that marriage does not result in a happy ending for everyone; and that it is dangerous to let passion blind us to reality. Living amidst the cultural fallout from the self-absorbed, sensibility-prone 1960s, we appreciate Austen's emphasis on reason, moderation, fidelity, and consideration for others.
Austen wrote her books at the dawn of the nineteenth century, when vast social changes were already encroaching on the way of life she so loved and rendered with such exquisite artistry. We read her books today on the cusp of a new century, with an unfathomable world creeping up on us, too--one globally interconnected, technologically complex, economically uncertain. Perhaps we find on Austen's rural estates and in her charming, insular society the same peace and pleasure she found there; and an analogue for the simpler, more circumscribed world of our own childhoods, itself passing quickly away into history.
The time in which Jane Austen wrote her novels was a period of great stability just about to give way to a time of unimagined changes. At that time most of England's population (some thirteen million) were involved in rural and agricultural work: yet within another twenty years, the majority of Englishmen became urban dwellers involved with industry, and the great railway age had begun. Throughout the early years of the century the cities were growing at a great rate; the network of canals was completed, the main roads were being remade. Regency London, in particular, boomed and became, among other things, a great centre of fashion. On the other hand, England in the first decade of the nineteenth century was still predominantly a land of country towns and villages, a land of rural routines which were scarcely touched by the seven campaigns of the Peninsular War against Napoleon.
But if Austen's age was still predominantly one of rural quiet, it was also the age of the French Revolution, the War of American Independence, the start of the Industrial Revolution, and the first generation of the Romantic poets; and Jane Austen was certainly not unaware of what was going on in the world around her. She had two brothers in the Royal Navy and a cousin whose husband was guillotined in the Terror. And although her favourite prose writer was Dr. Samuel Johnson, she clearly knew the works of writers like Goethe, Worsdworth, Scott, Byron, Southey, Godwin and other, very definitely nineteenth-century, authors.
If Jane Austen seems to have lived a life of placid rural seclusion in north Hampshire, she was at the same time very aware of a whole range of new energies and impulses, new ideas and powers, which were changing or about to change England--and indeed the whole western world--with a violence, a suddenness, and a heedlessness, which would soon make Jane Austen's world seem as remote as the Elizabethan Age. It is well to remember that in the early years of the century, when Thomas Arnold saw his first train tearing through the Rugby countryside he said: "Feudality is gone forever." So close was it possible then to feel to the immemorial, static feudal way of life; so quickly was that way of life to vanish as the modern world laboured to be born.
Adapted from the Introduction to the Penguin Classics edition of Mansfield Park.
ABOUT THE TITLE
Pride and Prejudice has always been, since its publication in 1813, Austen's most popular novel. The story of a sparkling, irrepressible heroine, Elizabeth Bennet, the behavior of whose family leaves much to be desired, and Mr. Darcy, a very rich and seemingly rude young man who initially finds Elizabeth "tolerable, but not handsome enough to tempt me," is, in the words of the Penguin Classics edition editor Tony Tanner, a novel about how a man changes his manners and a woman changes her mind. Through the ages, its chief delights for readers have been its flawed but charming heroine ("I think [Elizabeth] as delightful a creature as ever appeared in print," Austen herself wrote to her sister, Cassandra); its humorous treatment of a serious subject; brilliant and witty dialogue laced with irony; a cast of humorous minor characters; and Austen's nearly magical development of a complex but believable love relationship between two complex people.
Critics have pointed to many ways in which Pride and Prejudice represents Austen's development and greater mastery of technique and artistry over Sense and Sensibility; perhaps the chief being that the conflict of the story is of the central characters' own making; and that a lively narrator more often appears to present material and to offer comment.
ABOUT THE AUTHOR
Jane Austen, seventh of the eight children of Reverend George and Cassandra Leigh Austen, was born on December 16, 1775, in the small village of Steventon in Hampshire, England. Her childhood was happy: her home was full of books and many friends and her parents encouraged both their children's intellectual interests and their passion for producing and performing in amateur theatricals. Austen's closest relationship, one that would endure throughout her life, was with her beloved only sister, Cassandra.
From about the time she was twelve years old, Austen began writing spirited parodies of the popular Gothic and sentimental fiction of the day for the amusement of her family. Chock-full of stock characters, vapid and virtuous heroines, and improbable coincidences, these early works reveal in nascent form many of her literary gifts: particularly her ironic sensibility, wit, and gift for comedy. Attempts at more sustained, serious works began around 1794 with a novel in letters - a popular form at the time - called Lady Susan, and in the years immediately following with two more epistolary novels - one called Elinor and Marianne, the other First Impressions - that would evolve into Sense and Sensibility and Pride and Prejudice. Lady Susan, later revised and entitled Northanger Abbey, also was begun in that period.
