The Windy Hill

The Windy Hill

by Cornelia Meigs


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Will these two siblings help solve a family mystery? Find out in one of the earliest Newbery Honor Award winners!
Brother and sister, Oliver and Janet, are excited to spend their summer with their cousin Jasper, who has always been cheerful and fun to be around. However, when the children arrive at his home, Jasper is despondent and distracted—nothing like the cousin they know. Eventually, the children discover that their cousin has been having trouble with a neighbor but is doing nothing to fix the problem! The siblings want to help . . . but how?

Enter in The Beeman, a neighbor who regales Oliver and Janet with enchanting stories of local history. The two siblings visit the friendly neighbor more and more to hear his amazing stories but continue to wonder how they can help their cousin. As it turns out, The Beeman’s tales of their family history just so happen to contain the secret to helping Jasper with his villainous neighbor!

With original illustrations and beautiful, descriptive prose, this classic award-winner is perfect for young readers eager for a good, wholesome mystery. Whether you read it alone or as a family, get ready to be swept away by The Windy Hill!

Product Details

ISBN-13: 9781718637573
Publisher: CreateSpace Publishing
Publication date: 05/02/2018
Pages: 130
Product dimensions: 6.00(w) x 9.00(h) x 0.28(d)
Age Range: 7 - 11 Years

About the Author

Cornelia Meigs was an American writer of children’s fiction and nonfiction. She wrote dozens of books, both fiction and nonfiction. Kirkus Reviews called her “one of the best-loved authors of fiction for boys and girls.” Some of her more notable works include her Louisa May Alcott biography and Newberry Medal winner, Invincible Louisa (1933), and three Newberry Honor award winners: Windy Hill (1922), Clearing Weather (1928), and Swift Rivers (1933).

Berta Hader was born in Mexico in 1890. She moved around the US throughout her childhood, eventually settling in San Francisco where she attended the California School of Design. There she met and befriended Rose Wilder Lane, daughter of then-unknown Laura Ingalls Wilder. It is there she also met her future husband Elmer Hader, with whom she illustrated and co-wrote multiple children’s books. In 1918, she moved to New York where she did fashion illustration for McCall’s magazine and was married a year later.

Elmer Hader was born in California and, at the age of 16 as a part of the National Guard, helped restore balance to San Francisco after the earthquake of 1906. He attended the California School of Design at the same time as his future wife, Betty. In 1918, he was drafted into the US Army and after spending a year in France as a part of the Camouflage Corps, he moved straight to New York City. After being demobilized in 1919, he married Betty.

Read an Excerpt


The Beeman

THE ROAD was a sunny, dusty one, leading upward through Medford Valley, with half-wooded hills on each side whose far outline quivered in the hot, breathless air of mid-June afternoon. Oliver Peyton seemed to have no regard for heat or dust, however, but trudged along with such a determined stride that people passing turned to look after him, and more than one swift motor car curved aside to give him room.

"Want a ride?" inquired one genial farmer, drawing up beside him. "Where are you going?"

Oliver turned to answer the first question, meaning to reply with a relieved "yes," but his square, sunburned face hardened at the second.

"Oh, I am just going down the road — a little way," he replied stiffly, shook his head at the repeated offer of a lift, and tramped on in the dust.

The next man he met seemed also to feel a curiosity as to his errand, for he stopped a very old, shambling horse to lean from his seat and ask point-blank: "Where may you be going in such a hurry on such a hot day?"

Oliver, looking up at the person who addressed him and gauging his close-set, hard gray eyes and his narrow, dark face, conceived an instant dislike and distrust of the stranger. He replied shortly, as he had before, but with less good temper:

"I am going down the road a little way. And, as you say, I am rather in a hurry."

"Oh, are you indeed?" returned the man, measuring the boy up and down with a disagreeable, inquisitive glance. "In too much of a hurry to have your manners with you, even!" He shot him a look of keen and hostile penetration. "It almost looks as though you were running away from something."

He stopped for no further comment but went jingling off in his rattletrap cart, the cloud of dust raised by his old horse's clumsy feet hanging long in the air behind him. Oliver plodded forward, muttering dark threats against the disagreeable stranger, and wishing that he had been sufficiently quick of speech to contradict him.

