Splendido Hotel/Electric Rendevous

Splendido Hotel/Electric Rendevous

by Al di MeolaAl di Meola




The ex-Return to Forever guitarist's fourth and fifth solo releases (from 1980 and 1982) get the B.G.O. reissue treatment, which is to say these two albums are remastered and collected in a single sleeve. Splendido Hotel compacts the original, sprawling double-record onto a single 68-minute CD, but the compact Electric Rendezvous, perhaps a reaction to his previous album's more lengthy selections, clocks in at a conservative 34 minutes. That leaves lots of room on the disc, which B.G.O. could have filled out with either one of his succeeding discs. Regardless, these well-recorded sets both sound terrific and Di Meola fans will applaud their appearance in this classy package. Despite the ill-advised debut of a Di Meola vocal on the sappy "I Can Tell," an embarrassing attempt to pull off a George Benson-styled makeover that will send most lunging for their "skip track" button, Splendido Hotel successfully tackles a variety of music styles. Besides the typical hot fusion jazz/Latin rock of the sizzling opener "Alien Chase on Arabian Desert" that has become Di Meola's calling card, he stretches out with stunning acoustic playing on the extended "Isfahan" suite. That track also opens with an intro from the Columbus Boychoir before setting off on a dramatic and intense ten-minute journey that features Chick Corea's piano and a classical string quartet. Fusion devotees will thrill to the tricky time signatures, soaring guitar, intricate playing, and thumping drums of "Dinner Music of the Gods" which is followed by a beautiful, flamenco-styled solo unplugged piece where Di Meola duets with himself. A funky, somewhat unlikely cover of Bert Kaempfert's "Spanish Eyes" transports the old chestnut to the present with a dance beat. Di Meola brings in an all-star backing band for Electric Rendezvous, which features the ubiquitous Steve Gadd on drums, bassist Anthony Jackson and, most prominently, Jan Hammer on electric keyboards. Hammer's early-'80s "Miami Vice" synths are dated, but the interplay between him and the guitarist provides some of the album's most frantic sparks. Paco de Lucia duets on "Passion, Grace & Fire," another suite-styled track that goes through a variety of rhythmic changes. These songs are generally shorter and the production less fussy throughout, with Hammer's "Cruisin'," a melodic jazz-rock highlight. Di Meola borrows licks from Santana on "Ritmo de la Noche," a lovely instrumental that takes cues from Carlos Santana's "Europa." It's a short but sweet disc that makes a superb companion to the more expansive and exotic Splendido Hotel.

Product Details

Release Date: 07/13/2010
Label: Bgo - Beat Goes On
UPC: 5017261209276
catalogNumber: 6120927

Album Credits

Performance Credits

di Meola   Primary Artist,Acoustic Guitar,Castanets,Celeste,Drums,Electric Guitar,Vocals,12-string Guitar,Mandocello,Guitar (12 String Acoustic)
Paul   Electric Guitar
Paco de Lucía   Acoustic Guitar
Jan Hammer   Keyboards,Moog Synthesizer,Soloist
Pete Cannarozzi   oberheim
Eddie Colon   Percussion
Armando Anthony Corea   Piano,Soloist
Steve Gadd   Percussion,Drums
Anthony Jackson   Bass,Bass Guitar
Tim Landers   Bass,Bass Guitar
Mingo Lewis   Percussion,Bongos,Conga,Electronic Drums,Syndrum
Philippe Saisse   Keyboards,Marimbas,Background Vocals,Moog Synthesizer,Moog Bass
Carol Shive   Viola
Raymond Kelley   Cello
Robbie Gonzalez   Drums
Dennies Karmzyn   Cello

Technical Credits

di Meola   Producer,Concept,Direction
Bernie Kirsh   Engineer
Dennis MacKay   Producer,Engineer
Philip Roberge   Executive Producer
Alyn Shipton   Liner Notes
Mark Hess   Illustrations

Customer Reviews