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Although his story has been told countless timesby performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahalno one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895.
How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.
An infinitely fascinating exploration of nearly all facets of the Stagolee ballad, the archetype, the countless tales surrounding both, and their passage through time.
Hip-hop scholarship has become an overcrowded industry, yet few have delved into the roots of this international phenomenon. Cecil Brown traces the roots of the black-gangster aesthetic to nineteenth- and early twentieth-century bad-nigger ballads, the most prominent of which was 'Stagolee.' This outstanding scholarship is marked by the unique analytical approach that we have conic to expect from Cecil Brown.
This book sings like the sound beneath the song within the song about the song. Telling it like it 't - i - is! Like a literary griot (gree-oh !), Cecil Brown transfers this longenduring African-American song from oral tradition to the printed page. Along the way, lie places the song in the context of the times from which it sprang. The amount of artistry the book documents--touching all Americans but focusing on the African-American contribution, or wellspring-is formidable and awe-inspiring.
David L. Smith
Stagolee tanks among the most important figures in African-American folklore--the quintessential bad man' in black folklore. Brown makes a very compelling case linking Stagolee to the historical figure named Lee Shelton." Williams College
David R. Roediger
The story which went into the song, and the story of the song, required a big storyteller, willing to train on the fly in lots of disciplines, to do detective work, to make judgments, and to make startling connections. Brown writes learnedly and passionately on Stagolee and political infighting in a very particular St. Lotus time and place, as well as on hip-hop and long traditions of what Walter Benjamin called the 'destructive character. University of Illinois