In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul
ock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding
Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop
ock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged
Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy, reggae-influenced "What's Love Got to Do with It" to the gutsy "Better Be Good to Me" to heartfelt remakes of
the Beatles' "Help,"
Al Green's "Let's Stay Together," and
David Bowie's "1984." A reflection on the emptiness of a stripper's life, the dusky title song is as poignant as it is depressing. Without question, this was Turner's finest hour as a solo artist. [The 30th anniversary edition, released 31 years after the original, improves upon the 1997 reissue in two-disc form. While it does not provide a thorough round-up of all the
Private Dancer B-sides and 7"/12" mixes, it does contain most of them, as well as "Ball of Confusion (That's What the World Is Today)," her 1982-released collaboration with
B.E.F., and "We Don't Need Another Hero (Thunderdome)," from the 1985 soundtrack of
Mad Max Beyond Thunderdome.]