From 1799 to 1809, little is known of Austen's life or literary endeavors, other than that upon her father's retirement she moved unhappily from her beloved home in Steventon to Bath; that he died a few years thereafter and she moved to Southampton; and that she began, but did not complete, a novel called The Watsons. A move back to the country in 1808 - to a cottage on one of her brother's properties in Chawton - seems to have revived her interest in writing.
Her revised version of Elinor and Marianne - Sense and Sensibility - was published, like all the work which appeared in print in her lifetime, anonymously, in 1811; and between the time Pride and Prejudice was accepted for publication and the time it actually appeared, she wrote Mansfield Park. Emma appeared in 1816 and was reviewed favorably by the most popular novelist of the day, Sir Walter Scott, who said:
The author's knowledge of the world, and the peculiar tact with which she presents characters that the reader cannot fail to recognize, reminds us something of the merits of the Flemish school of painting. The subjects are not often elegant, and certainly never grand; but they are finished up to nature, and with a precision which delights the reader.
Scott also insightfully pointed out Emma's significance in representing the emergence of a new kind of novel, one concerned with the texture of ordinary life.
Though all her novels were concerned with courtship, love, and marriage, Austen never married. There is some evidence that she had several flirtations with eligible men in her early twenties, and speculation that in 1802 she agreed to marry the heir of a Hampshire family but then changed her mind. Austen rigorously guarded her privacy, and after her death, her family censored and destroyed many of her letters. Little is known of her personal experience or her favorite subjects. However, Austen's reputation as a "dowdy bluestocking," as literary critic Ronald Blythe points out, is far from accurate: "she loved balls, cards, wine, music, country walks, conversation, children, and bad as well as excellent novels."
In 1816, as she worked to complete her novel Persuasion, Austen's health began to fail. She continued to work, preparing Northanger Abbey for publication, and began a light-hearted, satirical work called Sanditon which she never finished. She died at the age of forty-two on July 18, 1817, in the arms of her beloved sister, Cassandra, of what historians now believe to have been Addison's disease.
The identity of "A Lady" who wrote the popular novels was known in her lifetime only to her family and a few elite readers, among them the Prince Regent, who invited Austen to visit his library and "permitted" her to dedicate Emma to him (unaware, no doubt, that she loathed him). But Austen deliberately avoided literary circles; in Ronald Blythe's words, "literature, not the literary life, was always her intention." It was not until the December following her death, when Northanger Abbey and Persuasion were published, that "a biographical notice of the author" by Austen's brother Henry appeared in the books, revealing to the reading public for the first time the name of Jane Austen.
- Charlotte Brontë did not appreciate Pride and Prejudice. She felt that Jane Austen didn't write about her characters' hearts. Do you think Brontë's criticism is accurate? Is Austen's treatment of her characters' feelings superficial? Do they feel and/or express deep emotion?
- An earlier version of Pride and Prejudice was entitled First Impressions. What role do first impressions play in the story? In which cases do first impressions turn out to be inaccurate, in which cases correct?
- After Jane becomes engaged to Bingley, she says she wishes Elizabeth could be as happy as she is. Elizabeth replies, "If you were to give me forty such men, I never could be so happy as you. Till I have your disposition, your goodness, I never can have your happiness." Do you think Elizabeth's statement is true? Is it better to be good, to think the best of people, and be happy? Or is it better to see the world accurately, and feel less happiness?
- Mr. Bennet's honesty and wry humor make him one of the most appealing characters in the book. Yet, as the story unfolds, it becomes clear that he has failed as a father. In what ways does Mr. Bennet let his children down? How does his action, or inaction, affect the behavior of his daughters? His wife? The course of the story?
- Charlotte doesn't marry Mr. Collins for love. Why does she marry him? Are her reasons valid? Are they fair to Mr. Collins? Do you think marrying for similar reasons is appropriate today?
- Both Elizabeth and Darcy undergo transformations over the course of the book. How does each change and how is the transformation brought about? Could Elizabeth's transformation have happened without Darcy's? Or vice versa?
- Mrs. Bennet, Mr. Collins, and Lady Catherine de Bourgh are famously comic characters. What makes them so funny? How does Elizabeth's perception of them affect your trust in Elizabeth's views of other people in the book, particularly of Wickham and Darcy?
