The Banyan Tree

The Banyan Tree

by Christopher Nolan


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From the internationally acclaimed author of Under the Eye of the Clock, comes a novel of unsurpassed beauty and eloquence–a loving and gritty paean to the people and land of Ireland.

Minnie O’Brien is a widow in her eighties fighting to keep her farm from the clutches of her avaricious neighbor. Her three grown children long since gone, she trudges through her daily chores in the hope that her prodigal youngest will one day return to claim his birthright. Lushly written and layered with folklore and the rhythms of ordinary life, this remarkable book weaves from present to past in a moving homage to the will of the individual spirit and the rich wisdom of the collective past.

Product Details

ISBN-13: 9781861591425
Publisher: Phoenix House
Publication date: 06/10/1999
Pages: 374

About the Author

Christopher Nolan is also the author of Under the Eye of the Clock, which won the Whitbread Book of the Year Award. He died in 2009.

Read an Excerpt

Covering the eighty-plus years of the life of Minnie O’Brien, The Banyan Tree is a rich saga of rural Ireland in the twentieth century. In prose as lushly layered as the land it describes, Nolan lovingly details the triumphs and tragedies of this spirited woman, who struggles to keep body and soul, as well as her modest hopes, alive. While her three grown children have long since moved away, she is determined to keep her family’s farm from the tightening grip of her unscrupulous neighbor, in the hope that one day her youngest will return to claim what is rightfully his. Weaving from the gentle world of Minnie’s youth to the harder realities of the present, this sage and soulful story pays homage to a feisty individual spirit as well as a rich collective past.

What People are Saying About This

Mary Joyce Dicola

This powerful three-generation novel follows Minnie O'Brien and her family in rural Ireland with language that is dark and rich, humorous and colorful. Minnie is a character who will enrich and remain with you.
—Mary Joyce Dicola, the Book Stall at Chestnut Court, Winnetka, IL

Reading Group Guide

1. The novel's opening chapter is a narration of Minnie at work on her weekly butter churning. How does this chapter introduce the reader to the mind of Minnie O'Brien, to the story's main concerns, and to the author's idiosyncratic prose style? What is the significance of ordinary domestic detail in this novel?

2. It has been said of Christopher Nolan that "he plummeted into language like an avalanche, as if it were his one escape route from death--which, of course, it was. He had been locked for years in the coffin of his body, unable to utter. When he found words he played rapturously with them, making them riot and lark about, echoing, alliterating and falling over one another. . . . Nolan constantly subverted and remade idiom" (John Carey, Preface to Under the Eye of the Clock, New York: St. Martin's Press 1987, p. ix). What pleasures and difficulties does Nolan's unique use of language present to the reader? What is unusual about his verb usage? What are the other notable elements of his writing style?

3. According to Merriam-Webster's Collegiate Dictionary, a banyan tree is an East Indian fig tree whose branches send out shoots that grow down to the soil and root to form secondary trunks. Why has Nolan chosen this image for the book's title? To what does the metaphor of The Banyan Tree refer? How is it being used in the following quotation: "She thought as she chewed and chewed as she thought, and every time she swallowed her banyan tree grew in desperation. . . . As she savoured it The Banyan Tree sent down more roots and the moment they hit the floor up sprang three children, her three children, playing a game of snap-apple thisHallowe'en in September" [p. 145]?

4. In Irish fiction the Catholic Church has traditionally played a large and sometimes cruelly repressive role. How important is the church in Minnie's life? What effect, if any, does religion have upon her sexuality? How does she feel when her eldest son decides to become a priest?

5. Carried across the threshold by Peter, Minnie is described as a new bride, "hunted down by nature" [p. 65]. At Sheila's birth, the narrator tells us that the new baby "curled her toes in readiness for a life of only second-class importance" [p. 122]. Do these examples imply that being born female in Minnie's world limits a woman's potential for happiness and self-realization? Does the fact that Minnie's neighbor Jude Fortune, an example of an ambitious rather than a passive female, comes to such an unhappy end support that theory?

6. Jude Fortune plays a powerful role in the story as the antagonist of Minnie's deepest wish--to retain ownership of the five fields for Frankie's return. What sort of a woman is Jude, and how are her values set in opposition to Minnie's? We're told, "The widow Fortune thought like a farmer but grafted like a whore" [p. 172] and "To her there was no such thing as love" [p. 171]. Is Jude's love of money and Minnie's love of the land used to draw attention to two very different spiritual conditions in these women?

7. Many important plot details in The Banyan Tree are only hinted at within the text. We're told that Jude Fortune's father, "the bluebottle of her childhood, had infested her every struggling dream. . . . Jude's reality lay somewhere between a father's commerce and a husband's love" [p. 171]. Is this hint meant to supply an explanation for Jude's behavior as an adult? Later in the story, Peter O'Brien's grandson reveals that he is Nuala Lynam's grandson. Earlier, we are told that Nuala had put her baby up for adoption at his birth. Is it correct to assume that the young man knows who his grandfather is, and who Minnie is? Why is the author vague in these descriptions?

