He was the most social of writers, and at the height of his career, he was the very nexus of the glamorous worlds of the arts, politics and society, a position best exemplified by his still legendary Black and White Ball. Truman truly knew everyone, and now the people who knew him best tell his remarkable story to bestselling author and literary lion, George Plimpton.
Using the oral-biography style that made his Edie (edited with Jean Stein) a bestseller, George Plimpton has blended the voices of Capote's friends, lovers, and colleagues into a captivating and narrative. Here we see the entire span of Capote's life, from his Southern childhood, to his early days in New York; his first literary success with the publication of Other Voices, Other Rooms; his highly active love life; the groundbreaking excitement of In Cold Blood, the first "nonfiction novel"; his years as a jet-setter; and his final days of flagging inspiration, alcoholism, and isolation. All his famous friends and enemies are here: C.Z. Guest, Katharine Graham, Lauren Bacall, Gore Vidal, Norman Mailer, Joan Didion, John Huston, William F. Buckley, Jr., and dozens of others.
Full of wonderful stories, startlingly intimate and altogether fascinating, this is the most entertaining account of Truman Capote's life yet, as only the incomparable George Plimpton could have done it.
|Publisher:||Knopf Doubleday Publishing Group|
|Product dimensions:||6.10(w) x 9.20(h) x 1.00(d)|
About the Author
George Plimpton, the originator of "participatory journalism," is the editor of The Paris Review. His books include Paper Lion, Out of My League, The Bogey Man, Open Net, The Curious Case of Sidd Finch, and, most recently, The X Factor. He lives in New York City.
Date of Birth:March 18, 1927
Date of Death:September 25, 2003
Place of Birth:New York, NY
Place of Death:New York, NY
Education:B.A. in English Literature, Harvard University, 1950; Master's degree, Cambridge University, 1952
Read an Excerpt
1966: In Which TC Decides to Give His Black-and-White Ball JOHN KNOWLES Don't you think Truman sat there in Monroeville Alabama, when he was about ten, deeply rejected and out of it, strange little outcast, even in his own house, and said that someday he would hire the most beautiful ballroom in New York City and he would have the most elegant and famous people in the world there?• • •LEO LERMAN The ball was one of his major works. As much a major work as some of his short stories. He sat there planning it all summer long. I came back from somewhere to find him surrounded by these notebooks. I wondered what work is he writing? It turned out to be this ball. One of the things he adored saying was "Well, maybe you'll be invited and maybe you won't." He'd say things like "Well, are we going to have so-and-so?" Then he'd make little notes. He had the most marvelous time doing it. It was his reward for all those years he kept for himself. It was ostensibly for Kay Graham. It was for Truman.DOMINICK DUNNE Two years before Truman's ball, on my tenth wedding anniversary, my wife, Lenny, and I gave a black-and-white ball where the ladies were asked to dress in black and white. We had a policy that no one could bring houseguests or anything because there was just limited space. At the last minute Truman called and said, "Yes, yes, I'm coming, I'm going to be there, but I'm bringing three guests." Well, we didn't have the nerve to say to him, "Well, you can't bring them." They turned out to be Alvin Dewey, the FBI agent, his wife, and a third person involved in the In Cold Blood case. It was a very glamorous affair, filled with film stars. These people from that little town in Kansas were absolutely awed by it. I mean David Niven, Gina Lollobrigida, Natalie Wood, Loretta Young, Jennifer Jones, I mean it went on and on. That was 1964, the days when Hollywood was still the kind of Hollywood that we fantasize about. We had our house totally cleared of furniture and off the library in the back there was this tent so huge that friends who had been coming to our house for years were disoriented, they didn't know where they were. We had two bands. It was very beautiful, an extravagant waste of money. I mean, later in life I went broke, and that was a perfect example of why. Truman loved it. I have these incredible photographs of him dancing with Tuesday Weld, talking to Jennifer Jones. He was one of the last ones to leave. Then two years later he gave his great ball, the black-and-white ball, did the same thing, but he didn't invite us!GEORGE PLIMPTON Truman must have kept at his guest list all that summer, pruning, adding, mostly pruning, I suspect. I remember summer day at the Bennett Cerfs' in Mount Kiscothe estate called the Columns because the money to build it had come the proceeds Bennett got for his syndicated columns "Tradewinds," "Cerfboard" among them. It was a hot day and I remember the luncheon guests gathered around the swimming pool that afternoonFrank Sinatra, Mia, his young wife then, and Truman of course. Mia in a black bathing suit, as I remember, was lying on her back in the sun by the edge of the pooljust enchanting, and not really part of the conversation or anything, when suddenly a butterfly landed on the exposed part of her breast, above the line of the bathing suit. It was one of the large swallowtail variety, the kind that fans its wings absolutely straight up and holds them there motionless, a sail for an instant, and then fans them again. Absolutely beautiful, of course, obviously because it had picked Mia to land on, faunlike, childlike, and we all stared spellbound. Then Truman broke it, quite abruptly. "What about the Goetzes?" he called out quite loudly, or some such name. "Should I invite them, or consign them..."