×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
Overview
Some guys are better at being a regular guy than others, and more than 16 years into his career as a singer/songwriter, Hayes Carll may well be the most regular of all guys with guitars in America. Carll is just smart enough to tell his stories with a clear and articulate lyrical voice, his music is pleasing but as unpretentious as it gets, and his vocal style makes him sound like a fortunate version of the guy sitting next to you at the bar, chasing some bourbon with a draft. While Carll emerged from the Texas singer/songwriter community that brought us the likes of Townes Van Zandt and Guy Clark, at his best he feels a bit more like he's half Todd Snider and half John Prine, well acquainted with the funny and the challenging sides of ordinary lives, and that's the formula that comes across on 2019's What It Is. Fellow singer and songwriter Allison Moorer produced What It Is in tandem with engineer/bassist Brad Jones, and Moorer clearly knows what someone like Carll needs in the studio. She has provided him with a backing group that plays rootsy contemporary folk with the scrappy enthusiasm of a well-oiled bar band and a clean vocal mic that captures Carll's vocals, and otherwise she stays out of his way and lets him run his show. Moorer's instincts were right on the money, and What It Is manages to sound like everyone involved is playing at the top of their game while also maintaining a feel that's playful and loose. Carll has fun owning up to his various misdeeds in "None'ya," "Wild Pointy Finger," and "Things You Don't Wanna Know"; tries to do his best in the game of love in "I Will Stay" and "Beautiful Thing"; and gets a bit philosophical as he ponders the world around him on "Jesus and Elvis," "Times Like This," and "If I May Be So Bold." At each turn, he sounds like he's trying just hard enough to make the songs stick but without forcing the issue, and as a songwriter and a vocalist he does a fine job of making his real-deal persona communicate. Some regular guys craft occasional masterpieces, but Hayes Carll more often is the guy who delivers a good, solid, and enjoyable piece of work and then moves on, and that's what he's given his fans on What It Is. Like the cheeseburger that regular guy ordered at the bar, it may not be fancy, but it sure leaves you satisfied.
Product Details
Release Date: | 02/15/2019 |
---|---|
Label: | Dualtone Music Group |
UPC: | 0803020186927 |
catalogNumber: | 1869 |
Rank: | 27398 |
Related Subjects
Customer Reviews
Related Searches
Explore More Items
Arguably his finest record, Robert Earl Keen's A Bigger Piece of Sky is a transitional ...
Arguably his finest record, Robert Earl Keen's A Bigger Piece of Sky is a transitional
album for him -- he begins to evolve out of the terrain of his organic small-town Texas songwriting comfort zone and to walk the knife's ...
Maybe the Lumineers got tired of hearing other bands replicate the big-footed stomp of Ho
Hey, an aesthetic that was impossible to avoid in the wake of their eponymous 2012 debut. So many bands adopted this thunderous folk that it ...
Robert Earl Keen has been playing the Texas singer/songwriter circuit for over three decades, and ...
Robert Earl Keen has been playing the Texas singer/songwriter circuit for over three decades, and
as a guy who often favors the acoustic side of the country and Americana music scenes, it's no kind of surprise that he's crossed paths ...
In 1996, Robert Earl Keen was a Texas singer/songwriter with a healthy fan following when ...
In 1996, Robert Earl Keen was a Texas singer/songwriter with a healthy fan following when
he played a gig at John T. Floore's Country Store, a celebrated restaurant and concert venue in Helotes, Texas, just northwest of San Antonio. Keen ...
Always pining for a rustic American past, Langhorne Slim ups the ante with his old-timey ...
Always pining for a rustic American past, Langhorne Slim ups the ante with his old-timey
obsessions on Lost at Last, Vol. 1. Often sounding as if it's designed as a respite from the digital clamor of modern living, Lost at ...
Coming 25 years after June Carter Cash's previous solo recording (time she devoted to being
Johnny Cash's wife), Press On is as rustic and sepia as the liner card's vintage photo of the Carter clan gathered at the foot of ...