Yet the random guess was a correct one, and running away was just what Oliver was doing. He had not really meant to when he came out through the pillared gateway of his cousin's place; he had only thought that he would walk down the road toward the station — and see the train come in. Yet the resolve had grown within him as he thought of all that had passed in the last few days, and as he looked forward to what was still to come. As he walked down the road, rattling the money in his pockets, turning over his wrongs in his mind, the thought had come swiftly to him that he need no longer endure things as they were. It was three miles to the railroad station; but, once there, he could be whisked away from all the troubles that had begun to seem unendurable. The inviting whistle of a train seemed to settle the matter finally.

"It isn't as though I were afraid of anything," he reflected, looking back uneasily. "If I thought I were afraid I would never go away and leave Janet behind like this. No, I am only going because I will not be made to do what I hate."

He told himself this several times by way of reassurance, but seemed always to find it necessary to say it again. There were some strange things about the place where he and his younger sister Janet had come to make a visit, things that made him feel, even on the first day, that the whole house was haunted by some vague disquiet of which no one would tell him the cause. His Cousin Jasper had changed greatly since they had last seen him. He had always been a man of quick, brilliant mind but of mild and silent manners, yet now he was nervous, irritable, and impatient, in no sense a genial host.

Janet, Oliver's sister, had already begun to love the place, nor did she seem to notice the uneasiness that appeared to fill the house. She did not remember her cousin as well as did her brother and was thus less conscious of a change. So far, she had been spending her time very happily, being shown by Mrs. Brown, the housekeeper, through the whole of Cousin Jasper's great mansion and inspecting all the treasures that it contained. It was a new house, built only a year ago.

"And a real calamity it was when the work came to an end so soon," Mrs. Brown had said, "for it kept Mr. Peyton interested and happy all the time it was going on. We had hoped the south wing would be building these three months more."

Janet thought the great rooms were very beautiful, but Oliver did not like their vast silence in which the slightest sound seemed so disconcertingly loud. He was not used to such a quiet house, for their own home was a cozy, shabby dwelling, full of the stir and bustle and laughter of happy living. Here the boy found that noises would burst from him in the most unexpected and involuntary manner, noises that the long rooms and passageways seemed to take up and echo and magnify a hundred times. Mrs. Brown was constantly urging him "not to disturb poor Mr. Peyton," and Hotchkiss, the butler, who went about with silent footsteps, always looked pained when Oliver slammed a door or made a clatter on the stairs. He had never seen a butler before, except in the movies, so that he found the presence of Hotchkiss somewhat oppressive.

It was the change in his host, however, that had really spoiled the visit. Jasper Peyton was a cousin of his mother's, younger than she and very fond of her and her children. At their house he was always a much-desired guest, for he had "the fairy-godfather gift," as their mother put it, and was constantly doing delightful things for them. He was tall and spare, with a thin, sensitive face that, so it seemed to Oliver, was always smiling then, but that never smiled now.

The boy had noted a difference on the evening of their arrival, even as they drove up to the house through the warm darkness and the drifting fragrance of the June night.

"I can hardly remember how Cousin Jasper looks, but I think I will like his garden," Janet had observed, sniffing vigorously.

Oliver nodded, but he was not listening. He was looking up at the lighted house where the door stood open, with Hotchkiss waiting, and where he could see, through the long windows facing the terrace, that Cousin Jasper was hurrying through the library to meet them in the hall. Even at that distance their cousin did not look the same; he walked slower, he had lost his erect carriage and his old energy of action. He seemed a thin, high-shouldered ghost of his former self, with all spirit and cheerfulness gone out of him.

Janet and Oliver were paying their first visit without their mother, and, to guests of thirteen and fifteen respectively, such an occasion was no small cause for excitement. For that reason they were very slow to admit that they were not enjoying themselves, but the truth at last could not be denied. Cousin Jasper, preoccupied and anxious, left them almost completely to their own devices, neglected to provide any amusement for them, and seemed, at times, to forget even that they were there.

"You are a great comfort to him, my dears. He seems worried and distracted-like lately," Mrs. Brown had told them. "He does not like to be in this great house alone."