• • •R. COURI HAY (publicist) Truman always claimed he invited 500 of his friends and made 15,000 enemies.• • •BOB COLACELLO (writer) Truman did invite Andy Warhol to the black-and-white ball, but he couldn't bring anyone, which for Andy in the sixties was a major agony.• • •PETER MATTHIESSEN (writer) Truman was kind of upset when I told him my book was going well and I didn't want to break off to go to the black-and-white party. I explained that I would only get drunk and lose the drift of things for two or three days, but he was utterly unmollified. He was even more annoyed when Bill Styron stayed home, too, for the same reason. Bill had rung up to ask if I was going to Truman's party, and when I said, "No," he said, "Great! I'm not going, either!" As it turned out, we missed something wonderful, and Bill uphraids me every few years"You talked us out of the best party in history!" Next time I saw Truman, he was still a little sulky. When I asked if I was forgiven, he burst out, "Cecil Beaton came all the way from London for my party, and you wouldn't even come in from Sagaponack!" • • •MARIA THERESA CAEN (literary agent) I flew from San Francisco to New York, carrying my mask. Literally everyone, porters at the airport, cabdrivers, strangers, it seemed like all of New York knew about the party. I couldn't put my mask in my bag, it would have been all squashed and ruined. It was on a stick, covered in cellophane, and everyone knew I was going to Truman's ball. They'd say, "Oh! You're going to Truman's party!" Not to "Capote's party" but to "Truman's party." It was so intimate. For a while it looked like I was going to Truman's ball with a bath towel and the mask because airline lost my bag with my dress. It finally arrived at the hotel hours before the ball. In the meantime, Geraldine Stutz sent over something I could wear from Bendel's in case my dress didn't arrive There was great excitement in the hotel. The maids would come running in and say, "Oh, your dress is here, your dress is here!"HERB CAEN It was the talk of New York. The elevator operators, the cab drivers, the doormen, as soon as they saw you with a mask or headdress, they said, "Going to Truman's ball, huh?" New York had that funny small-town feel to it; they were all excited that you were going to the ball. That part was fun. It was like the Super Bowl. There was such a buildup that by the time the game was played, it didn't amount to much.• • •November 28,1966: In Which the Band Strikes UpPIEDY LUMET We gave one of the dinners before the ball. We had the writers. Norman Mailer sat next to me; he said, "You ought to be an elevator operator. You just go up and down." I don't even want to think about what he meant by that.NORMAN MAILER I met Pat Lawford at dinner before the ball. Piedy Lumet gave the dinner. Lawford and I were seated next to each other. We got along like a house afire because we did nothing but insult each other all night. It was wonderful. She said, "I don't know why I'm sitting next to you. I've heard you're awful." Or some extraordinary thing. I said, "Well, that just shows how dumb the people are that you know." We've gotten along ever since.• • •JOHN KNOWLES I thought the masked ball was a hoot. I felt as if we were in Versailles in 1788. People were applauding us in the street as we walked in. We had our masks on. I thought next year it'll be the tumbrels taking us out to Herald Square, but at the moment we were the last of the aristocrats. I remember arriving at the side entrance of the Plaza. There was a solid phalanx of news media. I forget exactly what group I was with but no stars were with us. We arrived and the klieg lights went on because we were masked. They turned on the lights and looked at us. Nobody. The lights went off again.• • •HAROLD PRINCE It was the last time we ever went to anything remotely like that. We were back out on the street within half an hour of arrival. Donald Brooks whipped up a feathered mask for my wife, Judy. I remember we were both rather uncomfortable about whole thing. At the Plaza Hotel I got a lot more uncomfortable because of the people on the street. The French Revolution came to mind and our place in the tumbrels. Of course, the receiving line was enormously cordial. Truman was enormously nice. But we sat down, we took one look around us, and we quietly left, out of comfort. I would lie if I didn't say out of disapproval too. But we went, didn't we? • • •GORDON PARKS (photographer) Everyone was looking at each other. I got the feeling that half the people there didn't know the other halfat least as friends. Quite a lot of nervous bowing and greeting. I went with my second wife, Elizabeth. She spent a fortune getting a rhinestone mask made. We didn't eat for two weeks. I didn't wear a mask. With a mask people wouldn't know that I was black. After all, I was there to make it a real black-and-white ball.• • •LEE RADZIWILL Everyone stood back when Jerry Robbins danced with Betty Bacall. When they started out in a corner, people were dancing everywhere, but the two of them were so superb the dance floor just cleared. ARTHUR SCHLESINGER, JR (historian) I saw Betty Bacall dancing out on the floor. I've known her for years. So I went and started to cut in. She looked at me with considerable scorn and said, "Don't you see whom I'm dancing with?" And I looked, and it turned out to be Jerry Robbins, whom I had never met. So I retired crestfallen.• • •ALFRED KAZIN The last time I was famous was when I was a guest at Truman Capote's black-and-white ball. When someone asked him who I was, Truman kindly said that I had written a book called A Walker in the City and he said, "I think Alfred's an artist." Ah, artist or no artist, there I was...looking at Mrs. Joseph P. Kennedy constantly replacing her makeup, John O'Hara joining in with his friends naming racehorses, and I thought, "Oh boy, I'm a celebrity."