- For most of the book, pride prevents Darcy from having what he most desires. Why is he so proud? How is his pride displayed? Is Elizabeth proud? Which characters are not proud? Are they better off?
- Editor Tony Tanner points out in the Notes to the Penguin Classics edition that Austen did not mention topical events nor use precise descriptions of actual places in Pride and Prejudice, so that the larger historical events of the time did not detract attention from the private drama of her characters. "This perhaps contributes to the element of timelessness in the novel," he concludes, "even though it unmistakably reflects a certain kind of society at a certain historical moment." In what ways are the themes and concerns of Pride and Prejudice timeless? In what ways are they particular to the times in which Austen wrote the book?
Edited with an Introduction by Marilyn Butler
This lighthearted romance, generally agreed to be Austen's earliest major novel, though it was not published until after her death, is also a high-spirited burlesque of the sentimental and Gothic novels of her day. When the charmingly imperfect heroine, Catherine Morland, visits Northanger Abbey, she meets all the trappings of Gothic horror, and imagines the worst. Fortunately, she has at hand her own fundamental good sense and irresistible but unsentimental hero, Henry Tilney. Real disaster does eventually strike, but doesn't spoil for too long the happy atmosphere of this delightful novel.
Edited with an Introduction by Tony Tanner
More varied in scene and conceived on a bigger scale than Austen's earlier books, Mansfield Park (1814) can be seen as an image of quiet resistance at the start of what was to be the most convulsive century of change in English history. In telling the story of Fanny Price, the quiet and sensitive daughter of a lower-middle-class Portsmouth family who is brought up in - and after much suffering eventually becomes mistress of - elegant Mansfield Park, Austen draws on her usual cool irony and psychological insight while also portraying a less immediately winning heroine in a more complex light.
Edited with an Introduction by Ronald Blythe
Many writers and critics consider Emma (1816), the last of Austen's novels published in her lifetime, the climax of her genius. Dominating the novel is the character of Emma Woodhouse - vital, interesting, complex, and predisposed to playing power games with other people's emotions. Austen called her a heroine "no one but myself would like," but she endures as one of Austen's immortal creations. Charting how Emma's disastrous foray as a matchmaker precipitates a crisis in the small provincial world of Highbury, and in her own heart, this novel of self-deceit and self-discovery sparkles with intelligence, wit, and irony.
Edited with an Introduction by D.W. Harding
Anne Elliot and Captain Wentworth had met and separated years before. Their reunion forces a recognition of the false values that drove them apart. The characters who embody those values are the subjects of some of the most withering satire that Austen ever wrote. Like its predecessors, Persuasion (published after her death in 1818) is a tale of love and marriage, told with Austen's distinctive irony and insight. But the heroine - like the author - is more mature; the tone of the writing more somber.
Also included in this edition is the pioneering biography of Austen written fifty years after her death by her nephew, J. E. Austen-Leigh, which outlines the essential facts of Austen's life while also reflecting the Victorian era's limited comprehension of her achievements.
Lady Susan/The Watsons/Sanditon
Edited with an Introduction by Margaret Drabble
These three works - one novel unpublished in her lifetime and two unfinished fragments - reveal Austen's development as a great artist. Lady Susan is a sparkling melodrama, written in epistolary form, featuring a beautiful, intelligent, and wicked heroine. The Watsons, probably written when Austen resided unhappily in Bath and abandoned after her father's death, is a tantalizing fragment centering on the marital prospects of the Watson sisters in a small provincial town. Sanditon, Austen's last fiction, reflects her growing concern with the new speculative consumer society and foreshadows the great social upheavals of the Industrial Revolution.
Also available from Penguin Classics:
The Juvenilia of Jane Austen and Charlotte Brontë
Jane Austen and Charlotte Brontë
Edited by Frances Beer
This collection provides the opportunity to discover the first examples of Austen's neoclassical elegance and Brontë's mastery of the romantic spirit.
Available on audiocassette from Penguin Audiobooks:
Pride and Prejudice
Sense and Sensibility
Boxed Set: Sense and Sensibility, Persuasion, and Pride and Prejudice
Penguin Classics wishes to thank and credit the following writers and books for information used in creating this Penguin Classics Guide:
Joseph Duffy, "Criticism 1814-70"; Brian Southam, "Criticism 1870-1940" and "Janeites and Anti-Janeites"; A. Walton Litz, "Criticism 1939-83"; J. David Grey, "Life of Jane Austen"; all in The Jane Austen Companion, J. David Grey, Managing Editor; Macmillan Publishing Company, New York, 1986.