To Oliver it seemed that their presence meant very little, a fact which caused him to puzzle, to chafe and, finally, as was fairly natural, to grow irritated. After he and Janet had explored the house and garden, there seemed nothing left to do for Oliver but to stroll up and down the drive, stare through the tall gates at the motors going by, or to spend hours in the garage, sitting on a box and watching Jennings, the chauffeur, tinker with the big car that was so seldom used. Janet was able to amuse herself better, but her brother, by the third day, had reached a state of disappointed boredom that was almost ready, at any small thing, to flare out into open revolt. The very small thing required was the case of Cousin Eleanor.

They were all walking up and down the terrace on the third evening, directly after dinner, the boy and girl trying to accommodate their quick steps to Cousin Jasper's slower and less vigorous ones. Their host was talking little; Janet, with an effort, was attending politely to what he said, but Oliver was allowing his wits to go frankly woolgathering. It was still light enough to look across the slopes of the green valley and to see the shining silver river and the roofs of one or two big houses like their own, set each in its group of clustering trees. Beyond the stream, with its borders of yellow-green willows, there rose a smooth, round hill, bare of woods, or houses, with only one huge tree at the very top and with what seemed like a tiny cottage clinging to the slope just below the summit.

"Where that river bends at the foot of the hill, there ought to be rapids and good fishing," the boy was thinking. "Perhaps I might get over there to see, some day."

He was suddenly conscious, with a flush of guilt, that Cousin Jasper was asking him a question, but had stopped in the middle of a sentence, realizing that Oliver was not listening.

"So," he interrupted himself, "an old man's talk does not interest you, eh?" He followed Oliver's glance down to the crooked river, and made an attempt to guess his thought.

"You were looking at that big stone house beyond the stream," he said, "and I suppose you were wondering who lives there."

He seemed to be making an effort to turn the conversation into more interesting channels, so that Oliver immediately gave him his full, but tardy attention.

"A cousin of mine owns the house. We are really all cousins or are related more or less, we who own the land in Medford Valley. But Tom Brighton is of closer kin to me than the others and I am very fond of him. We have both been too busy, just lately, to exchange as many visits as we used to do, but he has a daughter, Eleanor, just about your age, Oliver, a thoroughly nice girl, who would make a good playmate for both of you. I am neglecting your pleasure, I must have you meet her. You should see each other every day."

The suggestion seemed to afford Janet great delight; but, for some reason, it had the opposite effect upon Oliver. Perhaps Cousin Jasper did not know a great deal about younger people, perhaps he had not been taking sufficient note of the ways and feelings of this particular two, for it was quite certain that he had made a mistake. Oliver cared very little for girls, and to have this one thrust upon him unawares as a daily companion was not to his liking.

"It will be very nice for Janet," he remarked ungraciously, "but I — I don't have much to do with girls."

Some pure perversity made him picture his Cousin Eleanor as a prim young person, with sharp elbows and a pinched nose and stringy hair. She would be lifeless and oppressively good-mannered, he felt certain. All the ill success of the last three days seemed to be behind his sudden determination to have none of her. But Cousin Jasper, having once conceived the idea, was not to be gainsaid.

"No, I haven't been doing the proper thing for you. We will have Eleanor over to lunch to-morrow and you two shall go with Jennings in the car to fetch her. Don't protest, it won't be any trouble."

Later, as they went upstairs, Janet pleaded and argued with a thunderously rebellious Oliver who vowed and insisted that he would have no unknown female cousin thrust upon him.

"It is all right for you, Janet," he insisted, "but I won't have Cousin Jasper arranging any such thing for me. When I told him I didn't like girls, he should have listened. No, I don't care if it is wrong, I am going to tell him, to-morrow, just what I think."

Janet shook her brown, curly head in despair.

"I believe you will have to do what he says, in the end," she declared.

The next morning, at breakfast time, Oliver had not relented, for a night haunted by visions of this unknown cousin had in no way added to his peace of mind.

"I have been thinking about that girl you spoke about," he began, looking across the table and over the wide bowl of sweet peas to fix his cousin with a glance of firm determination, "and I don't really care to meet her. Janet can go to fetch her, but — you mustn't expect — I don't know how — —"

His defense broke down and Cousin Jasper was ill-advised enough to laugh.