• • •NORMAN MAILER That night I had an altercation with McGeorge Bundy and invited him outside. We had an argument about Vietnam and at one point he put his hand on my arm very kindly and said, "Well, of course, you really don't know much about it." I said, "Let's go downstairs." I was very brave, because he was obviously in better condition than I was. I was dissolute and full of drink. But I'd have killed him that night, I was so angry: one night every three years you can win if you're gonna have it. That was one of those nights. I had a terrible argument with Lillian Hellman as a result. Because she overheard it, she stopped it. She was always such a celebrity fucker. It must be said of Lillian that when the chips were down she'd always go for the guy who had the most clout. And there was no doubt in her mind that McGeorge Bundy had a good deal more than I did. So she turned on me right in front of him and said, "How dare you, Norman!" I said, "You get lost!" We had this huge fight...like an older sister and her kid brother. Then we didn't speak for a year or two. I wasn't going to speak to her ever again. Right in front of McGeorge Bundy. Anyway, Truman's responsible for all of this. Now, multiply this bythere are only three of usone hundred and thirty-three and the scenes you got...!WILLIAM F. BUCKLEY, JR. He was challenging everybody to fight. A lot of people were pretty lubricated that night, including Norman. In the semi-affectionate way in which we have always contended, he did seem that way with me. "Put up your dukes." But there was nothing serious about it.• • • AILEEN MEHLE There was a wonderful, hectic gaiety about the whole party. Truman was the ringmaster. Kay was having a wonderful time, but I think it was all rather overwhelming for her. It was Truman who was really going all out. He would hop, skip, and jump from table to table and say, "Aren't we having a wonderful time? Aren't we having the most wonderful time? I love this party."• • •HERB CAEN About midnight, Sinatra was having a bad time. He was with Mia. He said, "Hey, let's get out of here." So we were sneaking out the door to go to one of his jointsJilly's, that awful bar he used to hang out in. Truman caught us at the door and tried to put a body block on us. I said, "No, we're leaving, but we'll come back." He said, "No, you won't. You won't come back, I know you won't come back."Well, we didn't. I think he was hurt. It was one of those great parties that never got off the ground. People did what they always dogetting up and going into their little cliques and corners. If you're not a part of the groupwe being from the West Coastwe got that "who's that?" look most of the time. Sinatra just hated the whole thing.
Most Helpful Customer Reviews
I found this book to be very gripping. It was a page turner. It was an oral biography. Various people talked about Capote, from his childhood in Alabama to his death in California. Some people were obviously self-serving, or trying to bury a hatchet, or out to lunch, but it was still interesting, because they said as much about themselves as they did about Capote. It also let you see what type of people he was surrounded by.It provided information and context about Capote, without being too heavy or detail oriented. It gave you emotional as well as factual information, and opinion. Sometimes you could see the same event described by multiple people.I have been interested in Capote since seeing the fabulous movie, Infamous, which this book was the basis for. I wanted enough information about him to read his his stories and books about him, and understand the nuances, but I didn't want to get bogged down in the detail. This book was perfect for that.The anecdotes were arranged in chronological order so they seemed to tell the story of his life. They talked about his early writing successes, his involvement with the Kansas situation, the black and white ball, his flitting with the jet-set, his fall from grace with them when he published their gossip, his dabbling with Broadway and Hollywood, his lack of writing, his boozing and drugging, and his death.The only lack seemed to me was the lack of explanation about his relationship with Jack Dunphy. Truman seemed to be alone, but he was also with his lover Jack Dunphy. Jack would be there but not around, and the book never explained why ? Also why Jack never seemed to try to save him.
George Plimpton describes this as an "oral biography". Plimpton interviewed a variety of Capotes friends, enemies and acquaintances, cutting and pasting their comments together to form a narrative of Capote's life. He states that the intended effect is like attending a party where Capote is the subject of conversation. The readers moves from group to group (miraculously in chronological order).I found this a very engaging book - I was constantly promising myself to stop at the next chapter and then continuing to read. Plimpton comments that one of the problems is that he cannot make people's recollections match, but that is one of the charms of the format, in my opinion. This is so intimate and immediate.The book is illustrated with dozens of photographs; the captions give Plimpton the opportunity to slip in a little inforamation that did not come up in the interviews. There is also a chronology, which I wish every biographer would include, as well as a list of the contributors with brief biographical information.If I were truly interested in Capote, I would also read a traditional biography (Plimptons recommends Gerald Clarke's Capote), but I would urge anyone interested in the subject to read this as well for a different take.