Lloyd W. Brown, "The Business of Marrying and Mothering," and Norman Page, "The Great Tradition Revisited," in Jane Austen's Achievement, edited by Juliet McMaster, Harper & Row Publishers, Inc., Barnes & Noble Import Division, New York, 1976.
W. A. Craik, Jane Austen: The Six Novels, Barnes & Noble, Inc., New York, 1965.
Most Helpful Customer Reviews
I just finished reading this book and was captivated by the way the cahracters and plot was portrayed. I will never forget this book and it is one of my all time favorite books. I have found that even though there were hard times for the Bennets, I want to have something exactly like Elizabeth Bennet and be just like her. She is now my all time favorite fictional character. I highly encourage reading this book.
One thing this book reminds me of is the inability of the modern author to address romance without sex. No doubt, even in the day of Austen, the characters would have at least been exposed to intrigues of the physical kind but the pitfalls of such are rightly disregarded. Instead, the book focuses on how we fashion love with a chosen partner. The idea that two people are so alike as to reduce the stress of life or so different as to meet the necessary stress needed to carry on with life is presented. It is not a story of how opposites attract nor is it a story of unbridled passion begging for unwanted pregnancy. It is the story of what people believe they want, how they discover what they actually want, and the humility BOTH sides must face in order to get it. It is not the story of one man chasing down a woman to the peril of allof his worldly possessions, social connections, or his own convictions. It is not the story of a woman who is solely dedicated to her job, consumed by her family, scarred by a broken past, or brainless. Instead, it is a story about a man who learns to understand the balance of his power in the world and the trust he can instill in another human being. It is a story about a woman who sees the world as it is and learns to ask better questions before rushing to judgment. The love they share is not based on the size of his manhood or the pleasing sounds she makes during coitus or the size of anyone's bank account. The attraction to one another is incidental and neither party began with a sinister plot or sought to ruin anyoneelse's life. It's a story of how circumstances tie two people together and what they are willing to do for one another. It's a story about how easy finding love can be when you're paying attention, asking the right questions, and getting over yourself. This is the only romance novel I have read because it is the closest to the truth of what it means to be romantic.
When i first heard of the book, i was under the assumption that is was an adult novel and that i wouldn't enjoy it. However, after reading it, as an 8th grader, for a challenge, i fell in love with it. I will be the first to admit that it took me 2 whole weeks to read this as where i usually only take about 2 days. It was a bit hard to understand at first, but eventually you got used to the writing and words she used. Overall, it is an epic love story and of course a classic. I recommend this book to anyone over the age of 12. It is simply amazing :)
I have read 'Pride and Prejudice' at least fifty times, and I picked up this copy so that I could have an easy-to-carry one for my bag. However I didn't take a close look at it and didn't realize it had footnotes - which, at first glance, one would take to be helpful - but actually are so obvious that they are unneeded. The editor does explain some helpful things such as card games but some terms which need no explanation (really, who can't figure out that se'ennight means week?) just interrupt the flow of the text. I also found the modernizations of spellings to be irritating and distracting - another unnecessary change by the editor. I would not recommend this edition of 'Pride and Prejudice' but would certainly encourage anyone to read it in its original spelling and with more judicious editing.
This is a classic of English literature! I love English literature and I want to teach it when I'm an adult. If you're only here to say you hated this book, go away. It makes people who like the book feel bad, and you may make someone not want to read it, who would have really liked it had they read it. If you're going to write a bad review, the very least you can do is state why you didn't like it. And "it's too long" or"it was boring" is not a correct answer. You need to say WHY it was boring. And coming from a thirteen year old who has read Les Miserables unabridged...I don't think Pride and Prejudice is that long.
I am only 12, but this book is a great book!
One of my favorites
I'm 12 years old and I love classics. I've seen the movie based off of this book. This is one of my favorite books along with many others.
The best book I have ever read in my lifetime and they put more books like Pride and Prejudice in the book section in the shop
I love this book, i wish that i could get all of her books free.
I adore anything by Jane Austen, but Pride and Prejudice must be my all time favorite. Great plot, loveable characters, drama and action. Very good book.
The introduction to this work I found particularly interesting. Shedding light on world events during the life of Jane Austen and particularly the time when this novel was first published was fascinating. The deconstruction of the dynamics of the novel and the brief compare and contrast to Austen life was quite remarkable and almost as pleasant to read as Pride and Prejudice it's self.
