"As part of the publisher's 'Seedbank' series, aiming to preserve endangered literatures, the poet Beachy-Quick offers a modern gloss on six ancient Greeks." —New York Times Book Review, "New & Noteworthy Poetry"
"Sixth-century BCE Greek lyric poets Alcman, Theognis, Simonides, Anacreon/Anacreonata, Archilochus, and Callimachus are beautifully translated by Beachy-Quick in this memorable and edifying collection, which presents excavated fragments meant to be sung or recited to music . . . This skillfully achieved collection is a necessary contribution to ancient translation." —Publishers Weekly, Starred Review
"To me, every book by Beachy-Quick feels like a beacon amid the chaos of contemporary life . . . [offering] new coordinates to triangulate one's uncertain position in deep time." —Srikanth Reddy, BOMB Magazine
"Beautiful and understated . . . Beachy-Quick's translations lean into the elegiac possibilities of these poems and poets . . . We grow old, as do our voices; we die; the best we can hope for is that the songs we sing will be picked up by others, turned into new forms, given new life, and that, for a moment, something of us might live again." —Words Without Borders
Praise for Of Song and Silence
“Responding to the silence from which poetry arises, Dan Beachy-Quick is not afraid to follow the call of thought, wherever it may lead. This book situates itself beyond the noise of the times.” —Robert Pogue Harrison, author of Gardens: An Essay on the Human
“You read here that, etymologically, ‘consider’ means ‘to examine the stars. To draw the connections between the distant points.’ If that is so, then Of Silence and Song is a clear night sky full of constellations. From the bean fields that Pythagoras would not enter to the verses of her Bible that Dickinson cut out, from his daughter Iris’s fear of the dark to the ‘tenth Muse seldom mentioned,’ from here to heliopause, Dan Beachy-Quick crosses great expanses in this book-length, acutely human consideration, flickering in the hunch that ‘question and answer are the same thing—one. . . just the disappearance of the other.’”—Brian Blanchfield, author of Proxies
“It's an exciting thing when a writer of real originality and scope discovers a form that both focuses and liberates his gift. Dan Beachy-Quick is such a writer, and Of Silence and Song is such a book. One doesn't think to use the word ‘ennobling’ of many works of contemporary art, but this one is.”—Christian Wiman, author of Every Riven Thing
Praise for Variations on Dawn and Dusk
Longlist, National Book Awards 2019 for Poetry
"A work of ekphrasis based on Robert Irwin’s Untitled (Dawn to Dusk) set in the desert of Marfa, Tex., draws inspiration from the sun as it warms, cools, colors, and shifts, resulting in a series of poems whose patterns are informed by their subject: light."—Publishers Weekly
"In Variations on Dawn and Dusk what’s spoken is almost sung, and what’s sung is quickly lost, but what remains is a trace of presence as political as it is spiritual, reminding the reader that we’re constituted by what passes through us, what we’re open to. . . . But what a space, lit with such generosity and heart! It is aspirational, it is hopeful, it is not sentimental. It has a truly counter-cultural music that makes use of hums and whispers and silences. As I read Variations on Dawn and Dusk I almost felt as if my body unfroze. It simply delivers light."—Katie Peterson, author of The Accounts
"A true American metaphysical in the tradition of Emily Dickinson and Susan Howe, Beachy-Quick is our postmodern antinomian, suspicious not of a moribund faith but of the truth claims of consciousness itself. These fierce lyrics of existential grief display his preternatural attunement to thought at the moment it turns inward upon itself not for comfort but in grave confrontation."—Brian Teare, author of Doomstead Days
"Something quite literally ultimate transpires in these Variations on Dawn and Dusk, as Beachy-Quick has found a way to map the interstices—between quanta of light; between syllables; between the nearly inaudible sounds of colors upon surface. To my certain knowledge, no one has accomplished this since Dame Julian of Norwich. These quiet poems are a torrent of angels, and I cannot look away."—Donald Revell, author of The English Boat
