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The Ideas, Identity and Art of Daniel Spoerri: Contingencies and Encounters of an 'Artistic Animator'
254Overview
The term "artistic animator" is inspired by the definition "Kunstanimator" given to Spoerri by his longstanding friend Karl Gerstner during an interview with Katerina Vatsella in 1995. Wherever he went, Spoerri was capable of inspiring others to make art, and at the same time he absorbed, interiorized and transformed ideas from others. His fluctuating memberships during late Modernism (Zero, Nouveau REalisme, Fluxus, Mail Art) explain why some areas of this work have not yet received their due attention and their connection to the whole picture has often eluded scholarly inquiry. Beyond his tableaux-piEges, which gave him immediate notoriety through an early purchase by the MoMA, Spoerri discovered a new way to approach the multiples in sculpture (Edition MAT), he transformed his trap pictures into an experimental narrative form (Topographie AnEcdotEe du Hasard), he initiated the Eat Art movement, he tested an innovative curatorial approach (the MusEe Sentimental and the Giardino). Despite constant interruptions due to his semi-nomadic lifestyle, this oeuvre presents an extraordinary coherence, where none of these ventures can be properly understood without considering all the others. This is the first monograph entirely devoted to Daniel Spoerri in the United States to date. With an introduction by Barbara RAderscheidt.
Product Details
ISBN-13: | 9781622731954 |
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Publisher: | Vernon Art and Science |
Publication date: | 06/29/2017 |
Series: | Vernon Series in Art |
Pages: | 254 |
Product dimensions: | 6.00(w) x 9.00(h) x 0.63(d) |
About the Author
Table of Contents
Chapter 1. From theater to the visual arts: Spoerri’s debut into the art world through the Edition MAT
Chapter 2. Under the Fluxus umbrella: building a collective identity
Chapter 3: The tableau-piège as a spatio-temporal collage of chance
Chapter 3. Eat Art: beyond food
Chapter 5. Daniel Spoerri’s localisms: the Musée Sentimental
Chapter 6. Between life and death are the works of memory: Inside Il Giardino