8. Why does Minnie fix her hopes on Frankie's return? What effect does his late arrival have on her? Is he an admirable character? Does it appear that Minnie doesn't love her other two children as much as she loves Frankie? Do the circumstances of Frankie's conception make him an especially beloved child?

9. Near the end of her life, Minnie reflects on her children: "One set out as a priest and came home an old man, one set out as a boy and never came back at all, and his girl set out to nurse and now she's her own best patient" [p. 329]. Does Minnie have a happier disposition than any of her children? Is she more at peace with the choices she has made?

10. Minnie's two sons leave home early in life, but while Brendan sends letters and money, Frankie cuts his ties more ruthlessly. What motivates their actions and their seeming desire to stay away from Ireland? Are they trying to escape their family, or is it the farm and its responsibilities that are too much of a burden? Could the novel be an exploration of a generation's abandonment of rural life?

11. Thinking of Peter, Minnie says, "Aye indeed the mousetrap caught me a good man, a good honest man" [p. 17]. Is Peter as honest as Minnie thinks he is? What are Peter's best qualities? Why does he keep the knowledge of his heart disease from his wife and family? When Minnie finds a picture entitled "your baby boy Peter" in his coat pocket years after his death [p. 326], does she realize Peter's dishonesty? Does she connect the visit of Nuala Lynam's grandson, who is "the livin' image" [p. 335] of her son Frankie, with Peter's secret?

12. Much of Minnie's emotional life is lived waiting for the postman and for Frankie's return: "This game of waiting was murder on the heart and tinder-boxed the brain" [p. 329]. Sheila also waits, in thrall to her rich and wandering husband Luke Green. Does this theme of waiting point to a problem of passivity, or of disappointed love, in the lives of these women?

13. Looking at the generation of exiles from Ireland--the alcoholic priests Brendan O'Brien and Harry Hope, the rootless Frankie, the Irish-speaking Pat from Donegal, who seems to be dying of AIDS, the prostitute who enlists Frankie's help with Pat--does it appear that these characters are living hopelessly unhappy lives, or merely normal ones? Is their discontent directly related to their exiled condition? How does their discontent differ from Minnie's? Are all hopes doomed to fail, for the rooted and wandering alike?

14. Christopher Nolan has been disabled from birth, and in his memoir Under the Eye of the Clock, he refers to himself as "birth brain-damaged, but curiously, though seldom recognized, intellectually normal" [p. 4]. How might such a disability affect an author's point of view, the things he notices and cares about with greatest intensity? Does the physical world perceived by the five senses appear with greater emphasis in Nolan's writing? Does the fact that he typed out the book with his "unicorn stick" seem to have affected the book's style or structure?

15. The story of The Banyan Tree is a simple one, focused as it is upon the memories and experiences of a single character. How does Nolan's exuberant use of language transform the apparent simplicity of the story? If you have read James Joyce's Ulysses, which follows the thoughts and experiences of three characters throughout the course of one day, would you consider The Banyan Tree similar in its basic premise?

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The Banyan Tree 3.9 out of 5 based on 0 ratings. 7 reviews.
vnovak on LibraryThing More than 1 year ago
The life story of Minnie O'Brien is told with expressive and unusual language. Set in Ireland, the book's vivid descriptions make Minnie's farm come to life and creates unforgettable characters out of this old woman who talks to herself, her priest-turned-bishop son, her daughter stuck in an unloving marriage, and her son Frankie who left at 17 and has never come back. A book to savor.
MiserableLibrarian on LibraryThing More than 1 year ago
Nolan has been compared to Joyce and Dylan Thomas; while much more readable than Joyce, his use of language is fanciful and creative. This story of Minnie O¿Brien, a widow in Ireland with three children she hasn¿t seen in many years, is a wonderful tale of love and hope and trust and wonder. Flashbacks fill in the detail of Minnie and Peter¿s early years together, and the alliteration and sheer poetry of Nolan¿s prose provide a rich feast of words. For example-¿ ¿ lines and lines of life, theming teeming traces, thin and Sibyline in greatness¿ ¿ ¿Minnie dallied the days of dreadlocked design.¿
Anonymous More than 1 year ago
Anonymous More than 1 year ago
The writing is unbearably clever. He spends so much time trying to make each sentence lyrical or alliterative that they frequently make no sense. Obviously not a fan of Hemingway and the simple sentence. It was tortuous to try to read and I gave up several pages in. I guess don't get the point of this style of writing - to try to impress the reader with your skills? A clear, simple , beautifully constructed sentence is more impressive in my book. This was annoying.
Anonymous More than 1 year ago
Guest More than 1 year ago
I love this book, I have read it several times thrugh the years and always come away with a new outlook. To read and understand this book is to understand how a women thinks.
Guest More than 1 year ago
This novel was beautiful in words and in deeds. The language is meandering and must be carefully followed until the idea flows to you thru the words. You will know soon enough if you enjoy this journey of a family in rural Ireland. I will leave it to you to like or reject...a constant memory will be the reference to clocks...I could 'hear' the silence of this place with the ticking clock. I made sure to find a clock for welcome in a silent house.