"Stuff and nonsense," he said. "If you are afraid of girls it is time you got over it. I have telephoned Eleanor already, but she couldn't come." Oliver brightened, but relapsed, the next moment, into deeper gloom than ever. "She said that she would be at home later in the afternoon, so you and Janet are to go over and call on her. I have ordered the motor for three o'clock."

It was Janet's suppressed giggle that added the last spark to Oliver's kindling anger. He was fond of his Cousin Jasper, he was troubled concerning him, and disturbed by the haunting feeling that something was wrong in the big house. Yet baffled anxiety often leads to irritation, and irritation, in Oliver's case, was being tactlessly pushed into rage. He said little, for he was a boy of few words, nor, so he told himself, could he really be rude to Cousin Jasper no matter how foolishly obstinate he was.

"But I'll get out of it somehow," he reflected stormily as he gulped down his breakfast and strode out into the garden. "I'll think of a way."

Cudgel his brains as he might, however, he could think of no plausible escape from the difficulty. He had found no excuse by lunch time, and was relieved that Cousin Jasper did not appear, being deep in some task in his study. At half past two Janet went upstairs to dress and Hotchkiss came to Oliver in the library to say:

"The car was to be ready at three o'clock, sir. Is that correct?"

To which Oliver replied desperately:

"Tell Jennings to make it half past three. I am going for a walk."

So he had plunged out through the gates and, once away down the dusty road, he became more and more of a rebel and finally a fugitive.

"I won't go back," he kept saying to himself. "I won't go back."

There was enough money in his pocket to take him home, and there was a train from the junction at three. He could telephone from there, very briefly, that he was going and that Hotchkiss was to send his things. He was beginning to discover some use for a butler, after all.

He trudged on, growing very hot, but feeling more and more relieved at the thought of escape. The way, however, was longer than he had imagined, and three o'clock came, with the station not yet in sight. There was another train at five, he remembered, but thought that it would be better not to spend the intervening time waiting openly on the platform. He would be missed long before then and Jennings and Janet, or perhaps even Cousin Jasper himself, would come to look for him. It would be better for him to cross the nearest meadow and spend the two hours in the woods, or he might settle the question over which he had been wondering, whether there were really fish in that sharp bend of the river.

He climbed a stone wall and dropped knee-deep into a field of hay and daisies. Toward the right, a quarter of a mile away, he could see the house of gray stone standing in the midst of wide, green gardens and approached by an elm-bordered drive. At that very moment he should have been rolling up to the door in Cousin Jasper's big car, to inquire for the much-detested Eleanor Brighton. He made a wry face at the thought and went hurrying down the slope of the hayfield, passed through a grove of oak and maple trees, and reached the river. It was a busy, swift little stream, talking to itself among the tall grasses as the current swept down toward the sea. A rough bridge spanned it just below the bend, and here he could stand and see the fish; for they were there, as he had thought. In the absence of fishing tackle, he could only watch them, but the sound of a car, passing on a road near by, made him hurry on.

Now, he felt, he was away from passers-by indeed! Another stone wall, patterned with lichen, separated him from the briar-filled wilderness of an old, abandoned orchard. Each one of the twisted apple trees looked at least a thousand years of age, so bent, gnarled, and misshapen had it become. Through the straight rows he could look up the slope of the round hill that he had so often watched from Cousin Jasper's garden, he could make out the roof line of the tiny, dilapidated cottage, and could see that the big tree at the summit was an oak. The orchard was a deserted waste and the house seemed uninhabited. Yet just below the summit, the hill was dotted with small, boxlike structures, painted white, that might have been chicken houses, but seemed scarcely large enough. Filled with curiosity, he went forward to investigate, munching, as he went, a yellow June apple that he had picked up in the grass.

A rough lane opened before him, that passed through the orchard and wound up the hill, with its high grass trodden a little as though, after all, people did sometimes pass that way. He had climbed only a little way when he heard voices.


Excerpted from "The Windy Hill"
by .
Copyright © 2017 Cornelia Meigs.
Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

I. The Beeman
II. The Seven Brothers of the Sun
III. John Massey's Landlord
IV. The Garden Wall
V. The Ghost Ship
VI. Janet's Adventure
VII. The Portrait of Cicely
VIII. The Fiddler of Apple Tree Lane
IX. The Fiddler of Apple Tree Lane (Continued)
X. A Man of Straw
XI. Three Cousins
XII. Medford River

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