This is a classic. A book everyone should read at some point in their life.
This is a GREAT book!!!!!!
Oh my goodness, this book is absolutely exceptional! I'm always reading young adult novels but i never had in mind to read a classical novel and one day i just decide to purchase one and it happened to be Pride and Prejudice. I never regret it one bit, absolutely fantastic ! Jane Austen really knows how to create a romance novel but give a meaning than just love and for many young ladies, like myself can relate to Elizabeth's obstacles throughout the novel. Such an amazing read, two thumbs up !
Best book ever made!!!!!!!!!!!
I love it !!!!!!!!!
Just thought i should tell u there's a dictionary on the nook! To look up a word u just hold your finger on the word for a sec and then at the bottom of the screen it will say highlight,look up,add note etc. just tap look up and the definition will appear!!!
I have avoided reading "classics" ever since I graduated from high school because we were reading to analyze, not to enjoy. My thought was always, "How doe they know that's what the author meant? Aren't they just saying what THEY mean?". Once I decided to read this, I was hooked. Very amusing, great characters (some greatly stupid), written so that you can actually understand the language. VERY recommended.
It is absolutly horrible! It is not the story only symbols!
The odd typos don't really interfere with the read. If you love this novel none of these errors matter. If you have never read the story, this is a must read!
This is one of Jane Austin's best works. I love it!!!
The plot of Pride and Prejudice by Jane Austen revolves around, well, pride and prejudice. This novel tells the tale of the convoluted romance of Mister Fitzwilliam Darcy and Miss Elizabeth `Lizzy¿ Bennet. Basically, Darcy¿s pride prevents him from showing his true feelings for Elizabeth, and Lizzy¿s prejudice against men keeps her from truly falling in love. Many people have often speculated that Austen¿s inspiration for this story came from one of her own experiences.
I decided to read Pride and Prejudice after seeing the 2005 version of the movie in eighth grade. I loved the movie, but I loved the book even more. It has become one of my favorites! I would definitely recommend it to my friends. However, men might not be particularly enthralled by it because it is mostly a romance. Also, I don¿t recommend it to people who don¿t like slow or wordy books. I personally don¿t like books that are incredibly fast-paced, and one of the things that appeals to me about Pride and Prejudice is the fact that it moves fairly slowly. Still, this is not a boring book by any means. So much happens in its 61 chapters!
This story may also appeal to anyone who has ever been in an awkward or uncomfortable situation with someone that they are somewhat attracted to. Readers can practically feel the uncomfortable atmosphere in several of Elizabeth and Darcy¿s early encounters. For example, while at a ball, Lizzy remarks, ¿It is your turn to say something now, Mr. Darcy. I talked about the dance, and you ought to make some kind of remark on the size of the room, or the number of couples¿ (Chapter 18). Darcy responds by saying that they can talk about whatever she chooses, but he makes no effort to stimulate the conversation, so they remain silent.
The protagonists of the story are Charles Bingley, Fitzwilliam Darcy, and the Bennet family. The leaders of the Bennet family are rational Mr. Bennet and foolish Mrs. Bennet, who thinks only of finding wealthy men for her daughters to marry. This is the tale of the courtships of the Bennet girls: beautiful and gentle Jane, clever Lizzy, reclusive Mary, silly Kitty, and headstrong Lydia. The story begins with the incorrigible Mrs. Bennet demanding that her husband introduce the family to wealthy Mr. Bingley, who has just moved to Netherfield Park, in the village of Longbourn, where the Bennet residence can also be found. Mrs. Bennet hopes that Bingley will marry one of her daughters. The Bennet family forms a friendship with Mr. Bingley, his sister Caroline, and their friend, Mr. Darcy. In the mean time, the Bennets also become acquainted with one George Wickham, Darcy¿s estranged childhood friend. The novel is filled with twisting and turning courtships, and deceitful schemes to both separate and unite various couples.
Personally, Jane Austen¿s Pride and Prejudice, is one of my absolute favorite books. I know that few teenagers share my taste in literature, but I recommend it to everyone. I would rather you at least give it a try and put it down because you hate it than not try it at all. Who knows, you just might like it, and it could become one of your favorite books!
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I love this book!!!!!!!! It's one of my absolute favorites.
This book is amazing for people that like old time books you need to read this. And while your at it get the movie to its good and makes sence to the book. And by the way sex does not make a book good